Here are 66 books that What Still Burns fans have personally recommended if you like
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I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
I do love a good revenge story, and Dylan—the main character—is all about vengeance. Aided and abetted by her best friend, Daniel, that she’s carrying a torch for, the will-they-or-won’t-they as they try to bring down the bad guy has the propulsive plot exploding in more ways than one. This is set in the Bay Area, so it feels like a little mini-vacation if you’ve never been!
Revenge meets Promising Young Woman in this thrilling debut about a vigilante on a mission to take down predatory men, perfect for fans of Jeneva Rose and Layne Fargo.
Dylan Truman, better known under her alias Lady Justice, is the bane of every grifter, cheater, and bully in the Bay Area. Alongside her best friend and hacktivist, Daniel Haas, she works as a revenge-for-hire vigilante, seeking retribution on behalf of her (predominantly female) clientele. When a prospective client brings up a fraud complaint against pharmaceutical CEO Brent Wilder, Dylan's business becomes personal: Years earlier, Wilder assaulted Dylan’s sister and got…
I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
Some books may shy away from taboos, but Heather Levy writes fearlessly, dragging topics into the open and spotlighting them, so talking about them is unavoidable.
This isn’t only the story of a woman trying to clear her or her stepbrother’s names after the man who abused her throughout her adolescence turns up murdered; it’s a coming of age as she leans into what she desires and steps into that power.
I love that this is set in rural Oklahoma, a part of the country I feel gets overlooked as far as thrillers and noir go, and the second chance romance and potential that builds between Sam and Eric. This book does feature frank discussions of BDSM/kink and how an abuser exploits it, so please read the content warnings before diving in!
A riveting, dark debut psychological thriller perfect for fans of Gillian Flynn, S.J. Watson, and Megan Abbott
From an early age, Sam Mayfair knew she was different. Like any young girl, she developed infatuations and lust-but her desires were always tinged with darkness. Then, when Sam was sixteen, her life was shattered by an abuser close to her. And she made one shocking decision whose ramifications would reverberate throughout her life.
Now, fifteen years later, Sam learns that her abuser has been murdered. The death of the man who plagued her dreams for years should have put an end to…
I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
It’s hard to go home again after you’ve lived outside the state for several years, but coming home knowing everyone thinks you’ve killed a man after his body turns up? Well, that’s a great way to open a book, and it just gets better.
Kelly Ford always paints a nuanced picture of Arkansas, juxtaposing the region’s beauty and potential with the poverty and reality of actually growing up there. The relationship between Janie and her high school love interest, Gloria, builds beautifully with a plot twist I didn’t see coming.
From the author of Cottonmouths, a Los Angeles Review Best Book of 2017, comes an evocative suspense about the cost of keeping secrets and the dangers of coming home.
Beneath the roiling waters of the Arkansas River lie dead men and buried secrets.
When Jane Mooney's violent stepfather, Warren, disappeared, most folks in Maud Bottoms, Arkansas, assumed he got drunk and drowned. After all, the river had claimed its share over the years.
When Jane confessed to his murder, she should have gone to jail. That's what she wanted. But without a body, the police didn't charge her with the…
I came of age reading Mary Stewart, Daphne du Maurier, and Phyllis Whitney by flashlight after my school night bedtimes. Their plots mingled romance and murder so elegantly, heightening the already incredible stakes of whether they would physically survive intertwined with the anxiety over the couple’s relationship surviving. All these years later, I still love a good story that makes me wonder how in the world the pair will make it through danger—and if there’ll be a kiss at the end.
I love May Cobb books because of the messy drama, and this one serves this up in spades. A murder, a spicy love triangle, East Texas, and a handsome stranger all at the center of it—count me in!
As the mother of a preteen and a teenager, I also appreciated the inclusion of a teen daughter and how her involvement impacted the plot. While at times I’ve grieved that my two best friends from high school and I no longer live in the same city, this book laced my nostalgia with a healthy heaping of reality and showed that sometimes the people who’ve grown with you may also be the ones holding you back from further maturation.
Three lifelong friends plus a dangerous, sexy new stranger in their wealthy, Texas town adds up to a scorching summer of manipulation, obsession, and murder, from the acclaimed author of The Hunting Wives.
Jen Hansen, Kittie Spears, and Cynthia Nichols have been friends since childhood. They are now approaching forty and their lives have changed, but their insular East Texas town has not. They stay sane by drinking wine in the afternoons, dishing about other women in the neighborhood, and bonding over the heartache of their own encroaching middle age and raising ungrateful teens.
I'm a speculative fiction writer who often works within the genre of "climate fiction." I grew up in southern Appalachia; my hometown is a lovely place, surrounded by the beauty and wildness of the Smoky Mountains. It also happens to be centered around a chemical company where a large portion of the town works, including my father and, for a brief time, myself. I've been fascinated with the dichotomy of nature and industry for a long time, and have spent years exploring these themes in my own work.
Another fire, another story, this one a graphic memoir about the 2017 wildfires that ravaged Northern California, claiming dozens of lives and destroying the author's home. It's a beautiful book, illustrated with a simplicity and starkness that pulls you inexorably forward. The night of the fire itself is present in the narrative, but the majority of the book is occupied with what comes after: the unexpected kindness of friends and strangers, the nonlinear progression of grief, the bureaucracy and absurdism of tragedy, and all the questions of how you begin to rebuild.
Early morning on Monday, October 9, 2017, wildfires burned through Northern California, resulting in 44 fatalities. In addition, 6,200 homes and 8,900 structures and were destroyed. Author Brian Fies's firsthand account of this tragic event is an honest, unflinching depiction of his personal experiences, including losing his house and every possession he and his wife had that didn't fit into the back of their car. In the days that followed, as the fires continued to burn through the area, Brian hastily pulled together A Fire Story and posted it online-it immediately went viral. He is now expanding his original webcomic…
I grew up near the coasts of New York and Connecticut, and since an early age I was fascinated by the natural world, especially the ocean. I have held a variety of jobs, including stints as a fisheries policy analyst at the National Marine Fisheries Service, a program manager at the U.S. Environmental Protection Agency, and an environmental consultant stateside and in London. Throughout my career, one thing remained constant: I enjoyed writing and telling stories. I am the author of 14 non-fiction books on American history, including Black Flags, Blue Waters: The Epic History of America’s Most Notorious Pirates, and Leviathan: The History of American Whaling.
St. George Reef Lighthouse is located about six miles off Point St. George on the coast of Northern California, not far from the Oregon border. It is built atop, and partly chiseled into, a massive wave-swept rock. Finished in 1892, St. George Reef took roughly a decade to build, at a cost of $752,000, making it far and away the most expensive lighthouse ever built in the United States. The dramatic history of this iconic lighthouse—replete with engineering feats and tragic deaths—is well-told by Powers, who provides one of the best profiles of a single lighthouse ever written.
Miles off the coast of northern California lies a mariner's nightmare. Concealed by roiling sea and thick fog, the jagged edges of a submerged volcanic mountain chain await approaching vessels like predators in the mist. This is one of the most hazardous reefs off the West Coast. And for over a century, it has been home to the most remote, most expensive, and most dangerous lighthouse ever built in America.
Called "Dragon Rocks" in 1792 by British explorer George Vancouver, the area became known as St. George Reef in the hope that its namesake might slay the dragon. But the…
Whenever I take on a new short story project, I read other writers to admire them, study them, and be inspired by them; it’s like talking with old friends. These five books took me through the heart and soul of what it is to be or to have a mother, to be or to have children, to love or to lose love, to maintain the rituals and magic of family or let them go. Although I believe men can write female characters and women can write males, I really appreciate the fine-tuned ear for the nuances of motherhood, womanhood, and relationships I find in collections written by women about women.
In my very favorite story in this book full of favorites, “Pilgrims,” young children cope with adult reality in a Lord of the Flies-like atmosphere where a tragic accident is offset by the innocent gift of a lost tooth, a talisman meant to create magic in a world that can seem devoid of it. How to Breatheforefronts girls and teens struggling with guilt, peer pressure, identity, envy, sickness, death. Sounds grim, but the writing, the world Orringer creates, is as beautiful and moving as it is dark. Her characters are the kind you can live inside, remember being, feel for. I think about them a lot, still, and I read the book more than a decade ago.
A New York Times notable book and winner of The Northern California Book Award for Best Short Fiction, these nine brave, wise, and spellbinding stories make up this debut. In "When She is Old and I Am Famous" a young woman confronts the inscrutable power of her cousin's beauty. In "Note to Sixth-Grade Self" a band of popular girls exert their social power over an awkward outcast. In "Isabel Fish" fourteen-year-old Maddy learns to scuba dive in order to mend her family after a terrible accident. Alive with the victories, humiliations, and tragedies of youth, How to Breathe Underwaterilluminates this…
Fantasy takes me to a place where I can get out of my own skin, explore new worlds, and live adventures. The stories that pulled folks from our world (for those of you as loosely tethered as I am, I refer to Earth) provided more connection to the idea that I could be in those fantasy worlds and involved in those stories. That’s the bonus level of escapism! I didn’t realize just how many of my favorite stories fell into that category until I wrote this. Those books were definitely instrumental in my writing, though I didn’t follow any of those specific formulas. I’ll have to write another grouping for the other major category of books that influenced my writing.
Tad Williams has many acclaimed series, but this stand-alone novel is my favorite. The protagonist is pulled into another realm where magic reigns supreme. The protagonist must uncover his past while learning about his place in the magical realm before both worlds are destroyed. The way Williams has connected up the two worlds is unique, and the world-building alone gets this story on my must-read list.
Theo Vilmos' life is about to take a real turn for the worse.
He is drawn from his home in Northern California into the parallel world of Faerie, for, unknown to him, he is a pivotal figure in a war between certain of Faerie's powerful lords and the rest of the strange creatures who live in this exotic realm.
As a degreed socio-linguist and international educator, my novel writing has been immersed in the human experience that began early on as a teen musician immersed naively in a non-mainstream world of creatives and cons, when the word 'counterculture' was perceived more as a renaissance than the drug-laden world of darker gatherings that it later came to be known as. Boulder Blues is a work of fiction drawn from both fantasy and personal exposure. From there I went on to teach in American alternative education and later at university with a focus on rhetoric and forensic writing. My draw to other cultures and their perspectives moved me to go on to teach internationally.
This American classic by Pulitzer Prize-winning novelist, Larry McMurtry, is read by university students worldwide. It’s set in its own time of indulgent decadence where little value is placed on the lives of individuals met by Danny Deck, the sad-sack protagonist, who denigrates his published work to the point of tearing up a copy of the novel he carries with him before drowning his own sorry self in the river of the Rio Grande. Yet, Danny is as much at fault for the sloppy treatment of the company he keeps as his company is for being disingenuous.
What McMurtry calls normal life, or mundane happiness, through the voice of novelist Deck, is seen as obtainable if one wants to pursue the creative arts. His conclusion is that the two simply don’t mix. As he explores this idea in a higgledy-piggledy fashion, Deck sets about self-destructing, which has nothing to do…
Hailed as one of "the best novels ever set in America's fourth largest city" (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry's "comic genius, his ability to render a sense of landscape, and interior intellection tension" (Jim Harrison, New York Times Book Review). Desperate to break from the "mundane happiness" of Houston, budding writer Danny Deck hops in his car, "El Chevy," bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable…
I'm an activist/scholar and I taught in the Feminist Studies department at the University of California, Santa Cruz for 40 years. My most popular class was Introduction to Feminism. Then I taught another large, undergraduate course Feminism & Social Justice. By the time I retired I had taught over 16,000 students, and worked with scores of graduate students. My online class, Feminism & Social Justice, on the Coursera Platform has been taken by over 107,000 people located on literally every continent. My teaching and writings are always anti-racist, and explicitly queer. They've drawn on my life experiences. They come out of my passion to lessen suffering, and embrace compassion.
Gloria Anzaldúa was born and raised in South Texas, growing up along the U.S.-Mexican border. For many years she lived in San Francisco, and then in Santa Cruz, California.
The first 113 pages of the book are stories and essays drawn from her life experiences as a woman of Mexican and Indian heritage, daily experiencing life at the physical border between the United States and Mexico.
She was raised in a strongly Catholic tradition, while also drawn to and inventing her own spirituality rooted in indigenous practices of harmony, balance, and reverence for the earth. She was a lesbian in a straight world that condemned her woman-loving sensibility.
Each of these is a “borderland” to be navigated and negotiated, and each of these borders is rich with insight, life, laughter, tears, violence, and love. The last 100 pages of the book is titled “Un Agitado Viento/ Ehécatl, The Wind.” It…
"The U.S-Mexican border es una herida abierta where the Third World grates against the first and bleeds. And before a scab forms it hemorrhages again, the lifeblood of two worlds merging to form a third country--a border culture."--Gloria Anzaldúa
Rooted in Gloria Anzaldúa's experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in BORDERLANDS/LA FRONTERA: THE NEW MESTIZA profoundly challenged, and continue to challenge, how we think about identity. BORDERLANDS/LA FRONTERA remaps our understanding of what a "border" is, presenting it not as a simple divide between here and there, us and them, but…