Here are 100 books that Watch Over Me fans have personally recommended if you like
Watch Over Me.
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I come from a family of born storytellers but grew up to become an archaeologist, sensible and serious. Then, my parents’ deaths brought me to my knees. I knew I would not survive their loss in any form recognizable to me. My grief set me on a journey to understand and rekindle the special magic that they and my ancestors had brought to my life. Eventually, through reading books like these and learning to tell my own stories, I, the archaeologist and life-long rationalist, made my greatest discovery to date: the healing power of enchantment.
This is a book you wouldn't want to lend to a friend, but you might want to buy it for a friend! It’s a genre-defying memoir of a grieving daughter that I found inspirational and validating in the wake of my own parents' deaths. Helen MacDonald loses her father and embarks on a journey to find, adopt, and train a goshawk, one of the fiercest and most feral predators on Earth...a remarkable metaphor for her own wild grief.
As her relationship evolves with the goshawk, Mabel, they learn together the beauty and terror of being alive. I found great inspiration here because it taught me that you can talk about hard things in a lyrical, uplifting way, leaving your readers to soar on the last page, not jumping out of windows.
One of the New York Times Book Review's 10 Best Books of the Year
ON MORE THAN 25 BEST BOOKS OF THE YEAR LISTS: including TIME (#1 Nonfiction Book), NPR, O, The Oprah Magazine (10 Favorite Books), Vogue (Top 10), Vanity Fair, Washington Post, Boston Globe, Chicago Tribune, Seattle Times, San Francisco Chronicle (Top 10), Miami Herald, St. Louis Post Dispatch, Minneapolis Star Tribune (Top 10), Library Journal (Top 10), Publishers Weekly, Kirkus Reviews, Slate, Shelf Awareness, Book Riot, Amazon (Top 20)
The instant New York Times bestseller and award-winning sensation, Helen Macdonald's story of adopting and raising one of…
I’m a British author who has always had a fascination with magical realism and novels that blend the serious with the strange. For that reason, though I write literary fiction for adults, I take so much of my inspiration from children’s literature. There’s something so simple about how kids’ books stitch the extraordinary into the every day without having to overexplain things. I now live not far from the forest that inspired A. A. Milne’s Hundred Acre Wood, and my latest novel is set in and inspired by this part of rural England–with all the mystery and magic that a trip into the woods entails.
In this claustrophobic modern classic, a grieving father and Ted Hughes scholar finds himself haunted by an oily, unnerving, anthropomorphic crow.
I’m a fan of anything Porter writes, but his debut is deserving of the indelible mark it’s made upon the modern literary landscape. The crow is a character like no other, and Porter’s poetry brings this strange and beautiful bird to life.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
Winner of the 2016 International Dylan Thomas Prize and the Sunday Times/Peter, Fraser + Dunlop Young Writer of the Year award and shortlisted for the Guardian First Book Award and the Goldsmiths Prize.
In a London flat, two young boys face the unbearable sadness of their mother's sudden death. Their father, a Ted Hughes scholar and scruffy romantic, imagines a future of well-meaning visitors and emptiness.
In this moment of despair they are visited by Crow - antagonist, trickster, healer, babysitter. This sentimental bird is drawn to the grieving family…
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
Right off the bat, Darius jumps off the page as a real teen with relatable problems.
He’s the quiet kid at school, who the others tease. And he suffers from clinical depression. What I loved was how well Khorram tackled depression’s subtleties.
I think there is a tendency for society to see depression as this overarching dark cloud that keeps us in bed 24/7. But the truth is, many people who are suffering, are functional.
From the outside, we don’t see the building up of little moments that act like a snowball gradually expanding as it rolls down the mountain face.
Be warned – the food descriptions are amazing, so you might get hungry during the read.
Darius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He's a Fractional Persian - half, his mum's side - and his first-ever trip to Iran is about to change his life. Darius has never really fit in at home, and he's sure things are going to be the same in Iran. His clinical depression doesn't exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they're spending their days together, playing soccer, eating…
My father died by suicide when I was thirteen. Because my family never spoke about the issues leading up to and resulting from this devastating event, we suffered a great deal. I have a deep love for books that expose just how dark, and troubled the teen existence can be. Authors who are brave enough to tackle such topics feed my bravery. The more stories we have on the topics of suicide, mental health, and trauma the broader the conversation and the more those who feel as though no one could possibly understand what they are going through feel seen.
John Green’s description of Aza’s obsessive-compulsive disorder was so vivid, so real, I felt as though I was living Aza’s torment.
Many people might find this type of immersive experience off-putting and think, “Why would I want to feel such an extreme, when all I really want is an escape?”
I love nothing more than a story that takes me deep inside a character, and makes me “feel-the-feels” so to speak.
Plus, John Green’s eloquence with prose and dialog is unmatched. His writing stands in a league of its own.
The critically acclaimed, instant #1 bestseller by John Green, author of The Anthropocene Reviewed and The Fault in Our Stars
"A tender story about learning to cope when the world feels out of control." -People
"A sometimes heartbreaking, always illuminating, glimpse into how it feels to live with mental illness." - NPR
John Green, the award-winning, international bestselling author of The Anthropocene Reviewed, returns with a story of shattering, unflinching clarity in this brilliant novel of love, resilience, and the power of lifelong friendship.
Aza Holmes never intended to pursue the disappearance of fugitive billionaire Russell Pickett, but there's a…
I’m a teacher turned author. I’ve spent hours in middle and high schools watching students struggle because they couldn’t get the support they need. And hours listening to the experiences of child and adult victims my husband brought home from work. When we as a society begin to treat mental illness as simply illness, we’ll be on the right track to giving our society the support it needs.
This is a lesser-known book, and I wish more teens had it in their library. There is no shirking behind any kind of veil or safety as Vincent weaves his way through his suicidal ideations, finds friendships, and navigates his health back to safety. This is a quiet novel that’s brutally honest about how one continues on when they’re not sure why they should.
Bonus for animal lovers as Vincent spends a lot of time at the local animal shelter.
Vincent has spent his entire life being shuffled from one foster home to the next. His grades suck. Making friends? Out of the question thanks to his nervous breakdowns and unpredictable moods. Still, Vince thought when Maggie Atkins took him in, he might've finally found a place to get his life--and his issues--in order. When Maggie dies, it all falls apart. A year ago, Vince watched a girl leap to her death off a bridge. He's starting to think she had the right idea. Through a pro-suicide forum, Vince meets others with the same debate regarding death: cancer-ridden Casper would…
Since I was a child, stories steeped in secrets have fascinated me. I spent many hours devouring books about detectives and spies, shadows and deceit. As an adult, it is a rare treat to discover one that is so engaging I must know how it unfolds as soon as possible, and is told in a way that leaves me surprised by how it ends. Each of these books is deliciously tricky, inspiring me to read quickly, before the ghosts between the pages could escape to haunt me.
Wintergirls is heart-wrenching and repulsive. Laurie Halse Anderson uses evocative, jarring language to tell a story about deadly friendship and an almost insurmountable eating disorder. This book pried open my eyes to the harsh struggles of people who live with eating disorders, teaching me about a reality I have mercifully never had to face. My heart ached for the main character as she descended farther into her illness, but left me with that cruel but vital ingredient: hope.
"Dead girl walking," the boys say in the halls. "Tell us your secret," the girls whisper, one toilet to another. I am that girl. I am the space between my thighs, daylight shining through. I am the bones they want, wired on a porcelain frame.
Lia and Cassie are best friends, wintergirls frozen in matchstick bodies, competitors in a deadly contest to see who can be the skinniest. But what comes after size zero and size double-zero? When Cassie succumbs to the demons within, Lia feels she is being haunted by her friend's restless spirit.
As a kid, I devoured books with any magical element, especially those somehow linked to nature. As I grew older and discovered that my emotional struggles were a signal of mental health issues, I turned to books again to make sense of my shattered world. I've found that magical realism is an incredible vehicle to explore the deep truths and questions behind mental health, healing, and grief, providing a way to make sense of the unexplainable. I slowly found my way to my own healing and wrote the book I needed as a young adult. I'm forever grateful to the authors of these books for providing a haven for souls like mine.
A novel in verse with a thrilling magical bent, this book defied all my expectations while somehow exceeding them.
Out of all the books on my list, this one is the most blatantly magical, but the wild happenings are so woven into the contemporary setting that they feel believable. I also love how this book deals with two protagonists who struggle with depression and grief in different ways and find ways to support each other without belittling the intensity of each other’s suffering. Add in a satisfying plot twist, and this book is a soulful, brilliant ride.
They Both Die at the End meets The Bell Jar in this haunting, beautiful young adult novel-in-verse about clinical depression and healing from trauma, from National Book Award Finalist Amber McBride.
Whimsy is back in the hospital for treatment of clinical depression. When she meets a boy named Faerry, she recognizes they both have magic in the marrow of their bones. And when Faerry and his family move to the same street, the two start to realize that their lifelines may have twined and untwined many times before.
They are both terrified of the forest at the end of Marsh…
Aside from my brief stint as a bossy know-it-all when I was little, I have always been that quiet girl no one notices. In high school, it took me at least ten minutes and five tries to get myself to wish my desk partner a happy birthday. I spent a lot of my adolescence trying to find myself, so I understand what it’s like to feel lost. My greatest wish is for my book to help at least one person feel how these books helped me.
Before Bo Burnham made us all Google derealization in 2021, Helena Fox helped me understand the concept of dissociation and how it ties to grief and its aftereffects. I had never seen struggles with mental health portrayed in such a raw, haunting way.
Though the book is unquestionably dark, and interested readers should check for content warnings before starting, I appreciated the honest portrayal of mental illness and loss. I read this book years ago, but it resurfaces in my mind every so often and lingers there.
A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year
"Profoundly moving . . . Will take your breath away." -Kathleen Glasgow, author of Girl in Pieces
A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice.
Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone…
As a kid, I devoured books with any magical element, especially those somehow linked to nature. As I grew older and discovered that my emotional struggles were a signal of mental health issues, I turned to books again to make sense of my shattered world. I've found that magical realism is an incredible vehicle to explore the deep truths and questions behind mental health, healing, and grief, providing a way to make sense of the unexplainable. I slowly found my way to my own healing and wrote the book I needed as a young adult. I'm forever grateful to the authors of these books for providing a haven for souls like mine.
Although this book is aimed at slightly younger readers, I’d be remiss not to mention it – this book is such a valuable read for both kids and adults alike.
Another book that deals with processing grief and the terrible weight of guilt through magic and nature. Of the dual points of view, one is a fox, the main character’s dead sibling reborn, giving this book a tender, poignant throughline.
Worlds collide spectacularly when Newbery and National Book Award finalist Kathi Appelt and Pulitzer Prize nominee and #1 New York Times bestseller Alison McGhee team up to create a fantastical, heartbreaking and gorgeous tale about two sisters, a fox cub ... and what happens when one sister disappears.
Sylvie and Jules, Jules and Sylvie. Better than just sisters, better than best friends. Jules' favourite thing is collecting rocks, and Sylvie's is running - fast. But Sylvie is too fast, and when she runs to the most dangerous part of the river one snowy morning to throw in a wish rock,…
As a kid, I devoured books with any magical element, especially those somehow linked to nature. As I grew older and discovered that my emotional struggles were a signal of mental health issues, I turned to books again to make sense of my shattered world. I've found that magical realism is an incredible vehicle to explore the deep truths and questions behind mental health, healing, and grief, providing a way to make sense of the unexplainable. I slowly found my way to my own healing and wrote the book I needed as a young adult. I'm forever grateful to the authors of these books for providing a haven for souls like mine.
This book is a heavy read but a vital one. After the main character dies by suicide before the book begins, a fragment of her is left in the world, attempting to piece her shattered memory back together and remember why she left.
A heartbreaking but hope-giving look at the heaviest and most beautiful moments in life, this book ultimately reminds readers that there’s always a reason to hold on.
For fans of Girl in Pieces, All the Bright Places, and Girl, Interrupted comes a haunting and breathtaking YA contemporary debut novel that packs a powerful message: hope can be found in the darkness.
“Achingly poignant . . . a love letter and a life raft to the brokenhearted.” –New York Times bestselling author Alison McGhee
Seventeen-year-old Ellie had no hope left. Yet the day after she dies by suicide, she finds herself in the midst of an out-of-body experience. She is a spectator, swaying between past and present, retracing the events that unfolded prior to her death.
