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A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is my favorite book on drawings by Leonardo, with the best from his broad œuvre of head studies, figures, children, anatomy, plants, horses, mechanics, buildings, water dynamics, and aerial landscapes. The quality of the color reproductions is superb. The text is insightful with quotes from Leonardo. I love the silverpoint figure drawings with white chalk highlights on blue paper that Leonardo prepared himself. Leonardo’s understanding of anatomy, combined with the flesh-colored line of oxidized metal, make the figures leap from the page.
I was astonished to learn that Leonardo used black chalk under-drawing in his anatomical ink studies. The correlation between Leonardo’s studies and his paintings is enlightening – in drawings forThe Last Supper, Leonardo expresses the anguish in the head of St Philip with a few skillful lines and captures the look of disdain in the head of Judas in red chalk on red ground. I…
The full range of Leonardo's genius is revealed in this elegant book, which reproduces for the first time many unfamiliar drawings from the masters hand as well as more widely known works.
Leonardo da Vinci (1452-1519) was arguably the greatest draftsman in the history of Western art. Best known as a painter, he also excelled as sculptor, architect, musician, anatomist, botanist, engineer, geologist, and mapmaker. But since he completed few of his projects, most of his work is known to us only through his drawings and notes. This selection of 100 sheets from the collection at Windsor Castle are presented…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
I discovered the extraordinary artist Rosalba Carriera when I saw an exhibition of her pastel portrait drawings in Venice a decade ago. She has perfected the art of pastel drawing with a technique that is so skillful that the transition in color and tone is undetectable – she virtually paints with pastel. I find her portraits as good as the oils by famous artists. Rosalba Carriera deserves to be better known – I was thrilled when this book on her life and work was published in English in 2020. Studying her work helped me to understand the limitless possibilities with pastel and to improve my own technique.
The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is an exceptional book on Kollwitz’s drawings with outstanding reproductions of rarely seen works. I find Kollwitz’s humanity deeply moving. As an Expressionist, she champions the plight of the poor and oppressed, especially women and children. Working in the mediums of sculpture and drawing, Kollwitz is a master, or rather a mistress of the human form. A sculptor myself, I appreciate the depth of form in her figure drawing and her use of broad strokes to define planes.
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
I have a deep admiration for the art of indigenous Australians with their connection to nature and mother earth. I grew up in outback Australia near a pre-historic sacred site with an awe-inspiring cave drawing of a giant serpent. This book, written by several scholars, is a comprehensive resource on Aboriginal art. The illustrations cover traditional bark paintings and cave drawings, some dating back more than 30,000 years. The authors’ analysis of symbols is informative. I consider Aboriginal artists to be the first anatomists. Long before Leonardo, they were drawing the inner structures and organs of humans and animals.
I have travelled much of the area described in this book, including the two halves of what was once Turkestan, and on the Roof of the World which divides them. I collect old maps and books (including historical fiction titles) about the exploration of the region and the machinations of the Great Game. My book is the result of four years of research and writing.
Winner of the Nobel Prize in Literature in 1907, Kipling immortalized the phrase ‘the Great Game’ in what was a masterpiece of writing and surely one of the best-loved English language novels of all time. His fictional portrayal of the Great Game forever touched it with a flavor of imperial romance.
Born Joseph Rudyard Kipling 30 December 1865 Bombay, Bombay Presidency, British India Died 18 January 1936 (aged 70) Middlesex Hospital, London, England, United Kingdom Resting place Poets' Corner, Westminster Abbey, London Occupation Short story writer, novelist, poet, journalist Nationality British Genre Short story, novel, children's literature, poetry, travel literature, science fiction
I’m an accidental travel writer. For 25 years, I’ve made frequent work trips to the developing world for workshops and research projects, traveling widely in Central, South, and Southeast Asia and Southern Africa. I record what I see and learn, and my conversations with people and write about them in emails, blogs, and later books. Stanland was the first, followed by Monsoon Postcards: Indian Ocean Journeysand Postcards from the Borderlands.I don’t need to be at a scenic overlook or a historic site to find interest. If you’re new to a place, the every day—things so familiar to those who live there that they don’t think about them—are worth recording.
I’ve traveled to many of the places that Thubron, the acclaimed travel writer and novelist, visits, but his take on them is much different from mine. He delves deep into the histories of the peoples of the steppes, mountains, and fertile agricultural regions of Central Asia, their art, architecture, belief systems, and cultures. It is a broad historical sweep, from the rise of the Mongol empire to Stalin's deportations to the wrenching economic, social, and political challenges faced by the governments and populations in the post-Soviet era. Thubron’s research is impeccable, his descriptions of places and people engaging and lyrical.
I am a historian of Russia and Eurasia at Hamilton College. I teach courses on Russian history, Central Asia, and the modern Middle East. We usually think of these as separate regions of the world, but in fact they are all connected across the vast Eurasian continent. Russians, Turks, Iranians, Mongols and more have been intertwined with each other throughout their histories. My formal research specialty is Soviet Central Asia. I have written on Stalin’s attempt to destroy Islam, on education and creating a historical narrative for Uzbekistan, and on cotton and manual labor under Khrushchev.
Many people are fascinated by the ancient Silk Road, but don’t know much about how we got from there to the “Stans” that emerged out of the collapse of the Soviet Union in 1991. These books showcase the most recent scholarship on how Central Asia was gradually taken over by the Russian and Chinese empires, and how the republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan were created, as well as Xinjiang Province in the People’s Republic of China.
Since the 19th-century control over Central Asia has been split between Russia and China. This makes it extremely difficult for historians to write a coherent narrative of the region as a whole, but Khalid has pulled it off. His book is aimed at general readers while drawing on sources in multiple languages, including Uzbek and Uyghur. Khalid considers comparative imperialism and modernization.
A major history of Central Asia and how it has been shaped by modern world events
Central Asia is often seen as a remote and inaccessible land on the peripheries of modern history. Encompassing Uzbekistan, Tajikistan, Turkmenistan, Kyrgyzstan, Kazakhstan, and the Xinjiang province of China, it in fact stands at the crossroads of world events. Adeeb Khalid provides the first comprehensive history of Central Asia from the mid-eighteenth century to today, shedding light on the historical forces that have shaped the region under imperial and Communist rule.
Predominantly Muslim with both nomadic and settled populations, the peoples of Central Asia…
I am a historian of Russia and Eurasia at Hamilton College. I teach courses on Russian history, Central Asia, and the modern Middle East. We usually think of these as separate regions of the world, but in fact they are all connected across the vast Eurasian continent. Russians, Turks, Iranians, Mongols and more have been intertwined with each other throughout their histories. My formal research specialty is Soviet Central Asia. I have written on Stalin’s attempt to destroy Islam, on education and creating a historical narrative for Uzbekistan, and on cotton and manual labor under Khrushchev.
Many people are fascinated by the ancient Silk Road, but don’t know much about how we got from there to the “Stans” that emerged out of the collapse of the Soviet Union in 1991. These books showcase the most recent scholarship on how Central Asia was gradually taken over by the Russian and Chinese empires, and how the republics of Kazakhstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan were created, as well as Xinjiang Province in the People’s Republic of China.
Morrison’s book is the first in-depth account of Russia’s military campaigns in over 50 years. It is both a good read for fans of military and imperial history and an important corrective to the image of the “Great Game” between the Russian and British empires. Morrison not only gives readers extensive and telling quotes from Russian military and diplomatic documents, but from Bukharan and Khoqandi sources as well. No other historian has written such a comprehensive history of the conquest.
The Russian conquest of Central Asia was perhaps the nineteenth century's most dramatic and successful example of European imperial expansion, adding 1.5 million square miles and at least 6 million people - most of them Muslims - to the Tsar's domains. Alexander Morrison provides the first comprehensive military and diplomatic history of the conquest to be published for over a hundred years. From the earliest conflicts on the steppe frontier in the 1830s to the annexation of the Pamirs in the early 1900s, he gives a detailed account of the logistics and operational history of Russian wars against Khoqand, Bukhara…
My sister and I were raised by our single mother in Southeast Detroit, who worked hard to put herself through law school when we were kids. We had a lot of financial struggles growing up, and I had to overcome many obstacles to get where I am today. Because of that, I am drawn to fierce female protagonists who overcome challenges and don’t shy away from struggle. In my own creative writing, I tend to feature strong female characters who have faced some type of instability and have worked hard to better their circumstances. I love an underdog and think there’s a lot of unsung narratives to tell.
This was such a fascinating read for me. It’s an epic tale told over the lifetime of a woman warrior named Akmaral that interweaves fact and folklore into a mesmerizing story about matriarchal power, the ferocity of love and hate, and the alternating currents of battle and peace.
I was so absorbed in the beautiful language of this book that I couldn’t put it down. The novel recreates the expansive, unforgiving world of 5th-century Central Asia, a setting firmly rooted in the natural and spiritual worlds and the struggle to survive.
While being dazzled by the writing, I felt like I had a crash course in ancient history as well!
Before the Silk Road had a name, nomads roamed the Asian steppes and women fought side by side as equals with men. Like all women of the Sauromatae, Akmaral is bound for battle from birth, training as a girl in horsemanship, archery, spear, and blade. Her prowess ignites the jealousy of Erzhan, a gifted warrior who hates her as much as he desires her. When Scythian renegades attack, the two must unite to defeat them. Among their captives is Timor, the rebels' enigmatic leader who refuses to be broken, even as he is enslaved. He fascinates Akmaral. But as attraction…
I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.
I read this book when I was a teenager, and it taught me two very important things: that Enlightenment is possible—even for a Westerner—and that living Spiritual Masters exist out in the world who can help to guide you there. This helped me gather the courage to leave home and travel throughout Asia in search of my true teacher, who I eventually found in Japan. My own Remarkable Man.
The Armenian-Greek spiritual teacher, G.I. Gurdjieff's autobiographical account of his youth and early travels has become something of a legend since it was first published in 1963. A compulsive read in the tradition of adventure narratives, but suffused with Gurdjieff's unique perspective on life, it is organized around portraits of remarkable men and women who aided Gurdjieff's search for hidden knowledge or accompanied him on his journeys in remote parts of the Near East and Central Asia. A classic work, suffused with a haunting sense of what it means to live fully - with conscience, with purpose and with heart.
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