Here are 100 books that Hokusai fans have personally recommended if you like
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A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is my favorite book on drawings by Leonardo, with the best from his broad œuvre of head studies, figures, children, anatomy, plants, horses, mechanics, buildings, water dynamics, and aerial landscapes. The quality of the color reproductions is superb. The text is insightful with quotes from Leonardo. I love the silverpoint figure drawings with white chalk highlights on blue paper that Leonardo prepared himself. Leonardo’s understanding of anatomy, combined with the flesh-colored line of oxidized metal, make the figures leap from the page.
I was astonished to learn that Leonardo used black chalk under-drawing in his anatomical ink studies. The correlation between Leonardo’s studies and his paintings is enlightening – in drawings forThe Last Supper, Leonardo expresses the anguish in the head of St Philip with a few skillful lines and captures the look of disdain in the head of Judas in red chalk on red ground. I…
The full range of Leonardo's genius is revealed in this elegant book, which reproduces for the first time many unfamiliar drawings from the masters hand as well as more widely known works.
Leonardo da Vinci (1452-1519) was arguably the greatest draftsman in the history of Western art. Best known as a painter, he also excelled as sculptor, architect, musician, anatomist, botanist, engineer, geologist, and mapmaker. But since he completed few of his projects, most of his work is known to us only through his drawings and notes. This selection of 100 sheets from the collection at Windsor Castle are presented…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
I discovered the extraordinary artist Rosalba Carriera when I saw an exhibition of her pastel portrait drawings in Venice a decade ago. She has perfected the art of pastel drawing with a technique that is so skillful that the transition in color and tone is undetectable – she virtually paints with pastel. I find her portraits as good as the oils by famous artists. Rosalba Carriera deserves to be better known – I was thrilled when this book on her life and work was published in English in 2020. Studying her work helped me to understand the limitless possibilities with pastel and to improve my own technique.
The Life and Work of Rosalba Carriera (1673-1757): The Queen of Pastel is the first extensive biographical narrative in English of Rosalba Carriera. It is also the first scholarly investigation of the external and internal factors that helped to create this female painter's unique career in eighteenth-century Europe. It documents the difficulties, complications, and consequences that arose then -- and can also arise today -- when a woman decides to become an independent artist. This book contributes a new, in-depth analysis of the interplay between society's expectations, generally accepted codices for gendered behaviour, and one single female painter's astute strategies…
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
This is an exceptional book on Kollwitz’s drawings with outstanding reproductions of rarely seen works. I find Kollwitz’s humanity deeply moving. As an Expressionist, she champions the plight of the poor and oppressed, especially women and children. Working in the mediums of sculpture and drawing, Kollwitz is a master, or rather a mistress of the human form. A sculptor myself, I appreciate the depth of form in her figure drawing and her use of broad strokes to define planes.
A practising artist for more than 60 years, my main source of inspiration is people and the natural world. I work in a variety of media including painting, sculpture, and printmaking. Drawing is the foundation of my art and I always keep a sketchbook handy. As a left-hander in a right-handed world, drawing became my main means of expression from an early age, when I instinctively wrote back-to-front with my left hand but was made to use my right. In addition to my art practice, I have taught drawing and developed a teaching method based on 7 principles that are outlined in Draw Like da Vinci.
I have a deep admiration for the art of indigenous Australians with their connection to nature and mother earth. I grew up in outback Australia near a pre-historic sacred site with an awe-inspiring cave drawing of a giant serpent. This book, written by several scholars, is a comprehensive resource on Aboriginal art. The illustrations cover traditional bark paintings and cave drawings, some dating back more than 30,000 years. The authors’ analysis of symbols is informative. I consider Aboriginal artists to be the first anatomists. Long before Leonardo, they were drawing the inner structures and organs of humans and animals.
I have travelled much of the area described in this book, including the two halves of what was once Turkestan, and on the Roof of the World which divides them. I collect old maps and books (including historical fiction titles) about the exploration of the region and the machinations of the Great Game. My book is the result of four years of research and writing.
Winner of the Nobel Prize in Literature in 1907, Kipling immortalized the phrase ‘the Great Game’ in what was a masterpiece of writing and surely one of the best-loved English language novels of all time. His fictional portrayal of the Great Game forever touched it with a flavor of imperial romance.
Born Joseph Rudyard Kipling 30 December 1865 Bombay, Bombay Presidency, British India Died 18 January 1936 (aged 70) Middlesex Hospital, London, England, United Kingdom Resting place Poets' Corner, Westminster Abbey, London Occupation Short story writer, novelist, poet, journalist Nationality British Genre Short story, novel, children's literature, poetry, travel literature, science fiction
I am a reporter and author with a passion for seeking out stories less told, and there are plenty of those in Central Asia, where I made my home more than two decades ago: first in Uzbekistan and, since 2005, in Kazakhstan. I have found telling overlooked tales from an overlooked region that is overshadowed by its mighty neighbours – the Russian bear to the north and the Chinese dragon to the east – to be both rewarding and valuable. I hope these book selections will bring more stories about the people who populate Central Asia to the attention of readers with inquisitive minds.
Socialist realism meets magic realism in this novel by Kyrgyz writer Chingiz Aitmatov, which took me by surprise when I came across it just over a decade after its publication in 1980. The Soviet literature I had read was staid, but this pushed the boundaries of both literary style and censorship. In parallel plots, a railway worker marches with his camel and dog across the Kazakh steppe to bury his friend, while two cosmonauts blast into space and go visiting extra-terrestrials. The themes are way ahead of the book’s time, touching on taboos such as Stalin’s repressions and even hinting at climate change: the extra-terrestrial planet is plagued by a cosmic version of global warming. A quirky tour de force that conjures up the spirit of Soviet-era Central Asia.
" . . . a rewarding book." -Times Literary Supplement
Set in the vast windswept Central Asian steppes and the infinite reaches of galactic space, this powerful novel offers a vivid view of the culture and values of the Soviet Union's Central Asian peoples.
I’m an accidental travel writer. For 25 years, I’ve made frequent work trips to the developing world for workshops and research projects, traveling widely in Central, South, and Southeast Asia and Southern Africa. I record what I see and learn, and my conversations with people and write about them in emails, blogs, and later books. Stanland was the first, followed by Monsoon Postcards: Indian Ocean Journeysand Postcards from the Borderlands.I don’t need to be at a scenic overlook or a historic site to find interest. If you’re new to a place, the every day—things so familiar to those who live there that they don’t think about them—are worth recording.
I’ve traveled to many of the places that Thubron, the acclaimed travel writer and novelist, visits, but his take on them is much different from mine. He delves deep into the histories of the peoples of the steppes, mountains, and fertile agricultural regions of Central Asia, their art, architecture, belief systems, and cultures. It is a broad historical sweep, from the rise of the Mongol empire to Stalin's deportations to the wrenching economic, social, and political challenges faced by the governments and populations in the post-Soviet era. Thubron’s research is impeccable, his descriptions of places and people engaging and lyrical.
I’m an American Jewish girl who was born knowing that I had been Japanese in my previous lifetime. After graduating with a degree in Japanese studies from Princeton University, I moved to Japan at 21 and became a well-known translator. One day the Geisha Mineko Iwasaki, the inspiration behind Arthur Golden’s Memoirs of a Geisha, asked me to co-author the story of her life. Published in 2002, Geisha, a Life became a bestseller. Writing Geisha awakened memories of my past life as a courtesan in fourteenth-century Kyoto. I began a deep study of reincarnation, which has led me to study the intersection of Buddhism and Psychoanalysis. Please look out for my forthcoming book, Reincarnation Karma.
I read this book when I was a teenager, and it taught me two very important things: that Enlightenment is possible—even for a Westerner—and that living Spiritual Masters exist out in the world who can help to guide you there. This helped me gather the courage to leave home and travel throughout Asia in search of my true teacher, who I eventually found in Japan. My own Remarkable Man.
The Armenian-Greek spiritual teacher, G.I. Gurdjieff's autobiographical account of his youth and early travels has become something of a legend since it was first published in 1963. A compulsive read in the tradition of adventure narratives, but suffused with Gurdjieff's unique perspective on life, it is organized around portraits of remarkable men and women who aided Gurdjieff's search for hidden knowledge or accompanied him on his journeys in remote parts of the Near East and Central Asia. A classic work, suffused with a haunting sense of what it means to live fully - with conscience, with purpose and with heart.
I am researching how elites and societies in Russia and East Central Europe have adapted to the social, political, and economic transformation processes following the end of Communism. What fascinates me about this topic is understanding why many of these countries continued to fall back to the same patterns of re-autocratization as they did during the Communist times. My answer is that it is because many institutions and elites in these regions have continued certain policies and behaviors from Communist times, which are still affecting their politics and economics. I also examine the impact of the transformational shock on Russia's international revisionism and democratic backsliding across the region.
Like the above, the book analyses the social consequences of the transition across the post-communist region. It tracks how painful and shocking some of its aspects were to the corresponding countries. It helps us understand why the reform overachievers, the countries that did best in reforming their economies (like Hungary and Poland), subsequently suffered some of the most pronounced political backlashes against these reforms.
The book is well-written and fun to read despite the serious topic.
Kristen Ghodsee and Mitchell A. Orenstein blend empirical data with lived experiences to produce a robust picture of who won and who lost in post-communist transition, contextualizing the rise of populism in Eastern Europe.
After the fall of the Berlin Wall in 1989, more than 400 million people suddenly found themselves in a new reality, a dramatic transition from state socialist and centrally planned workers' states to liberal democracy (in most cases) and free markets. Thirty years later, postsocialist citizens remain sharply divided on the legacies of transition. Was it a success that produced great progress after a short recession,…
I’m an OB/GYN, passionate about adventuring beyond what’s expected. This has led me to pivot multiple times in my career, now focusing on writing. I’ve written a play, The Post-Roe Monologues, to elevate women’s stories. I cherish the curiosity that drives outer and inner exploration, and I love memoirs that skillfully weave the two. The books on this list feature extraordinary women who took risks, left comfort and safety, and battled vulnerability to step into the unknown. These authors moved beyond the stories they’d believed about themselves–or that others told about them. They invite you to think about living fuller and bigger lives.
I found the author's gorgeous writing and deep reflection to be irresistible. Harris is a true explorer of the world and the self as well as a brilliant writer.
This book showcases the curiosity and awe that drove Harris and her best friend to bicycle across the Silk Road. While pedaling out of bounds on her bicycle, she effortlessly led me to new territories of thought and imagination. Her descriptions are vivid, and I identified fully with her love of wildness.
"Lands of Lost Borders carried me up into a state of openness and excitement I haven't felt for years. It's a modern classic."-Pico Iyer
A brilliant, fierce writer, and winner of the 2019 RBC Taylor Prize, makes her debut with this enthralling travelogue and memoir of her journey by bicycle along the Silk Road-an illuminating and thought-provoking fusion of The Places in Between, Lab Girl, and Wild that dares us to challenge the limits we place on ourselves and the natural world.
As a teenager, Kate Harris realized that the career she craved-to be an explorer, equal parts swashbuckler and…
