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Another nonfiction and for me, the greatest book ever written on intelligence gathering. Unlike so many other books on espionage, it does not take place in the context of the Cold War but during the time of the struggle between Britain and Russia to control the passes of central Asia.

I loved how this book brought to life the stories of intelligence agents on both sides of the struggle, how they infiltrated hostile territories, won over warlords, and often lost their heads. The action took place before modern technology when agents relied on their powers of disguise, linguistic abilities, and their instinct to detect danger before it cost them their lives.

So much of what occurs in the great game explains the modern world today, which is why I believe this book is a must-read not only for those interested in espionage but international relations in general.

Flashman does a thing I love, which is to tell the story of another book's least notable character.

Harry Flashman comes from Thomas Hughes's 1850 novel Tom Brown's School Days (the entire basis for the Harry Potter novels), where he's a sub-Draco Malfo figure, a useless bully.

Flashman tells the story of his later years as the Victorian Empire's most cowardly soldier, rattling around British colonies, stumbling through their various atrocities and debacles. I wish the book were even harsher on the Brits, but it's a deeply fun counter-text and a lovely bit of escapism nonetheless.

This is a shorter book by a well-established historian, who nevertheless writes in an accessible manner for the general reader. It is a good introductory text to the Great Game and contains a good map of the region and several illustrations and photographs.

This is a medium-length book by another well-established historian, who writes in a reasonably accessible manner. His is a more in-depth treatment of the Great Game, aided by Geoffrey Wheeler, an expert on Central Asia, who wrote the book’s Epilogue. It contains three maps and appendices (but no illustrations).

This book was a milestone in the study of tsarist Russia as a multiethnic and multireligious empire, especially its large Muslim population.

By the 2000s, we had become used to thinking that the Russian Empire had suppressed or ignored its religious minorities who, in turn, had avoided state institutions as much as possible. Crews’ book shattered that idea.

Exploring court cases and other disputes across time and space, he boldly argued that Muslims turned to the state as protector of their faith and that Islam became a pillar of Russian imperial policy. Many scholars have attacked his argument since then, partly for good reasons.

And yet, his contribution has proven to be more important and long-lived than those of most of his critics. On top, it’s a wonderful read. 

Morrison’s book is the first in-depth account of Russia’s military campaigns in over 50 years. It is both a good read for fans of military and imperial history and an important corrective to the image of the “Great Game” between the Russian and British empires. Morrison not only gives readers extensive and telling quotes from Russian military and diplomatic documents, but from Bukharan and Khoqandi sources as well. No other historian has written such a comprehensive history of the conquest.

Among my favorite textiles from anywhere, anytime are the Central Asian woven ikats used to make men’s robes and the superb Suzani embroideries made for young girls' dowries. Both of these exotic forms have inspired and been emulated by countless Western designers from Oscar de la Renta to ABC Carpet and Home. Many fine examples are generously illustrated in this extraordinary, beautiful and meticulous book.

Silk and Cotton combines powerful visuals of pattern and form with the history, use, and cultural significance of a wide sampling of Central Asian textiles. The archival photographs of the region by Max Penson add great depth and connect the objects to the peoples for whom they were, and in many cases still are, part of their daily lives. 

Hokusai, my favorite artist, described himself as "the man mad about drawing." Mad about drawing myself, I never cease to learn from studying his woodblock prints. This publication contains a rare collection of Hokusai’s original brush drawings. Most of his countless originals were lost when they were glued to a woodblock during the printing process. This book covers the scope of Hokusai’s subject matter of landscapes, flora and fauna, everyday life, and the supernatural, and reveals his sense of humor. I consider Hokusai ‘The Leonardo of the East’ – both artists drew everything with masterful skill and shared a common humanity. Hokusai’s skill with brush alone is phenomenal. He creates subtle tones, expressive movement and varies the thickness of his line down to a single hair.  

Colin Thubron is our best living British travel writer whose books about China, India, Russia, the Middle East, and many other places are essential for anyone thinking of visiting those places. In the spirit of the great British Victorian travellers he travels alone, with the minimum of baggage except for his formidably well-informed mind which makes each book an education as well as a pleasure to read because of his wit and lightness of touch. He conveys so well the feel of a journey – which makes the title of this book so appropriate – and knows how to talk to the people he meets on his 600-mile tramp on foot around the island of Cyprus shortly before the conflict erupted there. It made my own journey to Cyprus so much more fruitful and enjoyable.

The English General Fuller may be said to have taken Alexander’s program and imagined applying it to World War II. Had Hitler cooperated with Stalin’s unhappy subjects, he might have won the war in Russia. The same reasoning applied to Hitler’s opponent, England.

Had England given freedom to India before the war started, the Japanese would have found Asia far harder to conquer. Churchill and Chamberlain agreed that India must remain part of the Empire. Alexander knew better. He made the top Indian kings his allies, not his subjects.