The most recommended Walt Whitman books

The world may be ending, but something will come in its place. How to see it? How do I engage the senses to feel my way into that next world? Mary Oliver!

Her book is a practice on presence, a workshop on vision and perception. The natural world is a much more quietly exploding landscape of magic after looking through Mary Oliver’s eyes. It’s personal as skin and universal as wonder. I return to it to breathe, to eat. When all the rest has run out, I head Upstream.

A full-length rewrite of Walt Whitman’s “Song of Myself” that preserves only the first and last letter of each line, Shelf is a consummate work of potential literature—from the “why on earth would someone do that” all the way to the “wait, this is actually dope.” Without ever estranging himself from Whitman’s transcendentalist trumpeting, Quintavalle burrows deep into the poem’s form and instills a disenchanted eloquence all his own.

I was pulled into this book as I entered the world of a secret society of Flaneurs or Wanderers. I loved the secret intrigue of how the author found the symbol for this secret society in a used book and how it spurred a curious exploration of why we wander.

I used the ideas in the book to slow down, use my curiosity, and re-engage with my human qualities that are so often buried in the busyness and connection to tech all day long. This book was a welcome, cool drink of water on a hot day, filled with great stories and illustrations. 

Though it focuses on dreams and the occult, the ulterior subject of Emerson’s Demonology is the arcane inversions, doublings, and “unconscious” of transcendentalism. Between many of Emerson’s pronouncements falls this shadow of Demonology, which provides key tenets of his philosophy. Demonology is the cumulative residue of an attempt to explain away that which resists Emerson’s theory that nature is consistent, explicable, rational, and benign. Encapsulating the uncanny, and the inexplicable forces of dreams, animals, and pseudosciences, Demonology consolidates all that is “outside” and negated for Emerson—everything that is, in his terminology, “not me.” Demonology locates the cracks in Emerson’s consciousness, as well as the hobgoblins in his notion of Reason. Emerson’s conception of nature here is notably modern, and often sounds Lacanian—the demonological exception or irrational, that which cannot be fully understood or described, is the necessary anomaly or remainder on which the universality of nature depends.

Norman Van Aken is known internationally for introducing "fusion" into the lexicon of modern cookery as the founding father of New World Cuisine. 

Van Aken found his cooking voice in Key West by marrying Caribbean ingredients and spices with classic cooking techniques. 

He wrote this landmark book while helming Key West's Mira restaurant, where he showcased lobster terrine with caviar on a champagne yogurt dressing, curried carrot and chicken soup, and grilled marinated shrimp and chorizo.

Chef Charlie Trotter once called Van Aken, “the Walt Whitman of American Cuisine.” That would make this book his “Leaves Of Grass.” Poetry indeed.

To call Poetry is Queer a book of essays, as its copyright page does, would be like calling the Sistine Chapel ceiling a serviceable paint job. 

It’s a wide-ranging, unclassifiable dance through the glorious mind of an uninhibited icon of the Toronto literary scene, variously including, among many other things, frank memoir, sage advice, local queer history, snippets of the writings that shaped the author’s development, and a general celebration of life truly well-lived.

It’s a delightful and compelling read.

If Marszalek’s book is thin on any aspect of Sherman it is on his writing — the eloquent, powerful weapon he brandished during the war and the efficient, versatile tool with which he constructed his legacy in his Memoirs.

As a young man, the letters he wrote to his foster sister and future wife Ellen contained carefully constructed sentences with descriptive flourishes; as an adult, he borrowed liberally from his love of Shakespeare and the theater to craft his persona in his Memoirs.

Cushman, an award-winning poet and historian, places Sherman’s writing in the context of four other Northern writers (Abraham Lincoln, Walt Whitman, Ambrose Bierce, and Joshua Chamberlain) who were inspired by the “belligerent muse” — war. You will treasure this book, which is unlike any other book about history or literature you’ve ever read.

I love how The Maze of Bones, the first in a set of series written by acclaimed and award-winning children’s authors, transports readers across the globe to explore historical connections that still resonate today. The book takes readers along with sister and brother Amy and Dan Cahill as they compete against talented and treacherous members of their own family to try to solve a series of thirty-nine clues that will make the finders “the most powerful, influential human beings on the planet.”

I admire how The Maze of Bones explores the complex connections among family and across time and weaves in real-life historical figures such as Benjamin Franklin and lesser-known facts such as that Franklin used the pseudonym Richard Saunders to publish Poor Richard’s Almanac. The Maze of Bones takes readers from Boston to Philadelphia’s Franklin Institute and Independence Hall and to the catacombs of Paris and it… show more.

In her stunning poetry collection, Brute, Emily Skaja navigates the dark corridors of trauma at the end of an abusive relationship. Exploring the intersections of both love and violence, these poems have a mythic quality to them, with the narrator seemingly struggling to survive the brutality of a fairy tale world longing to gobble her up. At the same time, the fantastical elements of these poems are balanced by the present moment, with cell phones, social media, and other current technologies evoking a kind of modern magic that holds sway over our lives. The poems in this collection take the reader on a journey from sorrow to rage, guilt, hope, self-discovery, and reinvention.

This fifth pick isn’t fiction. But like the best fiction, poetry can pierce through to the very essence. Although shaggy poet Whitman was the furthest thing from a soldier imaginable, he was deeply involved in the war effort nonetheless. After the Battle of Fredericksburg, Whitman traveled to Virginia to find his wounded brother. He then chose to remain in Washington, DC, nursing wounded soldiers. Whitman’s war-time experiences gave rise to some of the finest poems in Leaves of Grass such as “The Wound-Dresser,” “Come Up from the Fields Father,” and “A Sight in Camp in the Daybreak Gray and Dim.”