Here are 100 books that The Spider's Thread fans have personally recommended if you like
The Spider's Thread.
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I am a professor in Urban Mobility Futures and, as such, am fascinated by how we think about our mobility present and past and how this limits us in imagining different futures. The problems in our mobility system are so urgent and overwhelming that I like to actively search for alternative ways of seeing and acting and teach others to do the same. Personally, I love to experience the incredible freedom of mind that I find in doing this. Also, see the Shepherd list of recommendations by my co-author, Thalia Verkade.
Did you ever say, "Time is Money?" And do you believe it is true?
This book offers a deep dive into the philosophy of how our language is full of useful and less useful metaphors. Human communication is built on them since it makes it easier to talk about complex topics, such as life, love, and time. But they do not create a mirror of reality, but a lens.
These metaphors make us act in accordance with them. If time is money, we can exchange one for the other. But is it really? Think about it. And that is also the overall tip from this book: think about it!
People use metaphors every time they speak. Some of those metaphors are literary - devices for making thoughts more vivid or entertaining. But most are much more basic than that - they're "metaphors we live by", metaphors we use without even realizing we're using them. In this book, George Lakoff and Mark Johnson suggest that these basic metaphors not only affect the way we communicate ideas, but actually structure our perceptions and understandings from the beginning. Bringing together the perspectives of linguistics and philosophy, Lakoff and Johnson offer an intriguing and surprising guide to some of the most common metaphors…
I’ve been fascinated by (and in love with) language for as long as I can remember; how and why it works, and how slight alterations in phrasing and framing can produce vastly different results in practice. I love looking out for metaphors and phrases that function as tools, directing how we understand and engage with the world. While my research applies these insights to both law and economics, the key takeaways are widely applicable and relevant to all areas of life. I hope you enjoy these books as much as I have.
This is a recommendation for those who want to go into a bit more depth with metaphor. The book is an edited collection of chapters written by experts who explore how metaphor constructs our reality, looking at metaphor as forms of language, and metaphor as forms of mental representation. Admittedly, there’s a little more jargon in this one, but the chapters are an excellent starting point for reflecting on the applications and implications of the way we talk and why it matters.
Metaphor and Thought, first published in 1979, reflects the surge of interest in and research into the nature and function of metaphor in language and thought. In this revised and expanded second edition, the editor has invited the contributors to update their original essays to reflect any changes in their thinking. Reorganised to accommodate the shifts in central theoretical issues, the volume also includes six new chapters that present important and influential fresh ideas about metaphor that have appeared in such fields as the philosophy of language and the philosophy of science, linguistics, cognitive and clinical psychology, education and artificial…
I became interested in metaphor and analogy as a graduate student in philosophy of science in the 1970s. Important scientific ideas such as natural selection and the wave theories of sound and light were built from metaphors and made to work by analogical thinking. In the 1980s, I started building computational models of analogy. So when I got interested in balance because of a case of vertigo in 2016, I naturally noticed the abundance of balance metaphors operating in science and everyday life. Once the pandemic hit, I was struck by the prevalence of the powerful metaphor of making public health decisions while balancing lives and livelihoods.
Raymond Gibbs is a leading psycholinguist with deep familiarity with theories of conceptual metaphor and their critics. Drawing on evidence from cognitive linguistics and other fields, this book provides a valuable account of the contributions of metaphor to language, thought, action, and culture. Metaphors operate in multimodal experience s well as language.
The study of metaphor is now firmly established as a central topic within cognitive science and the humanities. We marvel at the creative dexterity of gifted speakers and writers for their special talents in both thinking about certain ideas in new ways, and communicating these thoughts in vivid, poetic forms. Yet metaphors may not only be special communicative devices, but a fundamental part of everyday cognition in the form of 'conceptual metaphors'. An enormous body of empirical evidence from cognitive linguistics and related disciplines has emerged detailing how conceptual metaphors underlie significant aspects of language, thought, cultural and expressive action.…
I became interested in metaphor and analogy as a graduate student in philosophy of science in the 1970s. Important scientific ideas such as natural selection and the wave theories of sound and light were built from metaphors and made to work by analogical thinking. In the 1980s, I started building computational models of analogy. So when I got interested in balance because of a case of vertigo in 2016, I naturally noticed the abundance of balance metaphors operating in science and everyday life. Once the pandemic hit, I was struck by the prevalence of the powerful metaphor of making public health decisions while balancing lives and livelihoods.
Randy Harris is a colleague of mine at the University of Waterloo, and his book is a marvelous history and analysis of the decades-long intellectual battle between Noam Chomsky and George Lakoff. It provides the context and background for how Lakoff’s theory of metaphor was part of the development of alternatives to Chomsky-style linguistics, along with some trenchant criticisms of the very idea of conceptual metaphor.
An updated and expanded history of the field of linguistics from the 1950s to the current day
The Linguistics Wars tells the tumultuous history of language and cognition studies from the rise of Noam Chomsky's Transformational Grammar to the current day. Focusing on the rupture that split the field between Chomsky's structuralist vision and George Lakoff's meaning-driven theories, Randy Allen Harris portrays the extraordinary personalities that were central to the dispute and its aftermath, alongside the data, technical developments, and social currents that fueled the unfolding and expanding schism. This new edition, updated to cover the more than twenty-five years…
Where do writers go for distraction? For me it’s usually into the work of other writers and, when I’m done escaping into fiction, I turn to nonfiction and particularly those writers who write about writing. Why? Because it helps refresh my own writing to read those writing with clarity, insight, and coherence when my own process is in danger of fragmenting. What’s more, many writers write so well about the components of writing - voice, structure, narrative or even something as prosaic as getting started - that I am reassured about what I’m trying to do with my own writing.
Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.
Do you want to write a poem? This book will show you 'how to grow your own poem' . . .
Kate Clanchy has been teaching people to write poetry for more than twenty years. Some were old, some were young; some were fluent English speakers, some were not. None of them were confident to start with, but a surprising number went to win prizes and every one finished up with a poem they were proud of, a poem that only they could have written - their own poem.
Kate's big secret is a simple one: is to share other…
I listen to about eight albums of music per week. At least one per day and another of that bunch gathers a re-listen, though more warrant the same! Listening is my favorite hobby. I name it like one would rock climbing or gardening, and though we are here connecting through words and swapping ideas, it all starts with my ear. I most want to feel what I’d like to know, and it is possible that music sometimes held the work of thinking on my behalf. In writing my book, I was most interested in what it meant to be offered the world in such a personal yet composed way each day.
For only the fifth of what could be more recommendations on musical collections, I wanted to draw attention to Avery Young’s book for its relentless approach to enactment and what movements manifest in the aftermath of music’s touch.
I read this collection during a low period of 2022 when COVID was still rampant, and it was a reminder of what it is I am listening for. Past our doctoring or our purities, our humanity is most clear when we are true about our experiences.
I would highly encourage readers to grab a copy of this dream of a book and look out for what’s next from Chicago’s inaugural poet laureate.
The ""blk alter"" of Avery R. Young's poetic vision makes its stunning debut in a multidisciplinary arsenal entitled, neckbone: visual verses. Young's years of supernatural fieldwork within the black experience and the gospel of his transitions between poetry, art and music, become the stitch, paint brush, metaphor, and narrative of arresting visual metaphors of childhood teachings and traumas, identity, and the personal reverence of pop culture's beauty and beast. A mastermind in a new language of poetry, that engages and challenges readers to see beyond the traditional spaces poems are shaped and exist, Young's neckbone extends tentacles in literature, art,…
As a published author with an MFA in Writing, I know how hard writing can be in terms of how to find a muse, employ an elusive craft, and deal with the soul-shaking consequences of digging deep. But as a survivor of life, including multiple moves, broken relationships, alcoholism, illness, and debilitating grief, I've also experienced the transformative power of writing. I took that belief into the community, and developed writing workshops for cancer survivors, women facing domestic violence, and many other people wrestling with trauma and illness, often recommending some of these books in my workshops. And along the way, I’ve witnessed time and again what the written word can do.
This is one of those gems that can easily get lost in the literary shuffle. Poet-teacher John Fox gets into the craft of writing poetry in Finding What You Didn’t Lose, but it’s not one of those dry books that will get you all tangled up worrying about your iambic pentameters. Instead, he takes you on a beautiful journey, showing how such useful tools as imagery, sound, metaphor, and rhythm can help you express yourself. Quotes and poetry excerpts round out the rich content of this book.
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
This book is a guided tour through poetry’s potential and its cliches. At its heart, this book is a toolbox (that’s not my metaphor; it’s literally on the book’s cover).
I once harbored an ambition to support myself solely through writing (secretly, I still do), so I encountered Kooser’s opening advice with a combination of humor and denial: “You’ll never be able to make a living writing poems.” But once I accepted this very pragmatic and practical mindset, I began writing better. (And, oddly, writing more.)
This book helped me become a happier, more relaxed writer. As a bonus, I’ve found that the tools readily adapt to prose.
"No other poet seems better suited to represent the United States as its Laureate in this era than Ted Kooser, and The Poetry Home Repair Manual should enhance his grip on our slumbering Republic."-Larry Woiwode, Poet Laureate of North Dakota, in North Dakota Quarterly
Much more than a guidebook to writing and revising poems, this manual has all the comforts and merits of a long and enlightening conversation with a wise and patient old friend-a friend who is willing to share everything he's learned about the art he's spent a lifetime learning to execute so well.
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.
Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet…
My sister once remarked that listening to our mother’s stories about living during World War II made it sound like we missed something really exciting. That is what history has always been for me–something I missed out on, for better or worse. What would it really have been like? Could I have survived? Family genealogies bring history to me on a personal level; archaeology and paleontology extend that wonder much deeper into the past. During the time I taught anatomy and human evolution at the University of Indianapolis, I tried to be as interdisciplinary as possible, both in study and teaching. I continue this in my retirement.
I have tried to appreciate linguistics before but never really succeeded until I stumbled across this book. For one thing, it is a difficult field if you haven’t learned a second language. (I tried but not successfully.) For another, when I have delved into language theory, it has been much easier to think about, oh, what I am going to have for dinner tonight, or the fact that my library book is due tomorrow, or almost anything else. Guy Deutscher’s narrative is refreshingly different.
Of the traits that make humans different from all animals on this planet, language is certainly near the top of the list. As an evolutionist, language is important to me for two reasons. The first is that its origin is both important and mysterious. The French Academy of Sciences famously banned discussion of the first question because it was useless speculation and wasted time. That problem…
Blending the spirit of Eats, Shoots & Leaves with the science of The Language Instinct, an original inquiry into the development of that most essential-and mysterious-of human creations: Language
Language is mankind's greatest invention-except, of course, that it was never invented." So begins linguist Guy Deutscher's enthralling investigation into the genesis and evolution of language. If we started off with rudimentary utterances on the level of "man throw spear," how did we end up with sophisticated grammars, enormous vocabularies, and intricately nuanced degrees of meaning?
Drawing on recent groundbreaking discoveries in modern linguistics, Deutscher exposes the elusive forces of creation…
