Here are 100 books that The Poetry Home Repair Manual fans have personally recommended if you like
The Poetry Home Repair Manual.
Shepherd is a community of 11,000+ authors and super readers sharing their favorite books with the world.
Shepherd is reader supported. When you buy books, we may earn an affiliate commission.
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
I can’t describe this book better than the author describes it: “While the American Revolution may have defined the era for history, epidemic smallpox nevertheless defined it for many of the Americans who lived and died in that time” (p. 273, 275).
Most of what I thought I knew about the Revolutionary War period ended up adjusted after reading this book. In straightforward prose that still manages to be poetic, Pox Americana forced me to examine both my educational history and the ways I had ingested and processed my education.
The astonishing, hitherto unknown truths about a disease that transformed the United States at its birth
A horrifying epidemic of smallpox was sweeping across the Americas when the American Revolution began, and yet we know almost nothing about it. Elizabeth A. Fenn is the first historian to reveal how deeply variola affected the outcome of the war in every colony and the lives of everyone in North America.
By 1776, when military action and political ferment increased the movement of people and microbes, the epidemic worsened. Fenn's remarkable research shows us how smallpox devastated the American troops at Québec and…
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
I love swamps and streams and rivers (and I’m learning to love the ocean), and I especially love the miniature ecosystems that Kimmerer studies and describes with such gentle care in this book. Sure, everyone’s read Braiding Sweetgrass. (Wait, you haven’t? What are you doing here?! Go! Read!) But have you read the one about moss?
Both books reminded me of why I am drawn to science, of how structured observation and research can illuminate complex and dynamic processes. But I found the science in this one more compelling. It’s a collection of graceful retellings focused on the intricacies of the exact kinds of watery habitats I love best.
Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.
In this series of linked personal essays, Robin Kimmerer leads general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings. Kimmerer explains the biology of mosses clearly and artfully, while at the same time reflecting on what these fascinating…
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
When I wanted to learn more about particles and particle physics, I found the number of books on the market overwhelming. But here’s a familiar name: Isaac Asimov. The cover looks like a recurring fever dream from my childhood, but the content is real and solid.
I read and re-read because it helped me understand atomic physics. And because it’s Asimov, who somehow manages to turn the periodic table into prose poetry.
“Amazing… If you’ve been searching for a basic text on how the atom works, this is it.” —Booklist
“A masterpiece.”—Omni
The legendary Isaac Asimov starts what is perhaps the most fascinating of all his books with a simple query: how finely can a piece of matter be divided? But like many simple questions, this one leads us on a far-flung quest for a final answer, a search that becomes a series of beautifully structured building blocks of knowledge.
It begins with the earliest speculations and investigations by the Greeks and Romans, and then, step by step and century by century,…
In my everyday world of responsibilities, I’m a writer, retired veterinarian, and freelance English editor for academic writing. But in my inner world of curiosity and obsessions, I’m forever a child with a profound longing to understand what the world is and how it works. Always searching on behalf of this forever child, I’ve read many a dull book about science, history, and writing. Despite having fascinating content, authors often flatten these subjects into featureless recitations. Happily, I’ve also found authors who express enthusiasm, expertise, or concern for their topic in prose that is as interesting in voice as it is in content.
Each chapter is a deep exploration of a single poem, highlighting sounds and words in ways the poems’ authors may or may not have intended. When I met this book, I had been writing poetry for years—unfocused drafts distilled from raw experience and emotion that I later revised into purposeful communication.
Then I read The End of the Poem. Suddenly, I wanted my poems filled with riddles and echoes, delicate Easter eggs for my readers. This book taught me there is an uncontrollable synergy between writers, words, and readers. Each reader will encounter a writer’s intentional (and unintentional) choices in a unique framework built on their own unique experiences in this world.
The End of the Poem contains the fifteen lectures delivered by Paul Muldoon as Oxford Professor of Poetry, from 1999 to 2004. Rather than individual and discrete performances, these lectures form a dazzling set of variations around the sustained theme of 'the end of the poem'. Each lecture explores a different sense of an ending: whether a poem can ever be a free-standing structure, read and written in isolation from other poems; whether a poem's line-endings are forms of closure (and where this might leave the poem in prose); whether the poem is completed only with the reader's act of…
I started writing poetry when I was eight or nine, inspired by the way song lyrics stirred my soul. The poetry of songs like Bowie’s Space Oddity or Dylan’s Johanna made me want to write. I read Allen Ginsburg’s Howl as a young man and found a new language, rhythm, and way of seeing the beauty and sadness of the world. Over the years, I’ve written many songs and more than many poems. My first collection, OWL, is out now. Poetry feeds my heart and soul and entices my senses. I love the books on this list and hope you enjoy them as much as I do!
I love poetry that employs new takes on old forms. The sonnet is once again brought alive by Hayes in a collection that feels poignant, playful, and urgent. I personally struggle with writing in the form and am blown away by the range and inventiveness of the nearly 80 sonnets in this action-packed collection.
My experience in reading these sonnets is one of joy: the pointed wit that paints Sylvia Plath as a drama queen and Trumpet (thinly veiled) as sexually tormented, the clear-eyed social and political criticism, the warm, broken, self-knowing heart. This collection rings true to me as a full and authentic ledger of the American experience.
Finalist for the National Book Award and the National Book Critics Circle Award in Poetry
One of the New York Times Critics' Top Books of 2018
A powerful, timely, dazzling collection of sonnets from one of America's most acclaimed poets, Terrance Hayes, the National Book Award-winning author of Lighthead
"Sonnets that reckon with Donald Trump's America." -The New York Times
In seventy poems bearing the same title, Terrance Hayes explores the meanings of American, of assassin, and of love in the sonnet form. Written during the first two hundred days of the Trump presidency, these poems are haunted by the…
I have been a keen walker/hiker/backpacker since I was five when my parents named a local footpath James’s Path. Almost fifty years later, I have walked all over the UK and further afield in the Pyrenees and the Alps, Nepal, and the Antipodes. Walking for me is both a means to an end—to reach mountaineering routes and as exercise—and as an end in itself. Days spent walking can be reflective, social, demanding, and memorable. I always take a book, even if it's a day walk, and two or three if it’s a multiday trip. I hope you’re as energized and stimulated by my suggestions as I’ve been.
Whatever my current passion, from mountaineering to grafting apple trees to hiking, I like to immerse myself in the literature. Simon Armitage’s account of The Pennine Way in the Peak District (UK) is one of my favorite walking memoirs and is informative, eclectic, and funny. In addition, the route starts only a few miles from my house.
I’m walking it with my wife, in sections, so we might meet you on the way! If you’re not a walker, Walking Home may inspire you to start—even to set out on a long-distance footpath.
The wandering poet has always been a feature of our cultural imagination. Odysseus journeys home, his famous flair for storytelling seducing friend and foe. The Romantic poets tramped all over the Lake District searching for inspiration. Now Simon Armitage, with equal parts enthusiasm and trepidation, as well as a wry humor all his own, has taken on Britain's version of our Appalachian Trail: the Pennine Way. Walking "the backbone of England" by day (accompanied by friends, family, strangers, dogs, the unpredictable English weather, and a backpack full of Mars Bars), each evening he gives a poetry reading in a different…
Hello, I write poems, lots of them, and also lots of books about Christianity. I grew up in London and lived for my first thirteen years deep within myself, in a kind of fog that prevented anyone from knowing me, including myself. Then, one day, when I was thirteen, in the middle of a math class, everything changed for me. I entered a wholly new world. I went from being at the bottom of the class to the top of the class; I started publishing poems. I started a quest to find myself anew, cutting through the fog, and that quest ended with me teaching Divinity at Duke University.
"Dockery and Son" is one of the most moving poems of the last century. Returning to Oxford reminds Larkin of his undergraduate years, and he meditates on how his life differs from that of someone he vaguely knew there.
It turns out that Dockery had a child as an undergraduate while Larkin himself never married. This prompts a poignant meditation on the divergent paths people take in life and how each of us enriches or dilutes his or her “I.”
Philip Larkin (1922-1985) remains England's best-loved poet - a writer matchlessly capable of evoking his native land and of touching all readers from the most sophisticated intellectual to the proverbial common reader. The late John Betjeman observed that 'this tenderly observant poet writes clearly, rhythmically, and thoughtfully about what all of us can understand'. Behind this modest description lies a poet who made greatness look, in Milton's prescription, 'simple, sensuous and passionate'.
I’ve been in the DEI trenches for over 20 years, and let me tell you, it's been one hell of a ride. As a Black woman navigating this shit show, I've seen it all—from clueless executives to well-meaning “allies” who can't get out of their own way. My passion? Calling out the bullshit and actually making DEI work. I've gone toe-to-toe with tech giants, founded Inclusology, and now I'm tackling a second PhD because I believe in the work, even at is most discouraging. DEI-ing is my no-holds-barred guide to creating real change. I’m all about busting AI bias and building DEI that sticks, not just some feel-good fluff.
I love this book because it teaches that real healing starts from within. This book doesn’t sugarcoat the work required to find your truest self; it’s about diving deep, stripping away the nonsense, and facing yourself head-on.
If you want real change, you’ve got to go inward, confront who you are, and do the work to heal. This book doesn’t just talk about it—it shows you how to get there.
"i closed my eyes to look inward and found a universe waiting to be explored"
From poet, meditator, and speaker Yung Pueblo, comes a collection of poetry and prose that explores the movement from self-love to unconditional love, the power of letting go, and the wisdom that comes when we truly try to know ourselves. It serves as a reminder to the reader that healing, transformation, and freedom are possible.
How might we live and write otherwise? I am preoccupied by this question, and am fairly certain that at minimum we have to start by imagining it. As a culture worker and writer I hope my projects and experiments do just this. There is so much to reinvent, and so much that interconnects us. I am inspired by the ways the authors of these books take on their times and passions, and tell stories in ways I find unexpected. Their abilities to integrate divergent avenues of thought, deep research, and truly weird characters and circumstances has lit my imagination and I hope it does yours as well!
I love this book. Dionne Brand conveys what it means to write through a crystalline web of ideas, poetry, and philosophy. Her profound, evocative, and real tale of imagined conversations between a poet and the clerk charged with dealing with their output is simultaneously familiar and fantastical. I got lost in the beauty of language only to be jolted into the realities of the world as it exists in all its beauty and awfulness.
On a lonely wharf a clerk in an ink-blue coat inspects bales and bales of paper that hold a poet’s accumulated left-hand pages—the unwritten, the withheld, the unexpressed, the withdrawn, the restrained, the word-shard. In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet’s pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba,…
As a poet and a dreamer, I believe in a world where we live in harmony with other people, nature, and the Divine. During the completion of my Master of Arts degree, I discovered a love of poetry: the lyrical cadences of the romantic poems reminded me of the sung psalms of my youth. No life is without sorrow, and the gift of poetry — both writing and reading it — has offered me hope through many a dark time, inspiring me to push on towards a new dawn. My wish for you is that, in these poetry collections, you too find a light during these turbulent times that we’re living in.
While this book of poems, first published in 1964, does hark back to a past era, the poems themselves are timeless. There’s an underlying sense of peace, which gives me solace when I feel bleak and filled with a nameless anxiety. Despite the sorrows, there’s grace in these poems, and in the world Berry speaks of — a simpler world than the one we live in today. Yet, each time I read them, I’m enriched with comfort and hope that frees me from the melancholy of living in a modern world that appears to be losing its way.
I come into the peace of wild things who do not tax their lives with forethought of grief. I come into the presence of still water. And I feel above me the day-blind stars waiting with their light. For a time I rest in the grace of the world, and am free.
The poems of Wendell Berry invite us to stop, to think, to see the world around us, and to savour what is good. Here are consoling verses of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging; luminous hymns to the land, the…
