Dina Gold is the author of Stolen Legacy: Nazi Theft and the Quest for Justice at Krausenstrasse 17/18, Berlin. After postgraduate degrees from London and Oxford universities, Dina spent over twenty years working as an investigative journalist and television producer at the BBC in London. She now lives in Washington DC and is a senior editor and film critic at Moment magazine.
If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you. Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city.
Berlin for Jews is part history and part travel guide. Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today. The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what…
What is it like to travel to Berlin today, particularly as a Jew, and bring with you the baggage of history? And what happens when an American Jew, raised by a secular family, falls in love with Berlin not in spite of his being a Jew but because of it? The answer is Berlin for Jews. Part history and part travel companion, Leonard Barkan's personal love letter to the city shows how its long Jewish heritage, despite the atrocities of the Nazi era, has left an inspiring imprint on the vibrant metropolis of today. Barkan, voraciously curious and witty, offers…
Joan Fallon is a Scottish novelist who has lived in the province of Málaga, in southern Spain, for almost thirty years. She has a great passion for all aspects of Spanish history and culture. While writing a book about the lives of Spanish women after the Civil War, she learned about the unbelievable massacre of thousands of innocent people as they left their homes and fled to Almería in 1937. Women, children and old men were gunned down by cruising gunboats. A historian, teacher and now an author, Joan wanted to know why nobody ever spoke about this tragedy.
This book was written in 1937 by a British journalist who was visiting Spain. This was the year that Málaga fell to the Nationalist forces. It is the year that I write about in Spanish Lavender, a love story set in the Spanish Civil War in Málaga. Arthur Koestler arrived in that city when thousands of people were fleeing from the advancing army. His book gives an eye witness account of what it was like there, the military situation, the devastation and the evacuation. He saw it all and wrote about it. Later he was arrested and imprisoned in a Nationalist gaol in Seville and described his experiences. For me it was the most useful book I could have found.
Als im Juli 1936 nach einem Generalputsch der Spanische Bürgerkrieg ausbricht, zeigen sich viele Intellektuelle auf der ganzen Welt solidarisch mit der bedrohten Republik. Auch Schriftsteller und Journalist Arthur Koestler reist wenig später als Kriegsberichterstatter nach Spanien. Dort erlebt er die Eroberung Málagas durch die Truppen von General Franco mit. Kurz darauf wird Koestler von faschistischen Putschisten festgenommen und durch ein Standgericht zum Tode verurteilt. Auf seine Hinrichtung wartend, beginnt Koestler, seine Beobachtungen und Gedanken in Ein spanisches Testament niederzuschreiben. Mit seinen autobiografischen Erinnerungen an jene bewegte Zeit ist Koestler das wohl bedeutendste Werk zum Spanischen Bürgerkrieg gelungen. Schriftstellerkollegen wie…
I am a historian of cities and the ways people shape them. Living in Berlin, both before and after the Wall came down, made me aware of how the shared experiences and memories of particular places give meaning to civic life. (And for a historian it was thrilling to find a place where history was taken very seriously.) Although I have since written broader studies—of cars and cities (Autophobia) and of earlier street life (The Streets of Europe)–it was the experience of living in Berlin while learning its history that enabled me to see the layers of meaning embedded in buildings and streets.
There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.
The great cities at the turn of the century were mediated by words--newspapers, advertisements, signs, and schedules--by which the inhabitants lived, dreamed, and imagined their surroundings. In this original study of the classic text of urban modernism--the newspaper page--Peter Fritzsche analyzes how reading and writing dramatized Imperial Berlin and anticipated the modernist sensibility that celebrated discontinuity, instability, and transience. It is a sharp-edged story with cameo appearances by Georg Simmel, Walter Benjamin, and Alfred Doeblin. This sumptuous history of a metropolis and its social and literary texts provides a rich evocation of a particularly exuberant and fleeting moment in history.
I
finally managed to read this book en route from Cambridge to London – my usual
commute to the SOAS office, which has helped with reading the amount of books
indicated above, especially during train strikes.
Okay, the book is Eurocentric
like most Western philosophy, and yes, it should have had more exposure to other
‘magicians’ of thought.
But in entertaining and repeatedly hilarious prose,
Eilenberger teases out some extremely interesting anecdotes of some of the most prominent minds of human history: philosophers such as Walter Benjamin, Martin
Heidegger, Ludwig Wittgenstein, and Ernst Cassirer who shaped almost everything
that we know. Their knowledge appears in places that you and I never expected.
AN ECONOMIST, GUARDIAN AND NEW STATESMAN BOOK OF THE YEAR
A gripping narrative of the intertwined lives of the four philosophers whose ideas reshaped the twentieth century
The year is 1919. Walter Benjamin flees his overbearing father to scrape a living as a critic. Ludwig Wittgenstein, scion of one of Europe's wealthiest families, signs away his inheritance, seeking spiritual clarity. Martin Heidegger renounces his faith and aligns his fortunes with Husserl's phenomenological school. Ernst Cassirer sketches a new schema of human culture on a cramped Berlin tram. The stage is set for a great intellectual drama. Over the next decade…
I have been studying Jewish translation for over a decade now. I’m fascinated with the way translation enables dialogue between different languages and cultures without eliminating the differences that make such dialogue worthwhile. Most of my work has been dedicated to translation between Christians and Jews, but I’m also interested in the ways in which translation functioned (and continues to function) within Jewish culture as a means of conversation between different communities, classes, genders, and generations.
Not strictly centered on translation and not exactly a conventional book, this collection of essays is often considered the birthplace of the now widely-used (though often misunderstood) concept of “cultural translation.”
Bhabha is a notoriously demanding author, and reading this book can, at times, feel like entering a conversation already in progress. Bhabha will move from Salman Rushdie, through Joseph Conrad or Walter Benjamin, to Fredric Jameson and Jacques Derrida, often within the space of a single paragraph or page. But Bhabha’s intellectual rigour justifies the effort. This challenging but rewarding book unleashes the radical potential of translation studies.
For Bhabha, translation transcends mere linguistic or even cultural exchange to become a tool for grappling with cultural transformation and difference more generally. It is a way of thinking about resistance and religion, innovation and imitation, politics and power. This book was love at first sight for me, and although I…
Rethinking questions of identity, social agency and national affiliation, Bhabha provides a working, if controversial, theory of cultural hybridity - one that goes far beyond previous attempts by others. In The Location of Culture, he uses concepts such as mimicry, interstice, hybridity, and liminality to argue that cultural production is always most productive where it is most ambivalent. Speaking in a voice that combines intellectual ease with the belief that theory itself can contribute to practical political change, Bhabha has become one of the leading post-colonial theorists of this era.
Even if you’re not a professional academic or a
tuition-paying student, sometimes it’s worth making the effort to read a book
that is genuinely challenging without being merely frustrating.
Mele’s
proficiency in Italian, German, English, and French, along with his erudition in
19th and early 20th-century philosophy, sociology, and
literary criticism, are abundantly on display here. And yet he guides us through
the fascinating labyrinth of the massive works of these cutting-edge thinkers
of "the pre-history of postmodernity" with ease and without ever overwhelming
us.
You’ll leave this book wanting to read everything Simmel or Benjamin ever
wrote or at least to return to the dazzling passages Mele quotes from and
comments on.
This book reconstructs and compares the social theories of modernity of Georg Simmel and Walter Benjamin, two classic thinkers in German social thought. The author focuses on five main topics: the historical-sociological method through which they investigate modernity; how are the concepts of history and society possible; the consequences of modern metropolis on the construction of individual subjectivity; the aestheticization of everyday life caused by the expansion of commodity culture; and the female culture as a counter-power to the domination of masculine objective culture. In the decades since Simmel and Benjamin, urban reality has undergone profound changes and we may…
I am an art historian and was professor of art history at MIT, Tufts, Harvard, and elsewhere. As an undergraduate I studied Jewish history and philosophy and subsequently was assistant editor at Schocken Books focusing on art history and history of ideas. My graduate work was in art history, first in medieval manuscripts and then 19th century French art. I’ve written four books, edited four others, and made 30 documentaries, mostly on art. The French government knighted me “Chevalier dans l’ordre des arts et des lettres.”
This remarkable biography has been hugely important to me in the understanding of the great German writer and critic Walter Benjamin. His essays, particularly on the 19th century Arcades, were the basis of my study, "A Human Comedy, Physiognomy and Caricature in 19th century Paris". Eiland and Jennings biography, based on enormous research, introduce us to this complex and enigmatic character and his brilliant criticism.
They provide a revealing portrait of his brief life in the shadow of European catastrophe. Their consummate understanding of Benjamin’s complex layered work gives new insight into this highly influential thinker. A scholarly work of the first order, written with wisdom and compassion.
Walter Benjamin is one of the twentieth century's most important intellectuals, and also one of its most elusive. His writings-mosaics incorporating philosophy, literary criticism, Marxist analysis, and a syncretistic theology-defy simple categorization. And his mobile, often improvised existence has proven irresistible to mythologizers. His writing career moved from the brilliant esotericism of his early writings through his emergence as a central voice in Weimar culture and on to the exile years, with its pioneering studies of modern media and the rise of urban commodity capitalism in Paris. That career was played out amid some of the most catastrophic decades of…
I have always been fascinated by the relationship between the concept of time, history, and politics. My first publications were in the philosophy of history. I started by translating some Left Hegelians. Then I moved toward Kant and Benjamin. My research background was constituted by the attempt to liberate Marxism from any kind of teleological philosophy of history. Recently, I began digging into concrete historical cases to extract political and legal categories. I’m interested in the reactivation of past possibilities to reconfigure the present and open alternative futures. I am now fortunate to teach courses on Temporalities and History in the History of Consciousness Department at UCSC.
This text, along with Walter Benjamin's On the Concept of History, introduces the notions of historical mutiversum and temporal strata.
Bloch develops these concepts to rethink the Marxist theory of history in relation to anticolonial struggles. He questions the idea of progress without abandoning it. Instead, he revisits progress from the perspective of complementary differentiations. This a crucial text for thinking about the plurality of times without falling into cultural relativism.
It is always better to take your reader straight to the point and spare him a long preamble. This is particularly advisable when the book itself is offered as an introduction. If it takes a long time to get to the matter, the mind tends to refuse what is really needful. This work consists largely of material first delivered as lec tures. If the spoken word can still be heard (where it should be heard), well and good. It helps if you tell someone the way as well as point it out; yet…
I have been studying Jewish translation for over a decade now. I’m fascinated with the way translation enables dialogue between different languages and cultures without eliminating the differences that make such dialogue worthwhile. Most of my work has been dedicated to translation between Christians and Jews, but I’m also interested in the ways in which translation functioned (and continues to function) within Jewish culture as a means of conversation between different communities, classes, genders, and generations.
If I had to name one book that is almost the exact opposite of Toury’s, it is this one. Venuti’s book is the rare kind of scholarly book one reads over one or two sittings. It is angry, provocative, polemical, and just pure fun.
For Venuti, there is no separating fact from value, and whether it plans to or not, translation (and scholarship on translation) affects change in both text and world—often for the worst. If Toury’s book emulated scientific discourse, Venuti’s reads like a crossover between a political manifesto and a crime novel. Translation is a violent business, shrouded in suspicion and hidden agendas, that need to be exposed through symptomatic readings and critical analyses.
The book ends with a passionate call to action enlisting translators—despite the risks entailed therein—to develop new methodologies that will, as Venuti writes: “make a difference, not only at home [. . .] but…
Since publication over twenty years ago, The Translator's Invisibility has provoked debate and controversy within the field of translation and become a classic text. Providing a fascinating account of the history of translation from the seventeenth century to the present day, Venuti shows how fluency prevailed over other translation strategies to shape the canon of foreign literatures in English and investigates the cultural consequences of the receptor values which were simultaneously inscribed and masked in foreign texts during this period. Reissued with a new introduction, in which the author provides a clear, detailed account of key concepts and arguments in…
Prepare yourself for a thrilling and idiosyncratic
ride where a pool of water on Bell’s kitchen floor leads her to investigate
Berlin’s “swampy” past while also trying to make a home
for herself and her sons after a divorce.
Bell, an
Anglo-American art critic and author, shows us how to find undercurrents hidden
below the surface in both history and our own lives and how to put the pieces
together in meaningful if fragmented, new patterns.
I agree with the New York
Times review that we are “mysteriously changed - enriched - by the journey she
has invited us to take.”
Humane, thought provoking, and moving, this hybrid literary portrait of a place makes the case for radical close readings: of ourselves, our cities, and our histories.
The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking…
