100 books like Reading Berlin 1900

Among so many brilliant authors on city life – if I could have chosen 10 books, I would have surely also have given you books by critics like Walter Benjamin and Marshall Berman, and writers like James Joyce, Fyodor Dostoevsky, and Charles Baudelaire. One of the pleasures in reading Vanessa Schwartz’s book is that she knows and draws on so much of this older work to think about the astonishing spectacle of late 19th-century Paris. Here is life on its boulevards; sensational stories of the city as presented in mass-circulation newspapers; the morgue (!) as a place for both science and entertainment; the wax museum, the panorama, and the cinema. A sensationalized version of everyday life is what most fascinates the author, and us as readers, making us think about what is “real” and what is important to understand, public and private life, commercialism, modern ways of seeing… show more.

This is Victorian London, a city of dynamic growth, extreme class divisions, obsessions with public sexual danger and pathology, growing anxiety in the face of so much that is unknown and uncertain, and moralizing campaigns for reform. Not least, and the book ends with this story, this is the city of Jack the Ripper. Sometimes Walkowitz is densely analytical, for she is skillful as both storyteller and theorist. In both genres, the experience of modernity is central, as are questions about the body and the self, ethnicity, class, and morality. The city that emerges, in all its dread and delight, is a story that inspires us to think about other cities, other streets, other scandals, and other modernities, including our own.

If you’ve ever wondered about where the terms “coming out,” “tea room,” or “fairy” came from, this book has the answers. But more importantly, this book showed me the extent to which my preconceived notions about the relationship between gender and sexuality were simply wrong.

Chauncey’s careful and readable reconstruction of gay communities in early twentieth-century New York illustrates very clearly that ideas of masculinity and deviance and the meanings attached to sex between men are socially constructed and change over time.

His story also showed me how much history can hide in plain sight and how there are still so many stories left to tell.

This is an extraordinary book: stories, in the voices of those who experienced it, about living in public housing projects in Chicago before these homes were demolished starting in the 1990s. Of course, there are memories of crime, gangs, drugs, violence, police brutality, sickness, and death: sometimes understood as the product of urban life, capitalism, and racism, but also as the product of individual mistakes and failures. But mostly these witnesses tell of community, of self-respect and determination, of learning to survive and even resist.

Students in my urban history class in a prison education program in Illinois reminded me that “urban” in their world—which was often precisely the world of High-Rise Stories—meant not the city as a whole, but the inner city, the world of the street, of the marginalized, of people of color. This is a compelling window into that story, told by people who lived it:… show more.

The book, set in the early 1930s, is from a fleeting period when the liberal pleasures of the German capital made it the European place to be. An English teacher of reserved social origins, Isherwood writes of the Berlin characters who enlivened his life, against the forbidding backdrop of Hitler's rise to power. Cabaret, the film adapted from the book, led Isherwood to insist his version of events was far nearer to how things were.

This author offers a well-crafted history of daily life inside the Reich, a fascinating exploration of the German capital as the Nazi movement brought its citizens to their knees. Extensively researched and documented, Moorhouse vividly portrays the daily oppression and challenges faced on all societal fronts. This well-crafted study enmeshes the reader in life under totalitarian rule.

This book is unjustly neglected because it was published just days before the Berlin Wall fell, an event the author, like the rest of us, failed to foresee. Wyden, a prolific writer who grew up Jewish in Hitler’s Berlin, uses his knowledge of the city to situate stories of highwire diplomacy and sensational escapes against a backdrop of ordinary lives marked by grim repression. 

1980s Berlin is famous for two things: a wild counterculture and the sudden demise of the Wall. In recalling the outsize personalities he got to know on both sides of the Wall, Paul Hockenos brings the two strands of history as close together as can be done. The music and party scene, the communes and the squats, arose during this quiet lull in the Cold War, as political, musical, and sexual misfits found their niche in the dead zones along the Wall. Most of us living in Berlin in the 80s enjoyed the peace and quiet. This book shows what most of us were missing out on.

If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you.  Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city. 

Berlin for Jews is part history and part travel guide.  Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today.  The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what… show more.

This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.