Here are 100 books that Gay New York fans have personally recommended if you like
Gay New York.
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In post-Roe America, gay people face the very real possibility of our rights being stripped from us, underscoring the importance of this adage: “Those who forget their history are condemned to repeat it.” That's why years ago, when I realize that many gay men were ignorant about gay history before Stonewall, I began editing anthologies of gay writings from the past. That led me to writing biographies and histories in which I explore gay men’s experiences, hoping my work shines a light on our forgotten past.
One of the darkest events in gay history has been brought to light in Johnson’s book. During the late 1940s and ’50s, the Federal Government engaged in a purge of gay men (and women) who worked in its offices by linking them to communism, an association politicians strengthened as the Cold War progressed. Fueled by their lies and guided by FBI Director (and closeted gay) J. Edgar Hoover, the persecution, called the “Lavender Scare,” spread from Washington, D.C. across the U.S. The government-sanctioned homophobia cost thousands their jobs, families, and friends when their sexuality was made public. Some committed suicide. Having this book at hand helped me understand the complexities of gay men’s lives during this horrific period.
In Cold War America, Senator Joseph McCarthy enjoyed tremendous support in the fight against what he called atheistic communism. But that support stemmed less from his wild charges about communists than his more substantiated charges that "sex perverts" had infiltrated government agencies. Although now remembered as an attack on suspected disloyalty, McCarthyism introduced "moral values" into the American political arsenal. Warning of a spreading homosexual menace, McCarthy and his Republican allies learned how to win votes. Winner of three book awards, "The Lavender Scare" masterfully traces the origins of contemporary sexual politics to Cold War hysteria over national security. Drawing…
In post-Roe America, gay people face the very real possibility of our rights being stripped from us, underscoring the importance of this adage: “Those who forget their history are condemned to repeat it.” That's why years ago, when I realize that many gay men were ignorant about gay history before Stonewall, I began editing anthologies of gay writings from the past. That led me to writing biographies and histories in which I explore gay men’s experiences, hoping my work shines a light on our forgotten past.
As with physique photographs, I never associated murder with gay history, but newspapers were full of reports of it, often in coded and lewd language, as early as the 1920s. The cases were virtually identical. An older man meets a younger, attractive one and invites him home. In a fit of “homosexual panic” after the older man’s “indecent advance” toward him, the younger kills the older but, tried, is found innocent, given a light sentence, or paroled. Juries, judges, newspaper reporters, and the police engaged in and promoted such extreme homophobia.Indecent Advanceshelped me understand a principal excuse our society used in an attempt to cover up its hatred of gay men.
'A grisly, sobering, comprehensively researched new history.' - The New Yorker
Indecent Advances is a skilful hybrid of true crime and social history that examines the often-coded portrayal of crimes against gay men in the decades before Stonewall.
New York University professor and critic James Polchin illustrates how homosexuals were criminalized, and their murders justified, in the popular imagination from 1930s 'sex panics' to Cold War fear of Communists and homosexuals in government. He shows the vital that role crime stories played in ideas of normalcy and deviancy, and how those stories became tools to discriminate against and harm gay…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
This book is probably the first scholarly book that blew my mind and pushed me to want to know what else I had always gotten wrong.
Where, like most people I know, I had always thought that the Japanese bombing of Pearl Harbor was just a thing that happened because of “war,” this book made it clear why it happened.
The US and Japan, both diplomats and everyday people, did not choose to understand each other. Different world views, different assumptions, and plain old racism led the US and Japan into a horrific, bloody conflict with long-lasting consequences.
WINNER OF THE NATIONAL BOOK CRITICS CIRCLE AWARD • AN AMERICAN BOOK AWARD FINALIST • A monumental history that has been hailed by The New York Times as “one of the most original and important books to be written about the war between Japan and the United States.”
In this monumental history, Professor John Dower reveals a hidden, explosive dimension of the Pacific War—race—while writing what John Toland has called “a landmark book ... a powerful, moving, and evenhanded history that is sorely needed in both America and Japan.”
Drawing on American and Japanese songs, slogans, cartoons, propaganda films, secret…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I loved this book because Patti Smith paints a true portrait of a young woman burning with passion to become a poet and artist. The book shows the struggles of committing to a life with no assurances in a city teeming with aspiring artists and writers.
What I love the most is showing the years it took, the alliances she made, the risks she took, the hunger she felt, and the desperate circumstances she faced and overcame. When her lucky break came, I was rooting for her! She had paid her dues, and she rose to the occasion when a band put her poetry to music, and she broke out to become a sensation.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
I started my career teaching high school. I attended amazing professional development institutes, where scholars showed me how the stories I’d learned and then taught to my own students were so oversimplified that they had become factually incorrect. I was hooked. I kept wondering what else I’d gotten wrong. I earned a Ph.D. in modern US History with specialties in women’s and gender history and war and society, and now I’m an Associate Professor of History at Iowa State University and the Coordinator of ISU’s Social Studies Education Program. I focus on historical complexity and human motivations because they are the key to understanding change.
We live in a time when personal convenience seems to trump everything else. So how is it that virtually the entire Black community of Montgomery, Alabama, stayed off the city buses for over a year in the mid-1950s?
The first three chapters of this book answer that question in a completely new way that made the realities of the Jim Crow South and the dangers of the struggle for racial justice snap into focus for me. The boycott was tangentially about segregation on buses, but really, argues McGuire, it was a fight for bodily integrity, safety, and self-respect.
Because it deals with rape and sexual assault, this can be a hard book to read, but it literally gave me a different understanding of what “equality” means.
Here is the courageous, groundbreaking story of Rosa Parks and Recy Taylor—a story that reinterprets the history of America's civil rights movement in terms of the sexual violence committed against Black women by white men.
"An important step to finally facing the terrible legacies of race and gender in this country.” —The Washington Post
Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement. The truth of…
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
This is the primer for everything Downtown during arguably Downtown’s greatest era. The contributions are first-rate, by people who were on the scene, and it’s a handsome book to hold. If you’re interested in anything from Punk and Patti Smith to Haring, Basquiat, and Afrika Bambaataa, this is the place to start, without nostalgia, agenda, or hype.
Downtown is more than just a location, it's an attitude--and in the 1970s and '80s, that attitude forever changed the face of America. This book charts the intricate web of influences that shaped the generation of experimental and outsider artists working in Downtown New York during the crucial decade from 1974 to 1984. Published in conjunction with the first major exhibition of downtown art (organized by New York University's Grey Art Gallery and Fales Library), The Downtown Book brings the Downtown art scene to life, exploring everything from Punk rock to performance art. The book probes trends that arose in…
I love cities and I teach about them. I was born in the capital of Sofia, Bulgaria, and landed in the US (mostly by chance) in 1993. Spent most of my professional life in US academia (Michigan, Virginia Tech, Harvard, Maryland, and now Georgia). I never stopped wondering how cities change and why American cities look and function so differently than European cities. So, I wrote a few books about cities, includingIron Curtains; Gates, Suburbs and Privatization of Space, which is about changes in East European Cities after the fall of the Berlin Wall.
A modern classic! A fascinating analysis of arts, culture, literature, and social and urban change. A breathtaking read of Goethe’s Faust to Dostoyevsky’s Notes from the Undergroundand a sharp analysis of what Hausmann’s Parisian boulevards have to do with the prospects of pre-revolutionary St. Petersburg and the highways of mid-century New York. Fantastic chapters on Karl Marx (from whom the title of the book is borrowed) and Charles Baudelaire. Written with poetic perfection!
"A bubbling caldron of ideas . . . Enlightening and valuable." Mervyn Jones, New Statesman.
The political and social revolutions of the nineteenth century, the pivotal writings of Goethe, Marx, Dostoevsky, and others, and the creation of new environments to replace the old all have thrust us into a modern world of contradictions and ambiguities. In this fascinating book, Marshall Berman examines the clash of classes, histories, and cultures, and ponders our prospects for coming to terms with the relationship between a liberating social and philosophical idealism and a complex, bureaucratic materialism.
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
For my money, affordable housing is the biggest issue New York faces right now and this book was one of the happiest, most fascinating surprises in my research. No one should utter that phrase—“affordable housing”—until they read this book, a comprehensive, overview of all the different kinds of affordable housing created in and by New York over the last century. With fabulous imagery from photographer and sociologist David Schaillol, it ultimately becomes an alternative history of what the city has done, which made me hopeful about what it can do if we choose to.
A richly illustrated history of below-market housing in New York, from the 1920s to today
A colorful portrait of the people, places, and policies that have helped make New York City livable, Affordable Housing in New York is a comprehensive, authoritative, and richly illustrated history of the city's public and middle-income housing from the 1920s to today. Plans, models, archival photos, and newly commissioned portraits of buildings and tenants by sociologist and photographer David Schalliol put the efforts of the past century into context, and the book also looks ahead to future prospects for below-market subsidized housing. A dynamic account…
It took eight years to write New York, New York, New York, and reading hundreds and hundreds of books about all different aspects of New York past and present. There were lots of brilliant ones along the way, but these five changed how I think about New York, flipped assumptions, created entirely new maps and narratives.
Holly Whyte is a sort of godfather to my book. He was a journalist turned urbanist who became extremely influential in New York City by focusing on how exactly people used public space. He and his team would set up cameras around plazas and small parks to document the ways New Yorkers sat, strolled, and schmoozed. Their findings, along with Whyte’s profoundly optimistic vision of people as the solution to urban problems, laid the foundation for transformative changes in places like Bryant Park and Times Square. You’ll never look at the city the same way after reading this, both in terms of the built environment and in how people act in public space.
In 1980, William H. Whyte published the findings from his revolutionary Street Life Project in The Social Life of Small Urban Spaces. Both the book and the accompanying film were instantly labeled classics, and launched a mini-revolution in the planning and study of public spaces. They have since become standard texts, and appear on syllabi and reading lists in urban planning, sociology, environmental design, and architecture departments around the world.
Project for Public Spaces, which grew out of Holly's Street Life Project and continues his work around the world, has acquired the reprint rights to Social Life, with the intent…
I grew up in San Francisco and worked in New York City in the 1970s as a taxi driver and printing apprentice, and, after getting a doctorate at UC Berkeley, taught at Harvard, Yale, and the University of Illinois. Most of my publications and teaching have been about Russian history—I've written books on labor relations, working-class writers, the Russian Revolution, St. Petersburg, and utopias. I've been teaching comparative urban history for several years and am writing a new book on urban storytelling about street life, nightlife, and morality in Soviet Odessa, colonial Bombay, and New York City in the 1920s and 1930s. I recently retired and live in New York City and Turin, Italy.
Among so many brilliant authors on city life – if I could have chosen 10 books, I would have surely also have given you books by critics like Walter Benjamin and Marshall Berman, and writers like James Joyce, Fyodor Dostoevsky, and Charles Baudelaire. One of the pleasures in reading Vanessa Schwartz’s book is that she knows and draws on so much of this older work to think about the astonishing spectacle of late 19th-century Paris. Here is life on its boulevards; sensational stories of the city as presented in mass-circulation newspapers; the morgue (!) as a place for both science and entertainment; the wax museum, the panorama, and the cinema. A sensationalized version of everyday life is what most fascinates the author, and us as readers, making us think about what is “real” and what is important to understand, public and private life, commercialism, modern ways of seeing…
During the second half of the nineteenth century, Paris emerged as the entertainment capital of the world. The sparkling redesigned city fostered a culture of energetic crowd-pleasing and multi-sensory amusements that would apprehend and represent real life as spectacle. Vanessa R. Schwartz examines the explosive popularity of such phenomena as the boulevards, the mass press, public displays of corpses at the morgue, wax museums, panoramas, and early film. Drawing on a wide range of written and visual materials, including private and business archives, and working at the intersections of art history, literature, and cinema studies, Schwartz argues that "spectacular realities"…
