100 books like Corpus

One of the best explanations I’ve read of the rise of Fascism in Hitler’s Germany. I agree that ignoring the lessons of history means we’ll be forced to endure repetition. And Kerr paints such a chilling scenario no one in their right mind would wish the maxim to come true. His prose applies color and form like an artist at the top of their game.

At times I found him reminiscent of Chandler in the way he portrays the Nazis as the worst gangsters in the game. This is the first book of the Bernard Gunther series, and I was so enthralled that I raced through the others in just a few days. His storyline is filled with horror, passion, fear, and pathos—a tour de force of emotions.

As I read this riveting account, I felt like I was watching the events leading to the Munich Agreement of 1938. We all know the result of the agreement, but this book is much more than a historical account of what happened.

Harris tells the story through two friends who met at Oxford University in the 1920s. Now, one is an aide to British Prime Minister Neville Chamberlain, and the other a senior German Foreign Office official. They join forces to try to stop Chamberlain from signing the agreement.

I was impressed with the skillful way Harris revealed the story, which the exemplary writing is matched in detail and tension. 

Hitler’s rise to power was not inevitable. That’s the key point of this excellent, detailed account of the days leading to President Hindenburg’s appointment of Hitler to the chancellorship of Germany.

I liked Ashby Turner’s novel-like writing style and his high standard of scholarship. He writes about the wheeling and dealing, the tension of the history-changing event, and the internal conflicts of some of the key actors.

It’s one of the best nonfiction books about the Weimar period I have read.

A book that takes me into the hallowed halls of Nazi power is an immediate drawcard for me. And with a brave and determined woman protagonist who overcomes the odds, this book didn’t disappoint. Jane Thynne’s angle of exploring the lives of the wives of the leading Nazis is new, different, and works well. 

Clara Vine has left Britain in less than happy circumstances and goes to Berlin, where she gets a job as an actor at the famous Ufa studios. After a chance meeting, she becomes part of the Nazi wives’ social circle. When Magda Goebbels discloses a life-threatening secret and asks Clara for her help, the tension is on. 

Peter Gay was a child in Nazi Berlin in the 1930s. I read his book to see what life was like there while writing my third novel, much of which takes place in Nazi Berlin. Gay was an academic historian but this memoir is deeply personal, laced with self-deprecating humour. His assimilated life (he and his father were staunch atheists) was relatively unaffected by the regime until 1933 when he became a Jew overnight by law. The Nazis quickly stripped the Jews of all rights, culminating in the violent Kristallnacht in 1938. He and his parents managed to escape to the U.S. six months later. Many of his relatives were killed. The underlying question in the book: why didn’t his family—and by extension other Jewish families—leave right after 1933 when Nazi plans became clear?

If you are Jewish and have ambivalent feelings about visiting Berlin, then this could be the book for you.  Leonard Barkan is a professor at Princeton where he teaches in the Department of Comparative Literature. A Jewish American, growing up in a secular New York family, his book is a personal reflection on traveling in the city. 

Berlin for Jews is part history and part travel guide.  Barkan shows how, in the early nineteenth century, Jews dominated the arts, sciences, and public life and the way in which, despite the horrors of the Nazi era, they left an indelible imprint on the Berlin of today.  The book, described as a “love letter” to the city, takes the reader through some of the most iconic locations of Jewish life and describes the long-lost elegant Jewish suburbs, salons, writers, artists, politicians, philanthropists, art collectors, and intellectuals. And throughout, Barkan muses on what… show more.

There are many books about the glitz and the cultural icons that we associate with Weimar Berlin. This one gives us a broader and deeper picture. Instead of concentrating on a few writers and artists, it anchors the city’s creative explosion in mass-market newspapers and their readers, turning our eyes to people in the streetcars and cafés and the stories they read about their own lives. We can read about sensational crimes just as Berliners did, and we find the prototypes of modern art in the layout and content of newspapers and in the chaos of the streets where they are hawked.

This idiosyncratic biography of Rahel Levin Varnhagen, a 19th-century German-Jewish Berlin literary salon hostess may at first seem esoteric to the general reader. A prickly, contradictory character, Arendt’s portrayal of Rahel’s outsider status as a Jew in a largely hostile Christian society, her proto-feminist self-affirmation of her womanhood at a time when women were essentially groomed for marriage, and her paradoxical mix of intellectual self-assurance and crippling emotional insecurities make for a riveting read. You don’t have to be Jewish or a woman to appreciate the complexities of this prototypical Berliner.

This particular time and place fascinate me. The cold war is ramping up. Dirty deals abound while deviltry floats in the air or can be found around any corner. It was a crucial time in history and shaped much of what happens today throughout the world. And the story mixes intrigue and romance. Will the hero find his love plus uncover the plot? The suspense can’t be beaten.

Milton does an exceptional job of tracing the origins of the Berlin crisis that culminated in a Soviet blockade of the 2.2 million German civilians living in the Western Sectors of Berlin.

The book starts with a look at Allied decisions and actions during the Second World War and describes how these influenced and shaped the post-war period. It does a particularly outstanding job of portraying life in occupied Berlin with rare granularity and neutrality. The result is a work that highlights Western hubris, failings, and mistakes as much as Soviet arrogance, deceit, and cruelty.

The book’s strength is explaining the build-up to the crisis (three-quarters of the book) rather than the confrontation itself. I recommend it as a good book to start with.