My new book, I Saw Satan at the 7-Eleven, is among other things, a love letter to heavy metal. I am a lifelong music obsessive: a record collector, concertgoer, maker of mixtapes, sewer of patch jackets. When I’m not writing or reading I’m playing guitar with the amp turned all the way up. And I have the tinnitus to prove it. Some of the books on this list are about metal, others are simply imbued with its rebellious dionysian spirit. But every damn one of them goes to 11, I can assure you of that. Enjoy!
The cutest book I’ve ever read about being a fan. Warm and softhearted, Chuck’s writing is literary comfort food.
A music and sports journalist turned memoirist, this is his misty-eyed look back at childhood. Like an episode of The Wonder Years all about Hair Metal. You can substitute Hair Metal for anything chronically un-cool that you ever fell in love with.
It’s a gleeful defence of the dork inside, a reminder that taste is subjective, that fashions come and go, that when we poo-poo things we’re denying ourselves potential enjoyment. There’s no such thing as a guilty pleasure. Pleasure is pleasure, and there isn’t enough of it in this sorry world.
So, curl up with Klosterman and enjoy what you enjoy.
Powered by a sharp and wholly original voice, Chuck Klosterman delivers a real-life High Fidelity in this savvy, deliriously funny memoir of growing up a shameless heavy-metal devotee in 1980s North Dakota. The year is 1983, and Chuck Klosterman just wants to rock. But he's got problems. For one, he's in the fifth grade. For another, he's mired in rural North Dakota. Worst of all, his parents aren't exactly down with the long hairstyle which said rocking requires. Luckily, his brother saves the day when he brings home a bit of manna from metal heaven, Shout at the Devil, Motley…
As a college instructor and a student of Western American Literature for many, many years I have read a great number of western novels for my classes and for my literary studies. In addition to my doctoral dissertation on the topic, I have written and published numerous articles and reviews on western writers, and I have given many public presentations as well. I have a long-standing interest in what makes good works good. As a fiction writer, I have published more than thirty traditional western novels with major publishers, and have won several national awards for my western novels and short stories.
Welcome to Hard Times is a shorter novel. It is of the length of the classic western that was popular at the time that this novel came out (1960). This novel is sometimes described as an anti-western or an ironic western, as it takes a non-heroic view of people dealing with evil in a frontier town. It was made into a movie by the same title, but the movie is not well known. The novel is similar in tone to the movie McCabe and Mrs. Miller, which some people do not like because of its non-heroic or skeptical tone. Readers who like their westerns upbeat and unequivocal may not appreciate Doctorow’s novel, but readers who are willing to consider less-than-pristine views may find an interesting treatment here.
Here is E. L. Doctorow’s debut novel, a searing allegory of frontier life that sets the stage for his subsequent classics.
Hard Times is the name of a town in the barren hills of the Dakota Territory. To this town there comes one day one of the reckless sociopaths who wander the West to kill and rape and pillage. By the time he is through and has ridden off, Hard Times is a smoking ruin. The de facto mayor, Blue, takes in two survivors of the carnage–a boy, Jimmy, and a prostitute, Molly, who has suffered unspeakably–and makes them his…
I am drawn to stories about “the olden days,” non-fiction, fiction, or first-hand storytelling by homesteaders who came from away to settle on the prairies. Perhaps it is a way to recall my own farm childhood, a way to recall both joyful and unhappy times. When my brother taught me to climb (and get down from) the apple tree. The realization the pet steer who followed me around all summer and occasionally let me ride on his back while he grazed would be met by the mobile butcher truck in the fall. Hardships and simple joys, the life lessons, the banal work done for the family and farm to survive.
It follows German immigrant Fidelis Waldvogel and his family, and other characters in a small rural town in North Dakota in the years of and in between the First and Second World Wars.
The way the earthy and believable characters confront complex human issues intertwined with family, betrayal, death, are deftly told by a master storyteller. This one sits on my bookshelf for re-reads. I am in awe of Erdrich’s storytelling ability; you know these characters, you can smell the inside of the butcher shop, you feel a boy’s exhilaration as he watches a plane fly overhead.
A powerful novel from one of the most celebrated American writers of her generation, and the winner of the National Book Award for Fiction 2012
In the quiet aftermath of WWI, Fidelis Waldvogel leaves behind his quiet German village, and sets out for America with his new wife Eva - the widow of his best friend, killed in action.
Finally settling in North Dakota, Fidelis works hard to build a business, a home for his family - and a singing club consisting of the best voices in town. But his adventure into the New World truly begins when he encounters…
After graduating with a BA in English, I moved to England to pursue a master’s in Literature and Visual Culture. My focus was on women artists working in London during the Blitz and I wrote my dissertation on Lee Miller, who went on to photograph (and doggedly publish) the liberation of German concentration camps. Later I worked in arts administration and marketing, and didn’t start writing my debut noveluntil I was thirty-five. My work is inspired by my favorite authors from the 1940s:Elizabeth Bowen, Patrick Hamilton, and Penelope Fitzgerald.I’m also drawn to historical fiction about ordinary people in difficult social conditions, especially when there’s a love story involved.
I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.
The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.
“The beauty of Love Medicine saves us from being completely devastated by its power.” — Toni Morrison
Set on a North Dakota Ojibwe reservation, Love Medicine—the first novel from master storyteller and National Book Award-winning author Louise Erdrich—is an epic story about the intertwined fates of two families: the Kashpaws and the Lamartines.
With astonishing virtuosity, each chapter of this stunning novel draws on a range of voices to limn its tales. Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses…
In 1971, when I graduated from law school, I received a fellowship to help staff a Legal Aid office on the Rosebud Sioux Indian Reservation in South Dakota. I lived there for nearly four years, representing tribal members in tribal, state, and federal courts. I then worked for 45 years on the National Legal Staff of the American Civil Liberties Union (ACLU). One of my major responsibilities was helping Indian tribes and their members protect and enforce their rights, and I filed numerous cases on their behalf. During that time, I taught Federal Indian Law for more than 20 years and also published The Rights of Indians and Tribes.
This novel won the National Book Award and it’s easy to see why. Written by a Native author about reservation life, it discusses a crime that occurred that—like many reservation crimes—went unsolved for a long time.
The book is informative and compelling, and it weaves Native practices and culture into the story. I found it particularly interesting because it includes characters and themes that resonated with my experiences.
Winner of the National Book Award • Washington Post Best Book of the Year • A New York Times Notable Book
From one of the most revered novelists of our time, an exquisitely told story of a boy on the cusp of manhood who seeks justice and understanding in the wake of a terrible crime that upends and forever transforms his family.
One Sunday in the spring of 1988, a woman living on a reservation in North Dakota is attacked. The details of the crime are slow to surface because Geraldine Coutts is traumatized and reluctant to relive or reveal…
All my work--as a novelist and a licensed clinical therapist--deals with what happens in families, which sometimes includes overwhelming grief. But now, it hasn’t been long since I lost my own son. In these novels, I recognize a piece of myself as I, like any survivor, have struggled to cope. Like few other events in our lives, death has the possibility of completely derailing us with its brutality, and often surviving family cast about blindly, searching for sense, for meaning. Sometimes we can’t find any; sometimes we do, and sometimes we create it ourselves. These novels put different approaches into story, and that, too, is a way to search out direction--and hope.
In her fifteenth novel, Erdrich, a member of the Ojibwe tribe, attempts to answer the question, “Can a person do the worst possible thing and still be loved?” by showing readers how native American parents living on a reservation cope when the father, Landreaux, accidentally kills his best friend’s five-year-old son in a hunting accident. Landreaux is distraught, wracked with horror, guilt, and grief. After consultation and attending a sweat, guided by an old native custom, he gives La Rose, his and his wife’s youngest child–whose best friend was the deceased–to the bereaved parents and siblings in a version of justice. It’s a twist on an eye for an eye, intended to equalize the suffering and prevent the escalation and further death that can occur when acts of grief-fueled revenge begin. Now both families are suffering unbearable loss, and so is LaRose, a five-year-old boy.
Late summer in North Dakota, 1999: Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence but only when he staggers closer does he realise he has killed his neighbour's son.
Dusty Ravich, the deceased boy, was best friends with Landreaux's five-year-old son, LaRose. The two families have been close for years and their children played together despite going to different schools. Landreaux is horrified at what he's done; fighting off his longstanding alcoholism, he ensconces himself in a sweat lodge and prays for guidance. And there he discovers an old…
I think about the positive identity development of Native youth all the time and not just because I am an educator and author. I love my Ojibwe language and culture, but I want to turn Native fiction on its head. We have so many stories about trauma and tragedy with characters who lament the culture that they were always denied. I want to show how vibrant and alive our culture still is. I want gripping stories where none of the Native characters are drug addicts, rapists, abused, or abusing others. I want to demonstrate the magnificence of our elders, the humor of our people, and the power of forgiveness and reconciliation.
I love this book because the characters Eli and Nector seem so familiar to me. The plot is full of tension, but the characters are genuinely humorous and affable, much like the elders I know across Ojibwe country.
This book also gives a window into Ojibwe culture. Louise Erdrich is a Pulitzer-prize-winning author, and this isn't even her biggest seller, but it's definitely my personal favorite.
“[Erdrich] captures the passions, fears, myths, and doom of a living people, and she does so with an ease that leaves the reader breathless.”—The New Yorker
From award-winning, New York Times bestselling author Louise Erdrich comes an arresting, lyrical novel set in North Dakota at a time when Indian tribes were struggling to keep what little remained of their lands.
Tracks is a tale of passion and deep unrest. Over the course of ten crucial years, as tribal land and trust between people erode ceaselessly, men and women are pushed to the brink of their endurance—yet their pride and humor…
Many of us were taught as children that life isn’t fair. I never accepted this; shouldn’t we do all we can to make life fair? I grew up to be a lifelong activist and a writer for social justice organizations. As a reader and writer, I love books about women’s lives, especially women who realize that the world around them shapes their own experiences. Sometimes history is happening right here, right now—and you know it. Those transformative moments spark the best stories, illuminating each book I’ve recommended.
What I loved most about this book is true of all Louise Erdrich novels: she creates such warm, complicated, fully human characters that I delight in their presence and grieve when I have to leave them at the book’s end.
In this novel, history hit home in a devastating way when the U.S. government in the 1950s decided to solve its “Indian problem” by simply reclassifying Native people as no longer Indian—a kind of paper genocide that wiped out Indigenous people’s cultural identity and tribal rights, such as land rights.
Sadly, this is all historical fact; the fiction comes in when Erdrich re-imagined in riveting detail the (also true) story of how one small tribe in North Dakota fought back.
It is 1953. Thomas Wazhushk is the night watchman at the first factory to open near the Turtle Mountain Reservation in rural North Dakota. He is also a prominent Chippewa Council member, trying to understand a new bill that is soon to be put before Congress. The US Government calls it an 'emancipation' bill; but it isn't about freedom - it threatens the rights of Native Americans to their land, their very identity. How can he fight this betrayal?
Unlike most of the girls on the reservation, Pixie…
I’ve always loved “big books,” novels that are described as sagas and chronicles yet whose primary focus is on singular, nuanced characters. I like seeing the ways that lives intersect and reflect each other across decades, and I enjoy being immersed in one world and then dropped, with the turn of a page, into another equally engrossing one. I am the author of the novel Rebellion as well as numerous short stories and essays. Raised in St. Louis, Missouri, I spent several years living in China and a year as the Writer-in-Residence at St. Albans School in Washington, D.C. I now live in Wisconsin, where I write and teach creative writing.
I can never decide which of Erdrich’s books is my favorite, but The Plague of Doves is definitely a major contender. Erdrich’s novelistic style is more like a chorus than a solo: she presents various stories involving different characters in different times, but the stories are in orbit around the central conflict, in this case, a pair of horrific crimes committed long ago. Yet even when the content is dark, her writing is so beautiful that my primary feeling reading it is joy. For me, the title of this book perfectly captures that contradictory experience.
A beautiful, compelling, utterly original new novel from one of the most important American writers of our time, and winner of the National Book Award for Fiction, 2012
Pluto, North Dakota, is a town on the verge of extinction. Here, everybody is connected - by love or friendship, by blood, and, most importantly, by the burden of a shared history.
Growing up on the reservation is Evelina Harp, witty and ambitious, and prone to falling hopelessly in love. Listening to her grandfather's tales, she learns of a horrific crime that has marked both Ojibwe and whites. Nobody understands it better…
My first true prairie encounter was during a class trip to Waubun Prairie in northern Minnesota. Such a wide sweep of verdant grassland splashed with beautiful color—I was instantly smitten! After years as a professional anthropologist and educator, I wrote Under Prairie Skies to celebrate the prairie and share the region’s early ethnobotanical history. I was pleased that several reviewers called the book “a love story.” My list of recommendations includes some which inspired me on that journey. It is an honor to highlight such superb communicators who share my love for the prairie.
After forty-two years with the North Dakota Geological Survey, Bluemle is well qualified to take both professional and lay readers through the geological ages that shaped modern-day North Dakota. I appreciate the way he skillfully covers the major regions of the state, such as the Missouri Couteau and the Red River Valley, with lavishly illustrated photos, maps, and diagrams. He also discusses the state’s considerable energy resources.
Everything I need to know on this topic is in one paperback, and it is a convenient size for taking on a field trip!
North Dakota's Geologic Legacy is a finalist in the Nature category for the 2016 Midwest Book Awards.
North Dakota's Geologic Legacy is the story of the landscape why it looks like it does and how it formed. The book is designed for the physical and the armchair traveler. Most of the features portrayed can be seen from the road. The shape of the land, the geologic materials, the processes that shaped them, the length of time involved in their formation all of these comprise a fascinating puzzle. North Dakota has a split geologic personality: rugged, erosional badlands and buttes in…
