The most recommended books on North Dakota

As a former novelist, I'm especially alert to characters in nonfiction who are as vivid and complex as anything a writer of fiction can invent.

Sierra Crane Murdoch gives us just that in the story of Lissa Yellow Bird, an Arikara woman who, after her release from prison in 2009, becomes obsessed with investigating the recent disappearance of a white oil industry worker from the Fort Berthold Indian Reservation.

Lissa is a human dynamo – resourceful, quick-witted, sometimes charming, sometimes troublesome, and unrelentingly persistent: truly one of the most memorable characters you're likely to meet in contemporary fiction or nonfiction.

I used to moderate a book club for museum members at what is now the Institute of Contemporary Art, Los Angeles. Love Medicine was chosen by one of our exhibition artists. This astonishing debut is a masterwork about family, poverty, and passion.

The book is set where my grandparents came from, Minnesota and the Dakotas, and illustrates how settlers from Europe (my ancestors) continued to disrupt and destroy Native lives well into the 20th century. Ojibwe spiritual beliefs and Catholicism tangle as tightly as the characters that embody them. Spanning from 1934 to 1985, this novel should not be missed by anyone interested in Native American history.

The cutest book I’ve ever read about being a fan. Warm and softhearted, Chuck’s writing is literary comfort food.

A music and sports journalist turned memoirist, this is his misty-eyed look back at childhood. Like an episode of The Wonder Years all about Hair Metal. You can substitute Hair Metal for anything chronically un-cool that you ever fell in love with.

It’s a gleeful defence of the dork inside, a reminder that taste is subjective, that fashions come and go, that when we poo-poo things we’re denying ourselves potential enjoyment. There’s no such thing as a guilty pleasure. Pleasure is pleasure, and there isn’t enough of it in this sorry world.

So, curl up with Klosterman and enjoy what you enjoy. 

I can never decide which of Erdrich’s books is my favorite, but The Plague of Doves is definitely a major contender. Erdrich’s novelistic style is more like a chorus than a solo: she presents various stories involving different characters in different times, but the stories are in orbit around the central conflict, in this case, a pair of horrific crimes committed long ago. Yet even when the content is dark, her writing is so beautiful that my primary feeling reading it is joy. For me, the title of this book perfectly captures that contradictory experience. 

It follows German immigrant Fidelis Waldvogel and his family, and other characters in a small rural town in North Dakota in the years of and in between the First and Second World Wars.

The way the earthy and believable characters confront complex human issues intertwined with family, betrayal, death, are deftly told by a master storyteller. This one sits on my bookshelf for re-reads. I am in awe of Erdrich’s storytelling ability; you know these characters, you can smell the inside of the butcher shop, you feel a boy’s exhilaration as he watches a plane fly overhead.

In her fifteenth novel, Erdrich, a member of the Ojibwe tribe, attempts to answer the question, “Can a person do the worst possible thing and still be loved?” by showing readers how native American parents living on a reservation cope when the father, Landreaux, accidentally kills his best friend’s five-year-old son in a hunting accident. Landreaux is distraught, wracked with horror, guilt, and grief. After consultation and attending a sweat, guided by an old native custom, he gives La Rose, his and his wife’s youngest child–whose best friend was the deceased–to the bereaved parents and siblings in a version of justice. It’s a twist on an eye for an eye, intended to equalize the suffering and prevent the escalation and further death that can occur when acts of grief-fueled revenge begin. Now both families are suffering unbearable loss, and so is LaRose, a five-year-old boy.

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What I loved most about this book is true of all Louise Erdrich novels: she creates such warm, complicated, fully human characters that I delight in their presence and grieve when I have to leave them at the book’s end.

In this novel, history hit home in a devastating way when the U.S. government in the 1950s decided to solve its “Indian problem” by simply reclassifying Native people as no longer Indian—a kind of paper genocide that wiped out Indigenous people’s cultural identity and tribal rights, such as land rights.

Sadly, this is all historical fact; the fiction comes in when Erdrich re-imagined in riveting detail the (also true) story of how one small tribe in North Dakota fought back.

Welcome to Hard Times is a shorter novel. It is of the length of the classic western that was popular at the time that this novel came out (1960). This novel is sometimes described as an anti-western or an ironic western, as it takes a non-heroic view of people dealing with evil in a frontier town. It was made into a movie by the same title, but the movie is not well known. The novel is similar in tone to the movie McCabe and Mrs. Miller, which some people do not like because of its non-heroic or skeptical tone. Readers who like their westerns upbeat and unequivocal may not appreciate Doctorow’s novel, but readers who are willing to consider less-than-pristine views may find an interesting treatment here.

This collection of columns was written by a female reporter for a newspaper in Fargo, North Dakota. It’s fascinating to read what struck her as the most noteworthy as she described the World’s Fair for people who may never see it for themselves. Includes photographs.

Gabe Brown didn’t set out to change the world when he first started working alongside his father-in-law on the family farm in North Dakota. But a series of weather-related crop disasters put Brown in desperate financial straits. He decided to quit the industrial model of food production and began experimenting with regenerative agriculture instead. He stopped using herbicides, insecticides, and synthetic fertilizers. He no-tilled diverse crops into his fields and changed his grazing practices. By doing so, Brown transformed a degraded farm ecosystem into one full of life. Brown has grown several inches of new topsoil in only twenty years and turned the farm into a diverse, profitable enterprise. This book is a great introduction for all readers.