75 books like Gathering Prey

How can I not include an Elmore Leonard title in a list of favorite novels about murder and matters of the heart?

Of course, no compliment by me of Mr. Leonard will be anywhere in the vicinity of new, but I will add to the heap of praise of the man that in this particular novel of his, the snappiness of the dialogue, the overall wit, and the surprising nature of the twists and turns will always strike me as ideals to strive for as I write my own noir.

After all, writers can dream, can’t they?

I love the way Parker weaves a bit of legend into this story about a modern-day version of Robin Hood running wild through Los Angeles. Allison Murietta may be following in the footsteps of her ancestors, stealing from whoever strikes her fancy, and giving the spoils to charity. The action is fast-paced.

This is the first Charlie Hood mystery and Parker does a wonderful job, bringing the rookie detective along. The interactions between Hood and Murietta are perfect. There’s plenty of action to draw the reader in, and more twists than I expected.

I’ve always enjoyed mysteries, especially police procedural stories. Harry Bosch is the kind of detective that you want to root for. During his lengthy career, Bosch followed the motto that ‘everybody counts or nobody counts.’ That approach speaks volumes to me, especially when writing my own stories.

Investigating a cold case homicide requires turning over all the evidence, digging into the interviews, and developing new theories and suspects. This is dramatically different from a ‘fresh’ case, where there can be pressure from multiple directions to find the guilty party and bring them to justice quickly.

I like Connelly’s style and have read every one of his books that I can get my hands on. Bosch ruffles feathers, but gets it done!

When it comes to private detectives, Elvis Cole is my favorite. He’s got the combination of wit, intelligence, and experience that others strive for but often fall short. Pair him with Joe Pike and you’ve got an unbeatable combination.  

I really enjoy how Pike is more inclined to let his actions do the talking, while Cole is the voice telling the tale. This latest book includes the return of Lucy, Cole’s longtime lady friend, who helps smooth out his rough edges.

Crais paints a great landscape, where Elvis and Joe run through the Los Angeles area. This is a great example of how what looks like a simple case can easily be far more complicated. 

This book is for all of us who escaped the small-mindedness of the world in which we were raised and about the places that took us in. The book’s hero is Aaron Englund, a gay, bookish, and much-misunderstood boy who grows up in a small town in rural Minnesota. It is about his struggles in that hostile world and the other outsiders he encounters as he tries to figure out who he is. It is about saving oneself and finding one’s place, and it is in some ways a homage to my adopted home, San Francisco. It is also a book about love, about falling in love and falling out of love, and is full of humor and compassion. 

I am in absolute awe of this essential American writer. This book made me cry, laugh, and shout in pleasure at the same time. I could hear, taste, and feel myself present in this book of poems, which explore loss and grief, but also tradition and legacy, our connection to the beloved dead through traditions.

Black food, music, and religious traditions are strongly present, but so is Wilco and Gram Parsons’ “Grievous Angel,” and we are immersed in one human’s attempt to sort out his place. Along with Heather Cahoon’s Horsefly Dress, which explores grief in the context of a Montana tribe, this book taught me how to think both beyond and more deeply within my own sense of “legacy.” 

I love the idea that there is someone out there who perfectly understands you. Even when I’m cranky, or when I’m making references to obscure bands, or when I’m not making a lot of sense, but I am clearly emotional.

This book introduced me to two people who love each other but can’t communicate well except through flowers. 

After wading through and translating the verbosity of Proust, she challenged herself to write very tiny stories. She is a pioneer in contemporary American literature and her work deals largely with the experiences of women, particularly those in domestic situations. Her work is sharp and pointed, often poetic and resonant. Her use of language really makes you interrogate how many words you truthfully need to tell a good story. This collection combines several of her earlier collections.

Redeeming Love is a retelling of the Biblical story of Gomer and Hosea, set during the California Gold Rush, with a heroine who was sold into prostitution as a child and a hero who heeds God’s call to marry her and love her unconditionally.

I have always been drawn to dark heroes, in both my reading and my writing, but this book is all dark heroine and after reading it I wanted to write a few dark heroines too. The characters in this book have stayed with me for years as I’ve endeavored to create something as powerful as Redeeming Love.

When asked if there is a common theme that runs through all my novels, I realized I write books where the characters will do anything for love. Sometimes “anything” isn’t pretty. Sometimes “anything” is scary. But love is worth the risk.

This story elicited every emotion: joy, excitement, yearning, jealousy, rage, hope, betrayal, relief, shock, bewilderment… it took my poor heart on a wild ride. However, there were two pieces that stand out in stark relief in my mind. First, the betrayal of the friendship in hopes of saving it. What a position to be in. Second, Nathan’s pain and confusion as he worked his way past his own assumptions. It’s never an easy journey to know oneself. Witnessing Nathan’s journey, because of the collateral damage to his most treasured relationship, stung. Compassion for both of them broke my heart. And isn’t that the whole point of a good story? To walk in someone else’s shoes and come away with more compassion, more wisdom, and a deeper capacity to love?