100 books like This Craft of Verse

Did you ever have a sudden insight, a new idea—something that made you go, “Aha!”? It’s as if your brain had been doing unconscious work, then suddenly “reported up” to your conscious mind. This book by two prominent cognitive neuroscientists gives a clear picture of what scientists have learned about how brain networks connecting the two hemispheres give rise to creative insights. Their book helped me think about how new metaphors might be discovered—just one example of what the creative mind can do.

What is creativity, and what makes it possible? If a new idea came from nothing, would it be magic? If a new idea were generated by recombining old ones, would it really be “creative”? In this book, Margaret Boden, a distinguished philosopher of science, thinks through what creativity really is, whether it takes the form of a world-altering advance in science or a novel jazz improvisation. To help understand human creativity, the book compares it to the workings of computer programs—ones capable of generating art or music that at least appears creative. Readers who have followed more recent developments in artificial intelligence will be able to consider for themselves whether machine creativity is, or could be, a reality. The book helped me think about what it means to create an “authentic” poem.

It’s not really six songs, but six human needs that songs fulfill: friendship, joy, comfort, knowledge, religion, love—needs that largely define “human nature.” This book combines the perspective of a neuroscientist and musician (Dan Levitin is both), describing why songs may have arisen, and how they impact emotion, memory, and the place of an individual in a society. A song combines music with lyrics—the near relative of a poem. For me (a non-musician), the book was especially useful in clarifying the ways in which song lyrics and poems are both similar and different. Songs derive their power by combining the creative potential of language and music.

This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students. 

I haven’t recommended The Iliad because it’s the oldest war story (perhaps the oldest work of literature still widely read), but because of the immediacy with which it still speaks of fear, rage, lust, and honour; all drivers of conflicts today as much as they were in our deep past.

The first time I read the verses of vivid, muscular language that Alexander Pope claimed "pour along like a fire that sweeps the whole Earth before it," they reached out across the ages and gripped me by the hilt. Millennia later, the dead can still speak to the living on our shared humanity. 

It’s known more for its brutal tragedy, but there are humorous sequences. Most involve the petty squabbles of the Gods. For me, these scenes, when farce invades the gritty epic, anticipate scenes in later war fiction where lofty generals, far from the trenches, make arbitrary decisions that… show more.

Because it is a great read, Homer’s novel-like Odyssey is one of the best-loved books from antiquity. Moreover, it illustrates Greek mythology in action. 

Homer’s epic tells of the difficult return of the hero Odysseus from distant Troy to his island-home of Ithaca following the Trojan War, as he seeks to be reunited with his wife Penelope. In the course of his travels, he is aided by the goddess Athena, who is his divine champion, but obstructed by the wrathful sea-god Poseidon, his persecutor. 

Among other obstacles are bizarre and memorable characters such as the one-eyed, cannibalistic Cyclops, the treacherous Scylla and Charybdis, the alluring witch Circe, and the erotic nymph Calypso. This translation by Robert Fagles is one of the best.

This is my favorite novel in Rieu's prose translation which has a real freshness, as if the very first book. I wanted that sense of freshness for my book, as well as the story of a man desperately trying to get home to his wife. The story takes place in the framework of Sam's 11-year-old imagination, and so carries him and his father through fantastic adventures as trying as those Odysseus faces in The Odyssey. 

I love this book because it’s an epic poetry book. The first of its kind. Three-hundred and ninety-six-page poetry book. Ariana Reines is one of my favorite top three modern poets as well. Poetry lovers should have this book in their collection. If not, what are you waiting for? It’s a masterpiece. I can see her soul in this book, I can see her heart. I can see her mind. It’s as if sand is literally under your feet as you read these poems divided into sections. This book is meant to be read slowly, like a fine glass of wine. It took me months to read it. It taught me that a poet is an artist and is a traveler of time and space. It taught me to break rules and to do whatever you want as a poet. It taught me to not limit myself as a writer… show more.

In the 1980s and 1990s, Keith Holyoak and I collaborated on a series of articles and books about analogy, which is the underpinning of complex metaphors. His new book is a delightfully insightful discussion of metaphors in poetry, drawing not only on his deep knowledge of cognitive psychology but also on his experience as a highly published poet. Through analysis of great poems by Walt Whitman, Emily Dickinson, and many others, he illuminates how metaphors contribute to beautiful poems and to creativity in general.  

Even if you don’t want to be a poet, there’s something about playing with poetic form that I think is useful to any writer because it enables you to explore the use of rhythm, metaphor, simile and other ways of honing your consciousness into literary and written form. It demands specificity of description and uniqueness of voice, and Kate Clanchy’s book - she is herself a published poet, writer but also a teacher - gets to the nub of it through examples and exercise, to emerge a more fluent and confident writer, and in whichever form you choose.