Here are 100 books that The Creative Mind fans have personally recommended if you like
The Creative Mind.
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I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
Did you ever have a sudden insight, a new idea—something that made you go, “Aha!”? It’s as if your brain had been doing unconscious work, then suddenly “reported up” to your conscious mind. This book by two prominent cognitive neuroscientists gives a clear picture of what scientists have learned about how brain networks connecting the two hemispheres give rise to creative insights. Their book helped me think about how new metaphors might be discovered—just one example of what the creative mind can do.
Where do great ideas come from? What actually happens in your brain during a 'Eureka' moment? And how can we have more of them?
It has been two millenia since Archimedes supposedly first shouted 'Eureka!' as he sat in his bath. The word - Greek for 'I have found it' - captures the feeling we have all experienced during moments of sudden insight. Despite a century of scientific inquiry into the nature of these particular moments, their origin has remained a mystery.
Mark Beeman and John Kounios, leading experts on the neural bases of insight and creative thinking, have conducted…
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
It’s not really six songs, but six human needs that songs fulfill: friendship, joy, comfort, knowledge, religion, love—needs that largely define “human nature.” This book combines the perspective of a neuroscientist and musician (Dan Levitin is both), describing why songs may have arisen, and how they impact emotion, memory, and the place of an individual in a society. A song combines music with lyrics—the near relative of a poem. For me (a non-musician), the book was especially useful in clarifying the ways in which song lyrics and poems are both similar and different. Songs derive their power by combining the creative potential of language and music.
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (The New York Times).
Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history.
Here he identifies six fundamental song functions or…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students.
Hello students, meet Professor Skeletor. Be on time, don t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically…
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.
Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet…
Professionally, I’ve been a journalist, author, speaker, marketer, adjunct professor, consultant, startup founder, and more; but at my core, I’m a storyteller and a lifelong student. I read voraciously about creativity, writing, media, marketing, psychology, and design, and I’m fascinated by drawing connections between these things. (I’m still allowed to say “read” when I mostly consume audiobooks, right?) I’m currently focused on helping other creators and storytellers master their craft, refine their big ideas, and figure out their unique differentiators, through The Creator Kitchen, the mastermind program I run with fellow creator Jay Acunzo.
I’ve read a lot of books on creativity, and this one stands out for its more scientific and historical approach.
No surprise; it’s written by the NYT’s Science Reporter, and it comes with the sources, case studies, and expert insights you’d expect from someone who works for the country’s newspaper of record. It covered some of the biological and evolutionary support for creativity, which was something I haven’t seen much of elsewhere; and since biological writers are up against the mechanized ones, this will help you see your key advantages.
The audiobook was over 11 hours long, but it didn’t feel like it, and I found myself sitting in the car to continue listening after I’d arrived at my destination more than once.
The New York Times's Pulitzer Prize-winning science reporter "unpacks the myths and mysteries of the creative process" (Salon)
How does creativity work? Where does inspiration come from? What are the secrets of our most revered creators? How can we maximize our creative potential?
Creativity defines the human experience. It sparks achievement and innovation in art, science, technology, business, sports, and virtually every activity. It has fueled human progress on a global level, but it equally is the source of profound personal satisfaction for individual creators. And yet the origins of creative inspiration and the methods by which great creators tap…
I am the co-author of Small Teaching K-8. I hold Massachusetts teacher licensure in English 5-12, Library k-12, and School Administration 5-8 as well as an M.Ed. from Boston College.
Why should we be emphasizing creativity in classrooms? In short order, our students’ careers will require them to augment the work of machines.
ChatGPT and DALI-2 are only the beginning. Du Sautoy explores the implications of artificial intelligence on the future of work. The Creativity Code is a reminder that technology is only as creative as its programmers—at least, for now.
Will a computer ever compose a symphony, write a prize-winning novel, or paint a masterpiece? And if so, would we be able to tell the difference?
As humans, we have an extraordinary ability to create works of art that elevate, expand and transform what it means to be alive.
Yet in many other areas, new developments in AI are shaking up the status quo, as we find out how many of the tasks humans engage in can be done equally well, if not better, by machines. But can machines be creative? Will they soon be able to learn from the…
I make music. I write books. I’m drawn to scenarios in which people make music or books or art collaboratively, often spontaneously. I enjoy making music with kids because of how they can be creative spontaneously. Sometimes adults pretend to be creative in a way that a child might relate to, but a child can generally sniff out a pretender. And a pretend pretender can be unpleasant company for children and adults alike. These books were written by adults who know their inner child. Wonder, play and a tangential regard for social norms are their baseline to share the stories they’ve chosen to share.
Human creativity is on full peacock feathers out display with this one.
The story is laid out as a series of postcards and letters written between two people. Many of them are letters, on separate pieces of paper tucked inside envelopes that are inside the book. This one will be over the head of younger kids but because of the interactive nature, the colorful pictures, and the solve-a-mystery vibe of the story it could be a fun one to read with slightly older kids.
For me, I started it one night with my six-year-old and then continued to dig through the letters on the floor next to their bed long after they fell asleep. It feels voyeuristic reading through it. Who are these people? What’s inside this next envelope? Do they know I am reading their letters? It’s clever as hell and a lot of fun to read.
I’ve been a geeky kid all my life. (I don’t think I’ve quite grown up yet.) Born in the 1970s, my childhood was a wonderful playground of building robots and software. I was awarded one of the early degrees in AI, and a PhD in genetic algorithms. I’ve since spent 25 years exploring how to make computers think, build, invent, compose… and I’ve also spent 20 years writing popular science books. I’m lucky enough to be a Professor in one of the world’s best universities for Computer Science and Machine Learning: UCL, and I guess I’ve written two or three hundred scientific papers over the years. I still think I know nothing at all about real or artificial intelligence, but then does anyone?
Maggie is a force of nature and anyone involved in the philosophy of AI knows (or should know) her extensive work. This book is an easy-to-read and beautifully-written introduction to Artificial Intelligence, which tells some of the recent history while explaining how and why intelligence is much harder to make than many of the pundits seem to think. No nonsense here – a good solid read by a hugely experienced scientist at the top of her field.
The applications of Artificial Intelligence lie all around us; in our homes, schools and offices, in our cinemas, in art galleries and - not least - on the Internet. The results of Artificial Intelligence have been invaluable to biologists, psychologists, and linguists in helping to understand the processes of memory, learning, and language from a fresh angle.
As a concept, Artificial Intelligence has fuelled and sharpened the philosophical debates concerning the nature of the mind, intelligence, and the uniqueness of human beings. Margaret A. Boden reviews the philosophical and technological challenges raised by Artificial Intelligence, considering whether programs could ever…
As a nerdy kid growing up in New York in the 1970s, I got swept up in the “Fischer Boom” of 1972 when Bobby Fischer became the first official American World Champion, and chess clubs and tournaments sprouted up around the country. I persevered to become one of the top 30-ranked players. I’ve coached chess since my teens, with students ranging from ages 3 to 95. Not until my 40’s did I discover that I had perhaps an even greater talent and passion for writing. My first book Forcing Chess Moves presented a novel and challenging approach to how to think ahead in chess, and understand human biases which can blind us to winning ideas.
One thing that separates chess from all other games is the concept of checkmate. You’ve heard the word a million times, but what is it exactly? You’re probably thinking “Capturing the Enemy King”, but that would be incorrect. Actually it means threateningto capture the enemy King, while denying him any means of escape. I was already an experienced player when I read this book, but it was an “aha” moment. There are recurring checkmating patterns that are far from obvious to beginners; but once you learn to recognize them, you become a better player and enhance your appreciation for the beauty of chess.
"The art of the checkmate has at last been provided with a scientific foundation." — Chicago Sunday Tribune One of the most difficult situations in chess is seeing potential mates in the near future. All players, even grandmasters and champions, have missed such mates in actual play, to their chagrin and the bystanders' delight, for all too often it is easier to play for momentary advantage than to force a mate. This book by two former national chess champions of France provides a rational classification of mating situations, and shows how each possible type of mate has emerged with its…
I tell stories for the page and the screen (and sometimes to bribe my kid to brush her teeth). The stories I tell have one thing in common – they transport the reader to another world. For me, building a new world starts with building a new character – a narrator with strong opinions and a complicated past that will shape how the reader experiences their world. We don't experience the real world objectively – no matter how hard we try, our past, our feelings, and even our bodies affect how we experience the world. That's why the worlds I build and the stories I tell are all filtered through the particular truth of a bold narrator.
Illuminae is the first book in a YA science fiction series called the Illuminae Files Trilogy.
The story is told through intersecting first-person narratives constructed from journals, letters, texts, reports, and pictures. You want to absorb all that “found footage” goodness on paper. Trust.
There’s almost no exposition in Illuminae, especially in the first few chapters. That’s the beauty of these books – the narration is so visceral and urgent that you get invested in the story long before you really understand what’s happening. Putting the pieces of the world-building together is an addictive mystery in and of itself.
I don’t recommend cracking open this book the night before anything requiring a good night’s rest and lots of focus – your mind will be in 2575 until well after you’ve finished the last page.
'Never have I read a book so wholly unique and utterly captivating.' Marie Lu
'It certainly filled the Battlestar Galactica-shaped hole in my heart.' Victoria Aveyard
The internationally bestselling first book in a high-octane trilogy
Kady thought breaking up with Ezra was the worst thing she'd ever been through. That was before her planet was invaded. Now, with enemy fire raining down on them, Kady and Ezra are forced to fight their way onto one of the evacuating craft, with an enemy warship in hot pursuit.
But the warship could be the least of their problems. A deadly plague has…
