Here are 67 books that The Eureka Factor fans have personally recommended if you like
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I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
What is creativity, and what makes it possible? If a new idea came from nothing, would it be magic? If a new idea were generated by recombining old ones, would it really be “creative”? In this book, Margaret Boden, a distinguished philosopher of science, thinks through what creativity really is, whether it takes the form of a world-altering advance in science or a novel jazz improvisation. To help understand human creativity, the book compares it to the workings of computer programs—ones capable of generating art or music that at least appears creative. Readers who have followed more recent developments in artificial intelligence will be able to consider for themselves whether machine creativity is, or could be, a reality. The book helped me think about what it means to create an “authentic” poem.
How is it possible to think new thoughts? What is creativity and can science explain it? And just how did Coleridge dream up the creatures of The Ancient Mariner?
When The Creative Mind: Myths and Mechanisms was first published, Margaret A. Boden's bold and provocative exploration of creativity broke new ground. Boden uses examples such as jazz improvisation, chess, story writing, physics, and the music of Mozart, together with computing models from the field of artificial intelligence to uncover the nature of human creativity in the arts.
The second edition of The Creative Mind has been updated to include recent…
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
It’s not really six songs, but six human needs that songs fulfill: friendship, joy, comfort, knowledge, religion, love—needs that largely define “human nature.” This book combines the perspective of a neuroscientist and musician (Dan Levitin is both), describing why songs may have arisen, and how they impact emotion, memory, and the place of an individual in a society. A song combines music with lyrics—the near relative of a poem. For me (a non-musician), the book was especially useful in clarifying the ways in which song lyrics and poems are both similar and different. Songs derive their power by combining the creative potential of language and music.
The author of the New York Times bestseller This Is Your Brain on Music reveals music’s role in the evolution of human culture in this thought-provoking book that “will leave you awestruck” (The New York Times).
Daniel J. Levitin's astounding debut bestseller, This Is Your Brain on Music, enthralled and delighted readers as it transformed our understanding of how music gets in our heads and stays there. Now in his second New York Times bestseller, his genius for combining science and art reveals how music shaped humanity across cultures and throughout history.
Here he identifies six fundamental song functions or…
I’m an artist who likes to write, but I’ve never been interested in classic superhero or pulp graphic novels. Early in my career, the word “comics” felt like an insult—it's not “real art,” right? Too childish! While that instinct was definitely wrong, I found a (small) world of experimental, abstract, genre-breaking graphic novels that combine art and writing in a wholly unique way. This is a list of some of my recent favorites that have inspired my drawing and writing practice, and will hopefully inspire you.
This is an excellent textbook to get readers and comic makers of all experience levels to loosen up, think deeply and personally, and make better, more confident comics. It’s warm but practical, smart but approachable, deep but unpretentious. This is a comics veteran generously sharing both her knowledge of comics and teaching, as well as her own methods for drawing, brainstorming, and writing. It’s an incredible resource and one I often find myself quoting and recommending to my own students.
Hello students, meet Professor Skeletor. Be on time, don t miss class, and turn off your phones. No time for introductions, we start drawing right away. The goal is more rock, less talk, and we communicate only through images. For more than five years the cartoonist Lynda Barry has been an associate professor in the University of Wisconsin Madison art department and at the Wisconsin Institute for Discovery, teaching students from all majors, both graduate and undergraduate, how to make comics, how to be creative, how to not think. There is no academic lecture in this classroom. Doodling is enthusiastically…
My book is a collection of monthly Editor-in-Chief letters to the readership of World Neurosurgery, a journal that I edit. Each essay is short and sweet. The letters were written for neurosurgeons but have been re-edited so that they apply to all human beings. They cover topics such as leadership,…
I’m a professor of cognitive psychology at UCLA, and also a poet. Growing up on a dairy farm in British Columbia, I immersed myself in the world of books. My mother showed me her well-worn copy of a poetry book written by her Scottish great-great-aunt, and I longed to create my own arrangements of words. Later, as a student at the University of British Columbia and then Stanford, my interest in creativity was channeled into research on how people think. I’ve studied how people use analogies and metaphors to create new ideas. In addition to books on the psychology of thinking and reasoning, I’ve written several volumes of poetry.
If you love Borges, and thought you’d read everything he wrote, this is the book for you—a collection of his “lost lectures,” delivered at Harvard in 1967-68 and finally published in 2000. And if you want to hear the actual voice of a creative genius, as if risen from the dead, the recordings are also available. Best known for his intricate short stories and essays, Borges was also—perhaps foremost—a poet. As he puts it in the book, “The central fact of my life has been the existence of words and the possibility of weaving those words into poetry.” Starting from the creation of poems, Borges explores the creation of metaphors, meaning, and life’s irreducible mystery.
Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967-1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet…
Over my lifetime I have been involved in myriad policy issues running from 1970s anti-inflation policies, through the creation of NAFTA in the 1980s, to dealing with climate change in the 2000s. My interest and that of my co-author in technological change and economic growth entailed involvement in innovation policy. We are particularly worried because many citizens have no realisation of the important part that public policy has played in technological changes. Ignorance of this is dangerous in that it may lead legislatures to inhibit the public sector’s future role in such developments without which we have a much-diminished chance of dealing with climate change and holding our own in international economic competition.
This book studies the evolution of seven high-tech industries—machine-tools, organic chemical products, pharmaceuticals, medical devices, computers, semiconductors, and software—in the United States, Japan, and Western Europe, stressing the factors that contributed to their successes.
The effects of public policy, although significant in all these cases, have varied across industries and across countries. For example, the American Department of Defense successfully pushed developments in semiconductors, computers, and software, and while the National Institutes of Health massively financed medical research.
Case studies of policy failures, particularly in Japan and Europe, emphasize what has been seen in many less developed countries, that competition among competing firms is vastly preferable to giving a local monopoly to a chosen national champion.
This book describes and analyzes how seven major high-tech industries evolved in the USA, Japan, and Western Europe. The industries covered are machine tools, organic chemical products, pharmaceuticals, medical devices, computers, semiconductors, and software. In each of these industries, firms located in one or a very few countries became the clear technological and commercial leaders. In a number of cases, the locus of leadership changed, sometimes more than once, over the course of the histories studied. The focus of the book is on the key factors that supported the emergence of national leadership in each industry, and the reasons behind…
From my earliest days I was surrounded by music, from Friday night family band to our musical Christmas card on a bright red record to trumpet trios played with my dad and brother. I went to the University of Southern California on a trumpet scholarship, then took a detour from music and tried writing. I liked it. To this day, one of my favorite things is combining these two interests to create novels, stories, and plays about music. Since moving to Nashville, I’ve immersed myself in American popular music and have loved returning to my roots.
When my wife and I moved to Nashville, I was stunned to realize that most forms of American popular music had been born within 500 miles of our new home, in an arc from New Orleans (jazz) to the Mississippi Delta (blues) to Memphis (rock ’n’ roll) to Nashville (bluegrass) to Bristol (country).
I began reading eagerly about American popular music, and my reading led to writing—most recently my novel about the birth of country music, Lord of the Mountain. This list gives you some of my favorite books.
The best of these is also one of my favorite biographies of any kind, Peter Guralnick’s magnificent Last Train to Memphis, the first volume of his essential two-volume story of Elvis Presley and the birth of rock ’n’ roll.
Written with grace, humor, and affection, Last Train to Memphis has been hailed as the definitive biography of Elvis Presley. It is the first to set aside the myths and focus on Elvis' humanity in a way that has yet to be duplicated.
A New York Times Notable Book
Winner of the Ralph J. Gleason Music Book Award
"Elvis steps from the pages. You can feel him breathe. This book cancels out all others." --Bob Dylan
From the moment that he first shook up the world in the mid 1950s, Elvis Presley has been one of the most vivid and…
Citizen Scientist begins with this extraordinary statement by the Keeper of Entomology at the London Museum of Natural History, “Study any obscure insect for a week and you will then know more than anyone else on the planet.”
As the author chases the obscure Western red-bellied tiger beetle across New…
As a stand-up comedian myself, I find a lot of so-called funny books to be hugely disappointing. In these days of authors wanting their amazing works listed in every possible category on Amazon, you often find books in the humor sections which have severely mistaken ‘a somewhat light tone’ or ‘occasional moments of levity’ for being actual comedies. And don’t even get me started on the reams of literotica with covers featuring musclebound torsos that fill up any search for something supposedly funny. Kindly f*ck off, writers of the latest Billionaire Bad Boy Romance—you do not belong here. Instead, here are some books that will actually make you laugh.
This fantastical story stars Elvis Presley and a time travelling Brussels sprout—need I say more?—from one of the most celebrated humorist authors going. The good news is, if you like it, there’s more in the series, then heaps of other crazy books by Rankin to devour.
Theological warfare. Elvis on an epic time-travel journey - the Presliad. Buddhavision - a network bigger than God (and more powerful, too). Nasty nuclear leftovers. Naughty sex habits. Dalai Dan (the 153rd reincarnation of the Lama of that ilk) and Barry, the talkative Time Sprout. Even with all this excitement, you wouldn't think a backwater planet like Earth makes much of a splash in the galatic pond.
But the soap opera called The Earthers is making big video bucks in the intergalactic ratings race. And alien TV execs know exactly what…
I’ve been reading and enjoying science fiction since, as a kid, I rode my bicycle to the local library to read everything they had. That’s given me a broad exposure to the field from the Golden Age classics to new stuff hot off the presses. I’ve had four science fiction novels published, and in all of them I’ve used personal experiences to create as realistic a world as possible. I’ve also focused on ordinary people who find themselves in extraordinary circumstances – that combination makes for better stories. I’ll leave the superheroes to the Marvel Cinematic Universe – they’ve got the budget to Blow Stuff Up Real Good!
We’ve all read and seen stories where the old hero comes out of retirement to save the day one last time.
But what if the “hero” really wasn’t a hero, but rather the product of somebody’s marketing department? That’s the premise of this book.
Captain Dash Drake is famous, but fame has not brought fortune. When the evil invaders he “defeated” the last time come back, he’s ready to give up. His latest trainee, girl genius Kenzie Washington, thinks her hero will save the day. Watching the two of them misunderstand each other was amusing. Also standalone.
(You should detect a pattern on my list – I’m not fond of never-ending series.)
Kenzie Washington, fourteen-year-old girl genius, signs up for a two-week tour as a cadet on the spaceship of her idol, Captain Dash Drake. Too bad Dash, who once saved the galaxy from the evil Forgers, is a broke loser and much less than meets the eye. But when an intergalactic evil appears and launches an attack, Dash, Kenzie, and the ship’s crew escape, making them the next target. On the run and low on gas, Dash and Kenzie encounter cannibal space-pirates, catastrophic equipment failure, and a cyborg who’s kind of a jerk. Kenzie is determined to discover the bad guys’…
Writing about history came to me rather late in life and I suppose it’s because the past now looks more inviting than the future. But there’s more to it than that. Everything has a history; it’s a bottomless topic. I became fascinated with the history of my own geographic environment and began exploring areas that were basically in my own backyard, which led to the inception of my first book. And, after years working as a graphic artist, I decided to help the narrative along by adding illustrations. A second book soon followed, then a third, a fourth, and now I’ve just finished my fifth book.
I was fortunate enough to be able to share a pint with Malachy McCourt some time ago at The Plough & the Stars in Philadelphia where he was promoting this book.
A delightfully true Irishman, he was full of fatalist humor and irony, bringing to mind the famous quote by G.K. Chesterton from his epic poem The Ballad of the White Horse:
“The great Gaels of Ireland are the men that God made mad,
For all their wars are merry, and all their songs are sad.”
And “Danny Boy” is truly a sad song, but there is one enormous flaw regarding its Irishness: it was written by an Englishman who never set foot in Ireland. Frederick Wetherly, a barrister by day, and a lyricist by night, was asked by his sister-in-law to put words to a beautiful tune she had heard. He did, and the song became an enormous hit.…
Everyone can hum this haunting Irish ballad that inevitably brings a tear to the eye. The most requested Irish song, it has been recorded by a variety of performers ranging from Elvis Presley, Bing Crosby, and Kate Smith to the Pogues. The complete story of this moving tune has been shrouded in mystery until now. Where did "Danny Boy" originate, who actually wrote the lyrics, and is it even Irish? Acclaimed novelist, actor, memoirist, screenwriter, playwright, and raconteur, Malachy McCourt, turns his Irish eye to the song's complex history and myths in an eloquent ode to this classic. He traces…
A fresh take on the difference between trauma and hardship in order to help accurately spot the difference and avoid over-generalizations.
The book integrates the latest findings in brain science, child development, psycho-social context, theory, and clinical experiences to make the case that trauma is much more than a cluster…
Maureen Callahan is a New York Times bestselling author, award-winning investigative journalist, columnist, and commentator. She has covered everything from pop culture to politics. Her writing has appeared in Vanity Fair, New York, Spin, and the New York Post, where she is Critic-at-Large. She lives in New York. For Shepherd, Callahan has selected her favorite books about American pop culture, which is currently dominated by her favorite subgenre, true crime.
Speaking of Elvis, this biography, the second of two parts, is among the greatest of the late 20th century. We begin with Elvis entering the U.S. Army in 1958 and follow this increasingly lost soul through the years, his fame metastasizing into something unrivaled, incredible, enviable and wholly malignant. Guralnick captures the singular loneliness Elvis came to suffer, the slow suicide that was his Las Vegas residency, the exploitations of his manager, Col. Tom Parker, and a death so humiliating it finally made Elvis what he had longed to be for decades: Profoundly, squalidly human. None other than Bob Dylan called this Presley biography the one that “cancels out all others.”
Last Train to Memphis, the first part of Guralnick's two-volume life of Elvis Presley, received unprecedented accolades. This concluding volume recounts the second half of Elvis's life in rich and previously unimagined detail, and confirms Guralnick's status as one of the great biographers of our time. Beginning with Presley's army service in Germany in 1958 and ending with his death in Memphis in 1977, Careless Love chronicles the unraveling of the dream that once shone so brightly, homing in on the complex playing-out of Elvis's relationship with his Machiavellian manager, Colonel Tom Parker. It's a breathtaking drama that places the…
