Here are 100 books that The Odyssey fans have personally recommended if you like
The Odyssey.
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Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
Sometimes, I need reminding that the greatest discoveries can be close at hand and that simply living alertly is a sublime source of joy. When I read this book, which I have done again and again, I feel my perceptions sharpen, my sense of humor renew, and my hunger, both to read and to write, begin to stir.
As youth is sometimes wasted on the young, so is this book, which is too often assigned to people who aren’t ready for it. Thoreau’s mind is like a fire I never tire of sitting beside. He’s a rebel, a curmudgeon, a jokester, a poet, and the most down-to-earth philosopher our culture has seen. And he knows that wonder is a breakfast food, which he dishes out with utter nonchalance.
Henry David Thoreau is considered one of the leading figures in early American literature, and Walden is without doubt his most influential book.
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It recounts the author's experiences living in a small house in the woods around Walden Pond near Concord in Massachusetts. Thoreau constructed the house himself, with the help of a few friends, to see if he could live 'deliberately' - independently and apart from society. The…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
This is a hero’s journey, right out of Joseph Campbell: a young man goes to sea, circumnavigates the globe, and experiences marvel after marvel of nature. What he learns on his journey matures into a kind of wisdom that transforms the world.
Darwin’s adventures keep me on the edge of my seat; his descriptions seduce me; his ideas inspire me. I want to be there with him as he recoils from the horrors of slavery in Brazil or observes the aftermath of a Chilean earthquake. And I feel I truly am with him, collecting birds and lizards on the islands of the Galapagos, as he begins to divine the answer to one of the greatest mysteries of the world.
Charles Darwin's travels around the world as an independent naturalist on HMS Beagle between 1831 and 1836 impressed upon him a sense of the natural world's beauty and sublimity which language could barely capture. Words, he said, were inadequate to convey to those who have not visited the inter-tropical regions, the sensation of delight which the mind experiences'.
Yet in a travel journal which takes the reader from the coasts and interiors of South America to South Sea Islands, Darwin's descriptive powers are constantly challenged, but never once overcome. In addition, The Voyage of…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
I don’t know which of the journeys in this slim volume I cherish more: the outer, which entails an arduous trek through a remote corner of the Himalaya, or the inner which involves the author’s fraught quest for a deeply Buddhist kind of inner peace.
I have carried this book on similarly long walks in the wilds of Laos and Nepal—even on the very trails that Matthiessen trod. It is one of the great companions of my life.
'A beautiful book, and worthy of the mountains he is among' Paul Theroux
'A delight' i Paper
This is the account of a journey to the dazzling Tibetan plateau of Dolpo in the high Himalayas. In 1973 Matthiessen made the 250-mile trek to Dolpo, as part of an expedition to study wild blue sheep. It was an arduous, sometimes dangerous, physical endeavour: exertion, blisters, blizzards, endless negotiations with sherpas, quaking cold. But it was also a 'journey of the heart' - amongst the beauty and indifference of the mountains Matthiessen was searching for solace. He was also searching for a…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
In this fascinating book, which combines flowing prose, a lively and engaging presentation, and wonderful illustrations, Adrienne Mayor brings the reader into the excitement of discovering the historical truth about the mysterious Amazons of Greek mythology.
Mayor demonstrates that the Amazon traditions derive from the undeniable fact that nomadic, armed horsewomen existed on the fringes of the ancient Greek world. The author, who describes herself as a classical folklorist, is the first to examine the intriguing evidence systematically and in detail.
Amazons--fierce warrior women dwelling on the fringes of the known world--were the mythic archenemies of the ancient Greeks. Heracles and Achilles displayed their valor in duels with Amazon queens, and the Athenians reveled in their victory over a powerful Amazon army. In historical times, Cyrus of Persia, Alexander the Great, and the Roman general Pompey tangled with Amazons. But just who were these bold barbarian archers on horseback who gloried in fighting, hunting, and sexual freedom? Were Amazons real? In this deeply researched, wide-ranging, and lavishly illustrated book, National Book Award finalist Adrienne Mayor presents the Amazons as they have…
As someone who lived through the very interesting and tumultuous 1960s and 70s, I am fascinated by details of other’s experiences of the same time frame. I inhabited the early 70s fully, going to so many once-in-a-lifetime cultural events: poetry readings, music performances, avant-garde theater, and ‘be-ins’ or ‘happenings.’ With a Masters degree in Creative Writing, I have been an observer of culture and art for several decades. I am the author of three collections of poetry, a book of short fiction, a novel, and a book for writers.
I loved this book because Patti Smith paints a true portrait of a young woman burning with passion to become a poet and artist. The book shows the struggles of committing to a life with no assurances in a city teeming with aspiring artists and writers.
What I love the most is showing the years it took, the alliances she made, the risks she took, the hunger she felt, and the desperate circumstances she faced and overcame. When her lucky break came, I was rooting for her! She had paid her dues, and she rose to the occasion when a band put her poetry to music, and she broke out to become a sensation.
“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” -- People
It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.
Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence…
These books I’ve traveled with, many I’ve known longer than most friends. They are, indeed, cold but intimate friends. Good company when the world feels rattled and roughed up. I’ve always loved the magic of reading, of going into the mind and onto the universe's outer reaches on nothing more than words. These platforms are for ideas, places, music, and vision. So I take these books with me, fewer than more, for their quality counsel and enlivening entertainment. But like psychopomps or recording angels, they are and always have been a steadfast company on the fast ride of life. I read slowly, and I absorb.
The world may be ending, but something will come in its place. How to see it? How do I engage the senses to feel my way into that next world? Mary Oliver!
Her book is a practice on presence, a workshop on vision and perception. The natural world is a much more quietly exploding landscape of magic after looking through Mary Oliver’s eyes. It’s personal as skin and universal as wonder. I return to it to breathe, to eat. When all the rest has run out, I head Upstream.
One of O, The Oprah Magazine's Ten Best Books of the Year
The New York Times bestselling collection of essays from beloved poet, Mary Oliver.
"There's hardly a page in my copy of Upstream that isn't folded down or underlined and scribbled on, so charged is Oliver's language . . ." -Maureen Corrigan, NPR's Fresh Air
"Uniting essays from Oliver's previous books and elsewhere, this gem of a collection offers a compelling synthesis of the poet's thoughts on the natural, spiritual and artistic worlds . . ." -The New York Times
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The Metamorphoses, or Transformations, by the Roman poet Ovid is one of the most-read books of ancient literature because of its hundreds of wonderful stories as well as the charm of its witty and ironic author.
Since the stories he relates are all myths and legends, the Metamorphosesamounts to a virtual handbook of classical mythology. The theme of supernatural transformation runs through them all, portraying a world forever in flux, as someone or something is marvelously and surprisingly changed in some large or small way.
I like the vibrant new translation by Stephanie McCarter.
A bold, transformative new translation of Ovid's classic
Ovid's epic poem has, with its timeless stories, inspired and influenced generations of writers and artists, from Shakespeare and Chaucer to Picasso and Ted Hughes. The events it describes - the flight of Icarus, the music of Orpheus, Perseus' rescue of Andromeda, the fall of Troy - speak toward the essence of human experience: of power, of fate and, most fundamentally, of transformation.
Stephanie McCarter's new rendering, the first female translation in over sixty years, places its emphasis on the sexual violence at the heart of the poem - nearly fifty of…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.
In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.
Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.
This book is a comprehensive study of visual humour in ancient Greece, with special emphasis on works created in Athens and Boeotia. Alexandre G. Mitchell brings an interdisciplinary approach to this topic, combining theories and methods of art history, archaeology and classics with the anthropology of humour, and thereby establishing new ways of looking at art and visual humour in particular. Understanding what visual humour was to the ancients and how it functioned as a tool of social cohesion is only one facet of this study. Mitchell also focuses on the social truths that his study of humour unveils: democracy…
I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, includingAriadne’s Thread: A Guide to International Stories Found in Classical LiteratureandClassical Mythology: A Guide to the Mythical World of the Greeks and Romans.My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.
This book is for lovers of mythology who want the big picture.
The Greeks descended from speakers of a now-vanished, prehistoric language known as Proto-Indo-European. Accordingly, they share a linguistic and cultural heritage with other speakers of Indo-European languages, which include speakers of Italic languages, Germanic languages, Slavic languages, Romance languages, Iranian languages, and others.
With astonishing learning and an almost unparalleled command of ancient and modern languages, the late Martin West identifies elements that the Greeks inherited from their Indo-European ancestors and carried with them when they entered Europe, including Father Sky, Mother Earth, the Sun god and his beautiful daughter, the Thunder god, and nymphs; particular myths and legends; certain conceptions of the world, death, and fate; and much more.
The Indo-Europeans, speakers of the prehistoric parent language from which most European and some Asiatic languages are descended, most probably lived on the Eurasian steppes some five or six thousand years ago. Martin West investigates their traditional mythologies, religions, and poetries, and points to elements of common heritage. In The East Face of Helicon (1997), West showed the extent to which Homeric and other early Greek poetry was influenced by Near Eastern traditions, mainly non-Indo-European. His new book presents a foil to that work by identifying elements of more ancient, Indo-European heritage in the Greek material. Topics covered include the…
Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.
I can’t stop going back to this book, which I have read in various translations under various titles. No book I know better documents the transformation of a human being. Abandoned, shipwrecked, and enslaved, Cabeza de Baca, a conquistador in the model of Cortez, begins a barefoot trek across the American Southwest as one kind of man and ends it as the opposite of the man who started out.
His memoir has the shape and structure of an adventure novel, and, truly, this narrative is where American literature begins. He leaves me in awe of his will to survive, his capacity for adaptation, and his compassion and love for the native world that he had come to the continent’s shores to subjugate.
This enthralling story of survival is the first major narrative of the exploration of North America by Europeans (1528-36). The author of "Castaways (Naufragios)", Alvar Nunez Cabeza de Vaca, was a fortune-seeking nobleman and the treasurer of an expedition to claim for Spain a vast area that includes today's Florida, Louisiana, and Texas. A shipwreck forced him and a handful of men to make the long westward journey on foot to meet up with Hernan Cortes. In order to survive, Cabeza de Vaca joined native people along the way, learning their languages and practices and serving them as a slave…
