Fans pick 100 books like Indo-European Poetry and Myth

In this fascinating book, which combines flowing prose, a lively and engaging presentation, and wonderful illustrations, Adrienne Mayor brings the reader into the excitement of discovering the historical truth about the mysterious Amazons of Greek mythology. 

Mayor demonstrates that the Amazon traditions derive from the undeniable fact that nomadic, armed horsewomen existed on the fringes of the ancient Greek world. The author, who describes herself as a classical folklorist, is the first to examine the intriguing evidence systematically and in detail.

Once, on a weeks-long gig far from home, I stayed in a bare attic room with no TV, no internet, not even a radio. I didn’t mind. I had this translation of the Odyssey to settle down with every evening after work. I would think about it all day long: the vivid language, the fantastical events, the struggle and suffering of the protagonist. Reading it was like going to a technicolor movie every night, except that the movie was inside my head.

Talk about an essential human story—the Odyssey is four thousand years old, but its characters have the same emotions, fears, vices, and virtues we have today. Their struggles make my heart race and my eyes tear up. My imagination goes into overdrive, and I revel in the wonder.

The Metamorphoses, or Transformations, by the Roman poet Ovid is one of the most-read books of ancient literature because of its hundreds of wonderful stories as well as the charm of its witty and ironic author.

Since the stories he relates are all myths and legends, the Metamorphoses amounts to a virtual handbook of classical mythology. The theme of supernatural transformation runs through them all, portraying a world forever in flux, as someone or something is marvelously and surprisingly changed in some large or small way.

I like the vibrant new translation by Stephanie McCarter.

The ancient Greeks were not only good at making serious art such as epics and tragedies, they were also good at making fun of them in literature and art.

In the realm of art, the most abundant source of humor is painted vases, which were manufactured mostly for the use of men at symposia, or drinking parties.

Greek mythology was a favorite subject of the vase painters, and Mitchell’s richly-illustrated study of humorous vases provides a fun and unusual window into ancient burlesque treatments of Greek myths and legends.  

This early study of the young Nietzsche is probably the most personal choice as it returns me to an earlier self who first encountered Nietzsche as an undergraduate in the 1960s. In one sense this was my first introduction to what later became known as `Continental Philosophy’. But more than this, it demonstrated that there were fundamental issues and problems that were simply evaded and occluded by the standard histories of philosophy and European culture. The passion to return to the ancient world as a way of understanding the modern world has remain with me to the present. Nietzsche’s reflections on tragedy and `the tragic age’ struck me as a vital source of radical questions and pointed toward problems that remain with me to the present day: the Indo-European language roots of the first thinkers, the seminal role of Homer and Homeric poetry within the problematics of thought, the rejection… show more.

Anthony has synthesized a vast literature on historical linguistics and archaeology to explain the origins of the first steppe nomads on the South Russian steppes in the fourth millennium B.C.

In my opinion, Anthony does an outstanding job of explaining the origins and distribution of the speakers of Indo-European languages whose migrations have defined the linguistic map from Ireland to India. Subsequent DNA analysis of the populations of Yamnaya steppe culture has confirmed his thesis based on linguistic evidence and archaeology.

I recommend this book as the fundamental work for any study of the early Indo-European-speaking nomads.

This important volume traces a picture of European prehistory, from the earliest agricultural communities of the Neolithic period to the Roman world. Stuart Piggott, who was a great English scholar of the twentieth century, guides us here to understand the ancient roots of facts and situations that have gradually evolved up to the history we know well.

Kabu Kabu takes its name from Nigerian slang for a dodgy taxi that gets you where you need to go, one way or the other. It’s a fitting name for this short story collection, which took me on a journey of twenty-one stories that include excellent science fiction, fantasy, horror, and excerpts from her wildly popular and award-winning novels. Drawing from her own Naijamerican heritage and using a skillful balance of characters, plot, setting, and themes, Okorafor offers an array of stories based on dual identities, folklore, philosophy, and contemporary issues filtered through a speculative lens.  

Taffy Thomas MBE was the UK's first storytelling laureate and is a mesmerising storyteller.

He has clearly spent his entire life appreciating birds. His chosen stories are delightfully blended with folklore, history, rhyme, riddles, bird facts, and fiction. Reading this book is like a nature ramble with a wise, witty friend. The charming pictures, black and white and colour add to the joy of this magical book.

I usually dip in and out of folktale books, looking for stories to tell, but this book captivated me from the first page, and I read it from cover to cover. Birds are one of the most enigmatic and accessible connections for humans to the natural world.

Taffy weaves that connected world with respect, lyrical storytelling, art, and loving intelligence.

Oh, I cried my eyes out over this book when I was a kid! It’s a tale of Arthurian Britain, but somehow it reads, more than any other I’ve seen, like a historical novel – less T.H. White than Rosemary Sutcliffe. Bradshaw grounds it deeply in Welsh rather than French culture, and the magic feels eerily normal – terrifying, but also just part of the weave of the world. Add to this characters you get truly attached to, and it’s bewitching in the best sense; the book lingers in my imagination like a place I once lived when I was a child – and imaginatively, that’s what it is.