100 books like Indo-European Poetry and Myth

I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, including Ariadne’s Thread: A Guide to International Stories Found in Classical Literature and Classical Mythology: A Guide to the Mythical World of the Greeks and Romans. My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.  

Journeys of discovery are my favorite kind of story and my favorite vehicle for (mental) travel. From Gilgamesh to last week’s bestseller, they embody how we live and learn: we go somewhere, and something happens. We come home changed and tell the tale. The tales I love most take me where the learning is richest, perhaps to distant, exotic places—like Darwin’s Galapagos—perhaps deep into the interior of a completely original mind—like Henry Thoreau’s. I cannot live without such books. Amid the heartbreak of war, greed, disease, and all the rest, they remind me in a most essential way of humanity’s redemptive capacity for understanding and wonder.

I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, including Ariadne’s Thread: A Guide to International Stories Found in Classical Literature and Classical Mythology: A Guide to the Mythical World of the Greeks and Romans. My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.  

I grew up loving fairytales and still do. In college, my love for folktales grew into a passion for mythology. I pursued these interests at the University of California, Berkeley, received my PhD, and became a classicist and folklorist with a special interest in traditional stories. This interest was the foundation for several books, including Ariadne’s Thread: A Guide to International Stories Found in Classical Literature and Classical Mythology: A Guide to the Mythical World of the Greeks and Romans. My work in traditional stories led me to explore the neighboring topic of popular literature, which resulted in my Anthology of Ancient Greek Popular Literature.  

I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis on questions of culture and on work in the field of visual culture. Recently these have included Interpreting Visual Culture (with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook of international scholars to be published by Bloomsbury, The Bloomsbury Encyclopedia of Visual Culture. My own position can be found in my Dictionary of Visual Discourse: A Dialectical Lexicon of Terms.

I am a Professor Emeritus of Classical and Byzantine History, and I was fascinated by Attila and the Hun and Genghis Khan from early childhood when I decided that I would become a historian. I set out to write the history of the Eurasian nomads from their perspective, and so convey their neglected history to a wider readership.

 I've been fond of the Homeric poems since my youth. I followed classical studies in the high here in Rome, so I studied Latin and Greek before graduating in nuclear engineering. Then, in addition to my professional activity, I've devoted myself to the study of The Iliad and the Odyssey, with their huge contradictions between geography and their traditional Mediterranean setting. The book I published on this topic was translated and published into eight foreign languages (as The Baltic Origins of Homer's Epic Tales), and has given rise to many scientific discussions. I also published The Mysteries of the Megalithic Civilization, a Bestseller here in Italy.

As an archaeologist for over 50 years, I specialized in Household Archaeology, the branch of archaeology that investigates daily life. I was born and spent my childhood in British Mandatorial Palestine and then grew up to adulthood in Israel after it was founded. I spent many years as a kibbutz member in the Northern Negev living near the Bedouin. These experiences brought me close to pre-industrial societies. All my life I was surrounded by archaeological sites, taught biblical archaeology for over 40 years in college and wrote several books and articles on subjects related to daily life in biblical times.

As a writer and performer, I’ve always loved live storytelling! Stories really come alive when performed and there’s an unexplained magic that bonds an audience with the storyteller and connects us to our collective past. Having performed countless times in plays, murder mysteries, and storytelling, the joy and excitement felt crackling in the air is like nothing else. I’ve plenty of fond memories of storytelling over the years, from terrifying ghost stories around the campfire of Camp Wing in America to the fantastical folktales of my stage play The Storyteller’s Apprentice at the Edinburgh Fringe Festival. So, next time you’re sitting at a campfire, give it a go! 

Having lived in the countryside for more than two decades and fallen for its charms, I find myself fascinated by its heritage. Rural history is often overlooked for the grand stories of royalty, urban life, and warfare. For me, the archaeology and history that speaks of daily life, practical struggles, and the humanity of people–that’s what really switches me on. I constantly yearn to get inside the minds of our ancestors to try and understand how they saw the world. Whether that’s strange superstitions or ingenious inventions, it’s all part of what it means to be human.