Here are 100 books that Kabu Kabu fans have personally recommended if you like
Kabu Kabu.
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Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
This collection by one of Uganda’s premier speculative fiction writer/directors features strange, wonderful worlds and deeply fascinating characters with compelling stories uncompromisingly but accessibly rooted in African perspectives and mythologies and I’ve recommended it often. Sometimes leaning literary, other times heavily genre, Dilman has a gift for layering the fantastic on top of the real. The bizarre over the mundane. The prose is direct and clear, and the descriptions are lush. Every story here makes great use of East African culture, mythology, folklore, politics, and everyday life to tell great stories which anyone can enjoy.
‘A Killing in the Sun’ is a collection of speculative fiction from Africa. It draws from the rich oral culture of the author’s childhood, to tell a wide variety of stories. Some of the stories are set in a futuristic Africa, where technology has transformed everyday life and a dark force rules. Others are set in the present day, with refugee aliens from outer space, ghosts haunting brides and grooms, evil scientists stalking villages, and greedy corporations creating apocalypses. There are murder mysteries, tales of reincarnation and of the walking dead, and alternative worlds whose themes any reader will identify…
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
Beukes has range and a keen eye, two things that are showcased perfectly in this collection. Experimenting in style, in genre, in tone, in point of view, in everything really. A lot of the stories are overtly speculative, but not all of them are, even though they have a speculative sensibility. Some stories are under 100 words, others closer to 10,000. As someone who enjoys experimental writing, I loved this book. Almost every story features the recurring theme of dehumanization, and they are largely set in South Africa or featuring South African characters. And if that wasn’t enough, there are even 5 nonfiction pieces from her time as a journalist. It's excellent reading.
A Punk Lolita fighter-pilot rescues Tokyo from a marauding art installation. Corporate recruits harvest poisonous plants on an inhospitable planet. An inquisitive adolescent ghost disrupts the life of a young architect. Product loyalty is addictive when the brand appears under one's skin.
Award-winning Cape Town author and journalist Lauren Beukes (Zoo City, Moxyland, Broken Monsters) spares no targets in this edgy and satiric retrospective collection. In her fiction and nonfiction, ranging from Johannesburg across the galaxy, Beukes is a fierce, captivating presence throughout the literary landscape.
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
I really enjoyed this excellent, ethereal collection of stories from Booker Prize winner Ben Okri who, from early on, has always infused the supernatural and dream logic into his literary work to get at a deeper truth in his very grounded stories about post-independence Nigeria and Nigerians. The lightest on its speculative elements out of all the books I’ve recommended, it’s also a great entry point for literary fiction fans looking to ease into the more flighty and wild parts of African speculative fiction. There are all the realities of life – anxiety, joy, poverty, war, love, but there are spirits and strange things too. Okri’s writing lures you in and takes you on a journey to observe Nigerian life from a skewed angle with unexpected tenderness.
Incidents at the Shrine is the first collection of stories by the author of 1991 Booker Prize-winning novel, The Famished Road. Whether the subject is a child's eye view of the Nigerian Civil War, Lagos and the spirit world or dispossession in a decaying British inner city, Okri's lyrical, poetic and humorous prose recreates the known and the unknown world with startling power.
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
This is a short but excellent collection of short stories that focus more on voice, concept, character, and theme than traditional plots, especially when compared to some of the other collections I have recommended but wow, does it deliver on its strengths. I like this book for its colorful and layered writing used to describe new and inventive spins on township folklore galore, tortured friendships and families, unique community bonds, and South Africans in space. These stories linger in the mind and there aren’t a lot of better ways to jump into some of South Africa’s weirdest waters than this.
Orphan sisters chase monsters of urban legend in Bloemfontein. At a busy taxi rank, a woman kills a man with her shoe. A genomicist is accused of playing God when she creates a fatherless child. Intruders is a collection that explores how it feels not to belong. These are stories of unremarkable people thrust into extraordinary situations by events beyond their control. With a unique and memorable touch, Mohale Mashigo explores the everyday ills we live with and wrestle constantly, all the while allowing hidden energies to emerge and play out their unforeseen consequences. Intruders is speculative fiction at its…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
Lighthearted and fun, this retelling is centered on Cinderella’s stepsister, Charlotte. Charlotte is burdened with the unenviable responsibility of finding a wealthy husband, as their small family is nearly destitute. When they make it to the ball, Charlotte is smart and lucky enough to make an acquaintance with the prince. But Cinderella, aka Blanche, keeps getting in her way. This cute and sweet tale blends fantasy, humor, and a dash of philosophy with its new spin on this classic tale.
What if the prince fell in love with the stepsister?
Lady Charlotte needs a rich husband, and fast. Good thing she has plenty of beauty and charm, with no foolish ideas of love to get in the way of her plans. When the chance to catch the wealthiest, most eligible bachelor in the kingdom appears, she will do everything in her power to win such a prize; even if she must break a few hearts along the way. But in the end, it is her own heart that's troubled. Perhaps true love really does exist, but if so, it’s not…
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
I found this book moving. On one level it is the mythology of the planet we know as Venus, from the perspective of the Maasai people. On another level it speaks to the condition of age and loneliness. And I love the illustrations, which take the reader into the landscape of East Africa and show us the humanity of the old man. Like all the best tales, it can be enjoyed by both children and adults.
Seaching the sky for a familiar star, an old man encounters a mysterious boy, Kileken. As he comes to love the boy as a son, he agrees to let him keep the one thing he owns: a secret.
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
When it comes to oral literature from the African continent, I haven’t seen another collection that matches this in-depth and breadth. Here you will find a fuller version of one of the Soninke epics discussed in the book by Clyde W. Ford. Here are the stories of the Akan, and many other African peoples. I particularly enjoyed the sayings and humorous anecdotes.
A large, distinctive collection of tales, traditions, lore, legends, folk wisdom, and poetry captures the oral heritage of the peoples of Africa, including the Hause, Kanuri, Ashanti, Mbundu, Zulu, Hottentot, and Mensa tribes. Reprint. PW. IP.
I am fascinated with mythology in all its shapes and forms. It fascinates me how cultures the world over have similar pantheons, for example, without any cultural cross-pollination. What I like to do in my fiction is blend various myths to create something new. And sometimes I create my own myths. It takes a curious, imaginative mind to come up with these myths, and most importantly a child-like sense of wonder, which, sadly, is extinguished by society as one is forced to “grow up”. I don’t ever want to lose that sense of wonder—to observe the world and see beauty and possibilities at every corner—so I preserve and interrogate it in my fiction.
This book is a phantasmagorical trip. This was one of the first, if not the first, African novel to be written in English.
The language, told in a broken English that is nonetheless poetic, (Tutuola’s education was incomplete) adds to the surreal nature of the story. I like it because it is the kind of story I grew up listening to: tales of people venturing into the forest and the wondrous adventures they have therein.
The basic premise goes thus: When war comes to a Nigerian village, a young boy and his brother flee into the forest and begin a surreal journey through the realm of ghosts.Folktales and legends abound in the pages of this book.
My Life in the Bush of Ghosts, Amos Tutuola's second novel, was first published in 1954. It tells the tale of a small boy who wanders into the heart of a fantastical African forest, the dwelling place of innumerable wild, grotesque and terrifying beings. He is captured by ghosts, buried alive and wrapped up in spider webs, but after several years he marries and accepts his new existence. With the appearance of the television-handed ghostess, however, comes a possible route of escape.
'Tutuola ... has the immediate intuition of a creative artist working by spell and incantation.' V. S. Pritchett,…
I am a former children’s librarian who writes books for children and young adults. I love history, especially black history. We didn’t get much in school when I was a child, so I’ve been catching up on some of what I missed. I am particularly drawn to under-told stories about people who deserve more recognition for their contributions. I’m proud that some of those people are members of my own family.
“They say the people could fly. They say that long ago in Africa some of the people knew magic. And they could walk up on the air like climbin on a gate. And they flew like blackbirds over the fields.” These beautiful words and those that follow have remained in my heart from the moment I first discovered this story in Hamilton’s 1985 folktale collection. The inspiring messages of hope, faith, and the innate desire for freedom are powerfully conveyed through Hamilton’s fine storytelling and the Dillons’ elegant art. I love the feeling of triumphas “old and young who were called slaves” join hands, rise in the air, and fly away to freedom.
Virginia Hamilton's Coretta Scott King Honor book is the breathtaking fantasy tale of slaves who possessed ancient magic that enabled them to fly away to freedom. And it is a moving tale of those who did not have the opportunity to “fly” away, who remained slaves with only their imaginations to set them free as they told and retold this tale.
Leo and Diane Dillon's powerful illustrations accompany Hamilton's voice as it sings out from the pages with the soaring cadences that echo the story tellers of her childhood as the granddaughter of a fugitive slave.
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