Here are 100 books that Anansi the Spider fans have personally recommended if you like
Anansi the Spider.
Shepherd is a community of 12,000+ authors and super readers sharing their favorite books with the world.
I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Sulwe is a little girl with skin the ‘color of midnight’. But she just wants to be like her mother and sister, who are lighter skinned. This is an emotional read with stunning illustrations that teaches us to love ourselves just as we were made and embrace our own unique beauty.
4
authors picked
Sulwe
as one of their favorite books, and they share
why you should read it.
This book is for kids age
4,
5,
6, and
7.
What is this book about?
From Academy Award-winning actress Lupita Nyong'o comes a powerful, moving picture book about colourism, self-esteem and learning that true beauty comes from within.
Sulwe's skin is the colour of midnight. She's darker than everyone in her family, and everyone at school.
All she wants is to be beautiful and bright, like her mother and sister.
Then a magical journey through the night sky opens her eyes and changes everything.
In this stunning debut picture book, Lupita Nyong'o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
As a child, Take Me Home was my most favorite storybook. The way that the creators show the relationship between a father and son, and how they work together to achieve the goal of creating a matatu bus (a public transport bus common throughout Africa) is so palpably endearing. Set in 1970’s Kenya, the story offers a heartfelt slice of life that inspired me to want to go to Kenya and soak up the sights and sounds and be a part of this wonderfully intimate world. Unfortunately, the book is currently out of print, but if you can find a used copy out there it will be so well worth it.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Etabo dreams of being a camel racer but is thwarted by the fact that his family must now sell their camels because of impending drought.
What I find so interesting about this book is how the narrative does such an amazing job of showing a slice of life amongst the Turkana, a remote people in the deserts of Northwest Kenya. So very little of these amazing people have ever been shown in children’s literature and so I was so captivated by how this book gives such a great opportunity to peek into their world, illuminated by the tender illustrations and enthralling theme of not giving up on one's aspirations.
Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
This well acclaimed and award-winning book by Muriel Feelings is great for anyone interested in learning about culture through language. What I love so much about this book is its simplicity. The book teaches how to count up to ten in Swahili, using East African imagery and culture, and it has pronunciation keys as well. The detailed monochromatic illustrations create a mood of awe and reverie.
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
When it comes to oral literature from the African continent, I haven’t seen another collection that matches this in-depth and breadth. Here you will find a fuller version of one of the Soninke epics discussed in the book by Clyde W. Ford. Here are the stories of the Akan, and many other African peoples. I particularly enjoyed the sayings and humorous anecdotes.
A large, distinctive collection of tales, traditions, lore, legends, folk wisdom, and poetry captures the oral heritage of the peoples of Africa, including the Hause, Kanuri, Ashanti, Mbundu, Zulu, Hottentot, and Mensa tribes. Reprint. PW. IP.
Once upon a time, I didn’t know any stories from Africa. I found one, and it stirred me to my core. I found others and read them to my children. These were oral stories that had been trapped between the covers of books. One day, I discovered the oral tradition – stories told as they were originally heard. They had been liberated from the page and flew into my heart. A storyteller was born in me. I went on my own journey to collect stories in Ghana. I now tell stories from traditions around the world.
I found this book moving. On one level it is the mythology of the planet we know as Venus, from the perspective of the Maasai people. On another level it speaks to the condition of age and loneliness. And I love the illustrations, which take the reader into the landscape of East Africa and show us the humanity of the old man. Like all the best tales, it can be enjoyed by both children and adults.
Seaching the sky for a familiar star, an old man encounters a mysterious boy, Kileken. As he comes to love the boy as a son, he agrees to let him keep the one thing he owns: a secret.
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
Kabu Kabu takes its name from Nigerian slang for a dodgy taxi that gets you where you need to go, one way or the other. It’s a fitting name for this short story collection, which took me on a journey of twenty-one stories that include excellent science fiction, fantasy, horror, and excerpts from her wildly popular and award-winning novels. Drawing from her own Naijamericanheritage and using a skillful balance of characters, plot, setting, and themes, Okorafor offers an array of stories based on dual identities, folklore, philosophy, and contemporary issues filtered through a speculative lens.
Kabu kabu-unregistered illegal Nigerian taxis-generally get you
where you need to go. Nnedi Okorafor's Kabu Kabu, however, takes
the reader to exciting, fantastic, magical, occasionally dangerous, and always
imaginative locations you didn't know you needed. This debut short story
collection by an award-winning author includes notable previously published
material, a new novella co-written with New York Times-bestselling author
Alan Dean Foster, six additional original stories, and a brief foreword by
Whoopi Goldberg.
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
This collection by one of Uganda’s premier speculative fiction writer/directors features strange, wonderful worlds and deeply fascinating characters with compelling stories uncompromisingly but accessibly rooted in African perspectives and mythologies and I’ve recommended it often. Sometimes leaning literary, other times heavily genre, Dilman has a gift for layering the fantastic on top of the real. The bizarre over the mundane. The prose is direct and clear, and the descriptions are lush. Every story here makes great use of East African culture, mythology, folklore, politics, and everyday life to tell great stories which anyone can enjoy.
‘A Killing in the Sun’ is a collection of speculative fiction from Africa. It draws from the rich oral culture of the author’s childhood, to tell a wide variety of stories. Some of the stories are set in a futuristic Africa, where technology has transformed everyday life and a dark force rules. Others are set in the present day, with refugee aliens from outer space, ghosts haunting brides and grooms, evil scientists stalking villages, and greedy corporations creating apocalypses. There are murder mysteries, tales of reincarnation and of the walking dead, and alternative worlds whose themes any reader will identify…
Novels are great. I’ve written one myself. I have also written many short stories for major science fiction and fantasy publishing venues—Asimov’s, F&SF, Analog, Lightspeed, etc. But there is something special about single-author short story collections. They are like tasting platters. They reveal running themes and can be a unique way to explore places—through the imaginations of its authors. For example, many of my stories are set in or feature characters from Nigeria. I hope you enjoy the books on this list and that they show you something new about Africa and what (some) African authors dream about.
This is a short but excellent collection of short stories that focus more on voice, concept, character, and theme than traditional plots, especially when compared to some of the other collections I have recommended but wow, does it deliver on its strengths. I like this book for its colorful and layered writing used to describe new and inventive spins on township folklore galore, tortured friendships and families, unique community bonds, and South Africans in space. These stories linger in the mind and there aren’t a lot of better ways to jump into some of South Africa’s weirdest waters than this.
Orphan sisters chase monsters of urban legend in Bloemfontein. At a busy taxi rank, a woman kills a man with her shoe. A genomicist is accused of playing God when she creates a fatherless child. Intruders is a collection that explores how it feels not to belong. These are stories of unremarkable people thrust into extraordinary situations by events beyond their control. With a unique and memorable touch, Mohale Mashigo explores the everyday ills we live with and wrestle constantly, all the while allowing hidden energies to emerge and play out their unforeseen consequences. Intruders is speculative fiction at its…
I grew up in Uganda and Kenya, and when I moved to the United States, I felt separated from myself. Learning how to be American was exhausting and so I disappeared into books. I’m now more settled, but I still travel through fiction. These days, I am reading fiction by African women. You should be, too! There is so much stunning literature out there. These five books are just the beginning, but they are novels I can’t stop thinking about.
The First Woman is perhaps the best novel you haven’t yet read. Kirabo has never known her mother and she is looking for answers at the same time as she is becoming a woman. She is guided first by the village’s blind witch Nsuuta, who has her own reasons for getting involved. Nsuuta tells Kirabo that women were once, “huge, strong, loud, proud, brave, independent. But it was too much for the world.” The writing in this ambitious novel is sometimes funny and sometimes poignant.
'In Jennifer Makumbi, we have a giant of literature living among us.' Peter Kalu, Jhalak Prize Judge
Longlisted for the Diverse Book Awards, 2021
'Jennifer Makumbi is a genius storyteller.' Reni Eddo-Lodge
A SUNDAY TIMES, OBSERVER, DAILY MAIL, BBC CULTURE & IRISH INDEPENDENT BOOK OF THE YEAR
At once epic and deeply personal, the second novel from prize-winning author Jennifer Makumbi is an intoxicating mix of Ugandan folklore and modern feminism that will linger in the memory long after the final page.
As Kirabo enters her teens, questions begin to gnaw at her - questions which the adults in her…
