Here are 100 books that The Wooden Camel fans have personally recommended if you like
The Wooden Camel.
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I am passionate about writing books for children that create windows to the world, teaching empathy. Children that are empathic grow up to be kind and compassionate adults. I write because I long for a world that is more accepting and compassionate.
Sulwe is a little girl with skin the ‘color of midnight’. But she just wants to be like her mother and sister, who are lighter skinned. This is an emotional read with stunning illustrations that teaches us to love ourselves just as we were made and embrace our own unique beauty.
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Sulwe
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This book is for kids age
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What is this book about?
From Academy Award-winning actress Lupita Nyong'o comes a powerful, moving picture book about colourism, self-esteem and learning that true beauty comes from within.
Sulwe's skin is the colour of midnight. She's darker than everyone in her family, and everyone at school.
All she wants is to be beautiful and bright, like her mother and sister.
Then a magical journey through the night sky opens her eyes and changes everything.
In this stunning debut picture book, Lupita Nyong'o creates a whimsical and heartwarming story to inspire children to see their own unique beauty.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
As a child, Take Me Home was my most favorite storybook. The way that the creators show the relationship between a father and son, and how they work together to achieve the goal of creating a matatu bus (a public transport bus common throughout Africa) is so palpably endearing. Set in 1970’s Kenya, the story offers a heartfelt slice of life that inspired me to want to go to Kenya and soak up the sights and sounds and be a part of this wonderfully intimate world. Unfortunately, the book is currently out of print, but if you can find a used copy out there it will be so well worth it.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
Anansi the Spider is one of the classic African stories that inspired me to go into storytelling as a career. Reading this book, and watching its animated counterpart as a child, totally enthralled me. The combination of the bright, bold colours and graphical aesthetic, with the mystique of the folklore felt just like magic to me. The fable told here comes off as profound yet funny and quirky. This book is a must for anyone interested in fables and African folklore in particular.
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
This well acclaimed and award-winning book by Muriel Feelings is great for anyone interested in learning about culture through language. What I love so much about this book is its simplicity. The book teaches how to count up to ten in Swahili, using East African imagery and culture, and it has pronunciation keys as well. The detailed monochromatic illustrations create a mood of awe and reverie.
I grew up in the high plains mining towns of Montana and Wyoming but I couldn’t wait to get out and see the world. Peace Corps was my ticket. A teaching post in Chad, Africa, was open, but civil war and famine loomed, so I chose Afghanistan. After my two-year contract in Kabul, I continued traveling but my fascination with Africa never waned. A job teaching college English allowed me summers to continue traveling. However, I never did get to Africa, so when Carolyn suggested we write about Namibia, I agreed. Someday, I hope to visit before the magnificent black rhino has been wiped off the face of the planet.
Huxley’s parents go to Kenya to start a coffee plantation. And like Blixen and her husband, they know nothing about Africa or growing coffee and must depend on Africans to teach them. Huxley writes a delightful account of her life and the struggles they endure. Her portrayal of the people who work on the family’s plantation is brilliant as is the description of the environment and animals. Huxley also writes from the unsentimental eyes of a child.
When Elspeth Huxley's pioneer father buys a remote plot of land in Kenya, the family sets off to discover their new home: five hundred acres of Kenyan scrubland, infested with ticks and white ants, and quavering with heat. What they lack in know-how they make up for in determination: building a grass house, employing local Kikuyu tribe members and painstakingly transforming their patch of wilderness into a working farm. Huxley's unforgettable childhood memoir is a sensitive account of settler life at the turn of the twentieth century and a love song to the harshness and beauty of East Africa.
I am a South African historian of Russian origin, who has studied and taught African history since the late 1960s. For us, the Russians, Africa was then an alluring terra incognita of wild nature, adventure, human suffering, struggles, and tenacity. I have studied how Africa became what it is for 50 years and lived in it for 30. I have learnt a lot about it, but for me it is still a land of human suffering, struggles and tenacity, wild nature, and adventure, and it is still alluring.
Michela Wrong’s story centres on one country, Kenya, and one person, but it resonates throughout the continent and far beyond it – everywhere, where corruption is as systemic, as it is in Kenya. John Githongo, a journalist who fought corruption, was appointed to head an anti–corruption unit by a new president. As in every decent detective novel, involving corruption, the hero discovers that the roots lead to the very top, finds the proof and, after many adventures, publicizes it. Only this is not a novel, though it certainly reads like one. Wrong’s hero is a real person, who did what he did and who suffered for it. This is a story of personal honesty, decency, and courage. But this is also an inside story of how many African societies work.
A gripping account of both an individual caught on the horns of an excruciating moral dilemma and a continent at a turning point.
When Michela Wrong's Kenyan friend John Githongo appeared one cold February morning on the doorstep of her London flat, carrying a small mountain of luggage, it was clear something had gone very wrong in a country regarded until then as one of Africa's few budding success stories.
Two years earlier, in the wave of euphoria that followed the election defeat of long-serving President Daniel arap Moi, John had been appointed Kenya's new anti-corruption czar. In choosing this…
I am a social scientist who has been doing fieldwork and research in Africa since 1999. For me, there’s no more fascinating part of the planet – Africa is the cradle of civilization, more diverse than anywhere else and culturally and institutionally vibrant and creative. I have worked in Botswana, the Democratic Republic of Congo, Nigeria, Sierra Leone, South Africa and Zimbabwe investigating the determinants of political institutions and economic prosperity. I have taught courses on Africa at Harvard University, the University of Chicago, the University of Ghana at Legon and this summer the University of Nigeria in Nsukka.
It isn’t just African politics that is different. Economics is too. If modern economics had been invented by an African, instead of Adam Smith, it would look very different. Wealth would be measured in people rather than material objects, property, and capital. There would be much less emphasis on markets. Some things, should never be sold, and if they were it would create “bitter money” and bad luck. This book is a great place to start to re-think your ideas about economics.
“fascinating little book adds to the study of culture to political economy” MacGaffey ~Journal of Anthropological Research “presents fascinating material on beliefs about money in some Luo-speaking communities of Kenya… an insightful analysis… a case that will generate fruitful discussions for years to come” Ferguson ~American Ethnologist BITTER MONEY unites symbolic and economic analysis in exploring the beliefs about forbidden exchanges among the Luo of Kenya and other African peoples. Shipton's multi-paradigmatic theoretical explanation briefly summarizes a century of anthropological thought about African exchange, while integrating ways of understanding rural African economy, politics, and culture.
From my first exposure to Elisabeth Elliot’s writing when I was a teenager, I was intrigued by her story: a missionary few had ever heard of who became an author with several books published by a Big Five publishing company. Over the years I both wrestled with and was encouraged by her work. I’ve now spent more than a decade conducting original research on Elliot’s life. I believe learning more about her and the influences that shaped her enriches our understanding of our past and, thus, of our present and offers us important tools for approaching the future.
Like old color slides flicking in and out on a projector screen, grainy and yellowed but still evocative, Isak Dinesen’s poignant little book captures scenes from more than a decade of life as an outsider who loved the place she had made home and left it to return to the land of her birth against her will.
Elisabeth Elliot read Out of Africa just months after leaving behind her own expatriate life and work in Ecuador, where she had hoped to spend the rest of her life. In her journal, she called Dinesen’s book striking, beautifully written, and right.
In 1914 Karen Blixen arrived in Kenya with her husband to run a coffee-farm. Drawn to the exquisite beauty of Africa, she spent her happiest years there until the plantation failed. A poignant farewell to her beloved farm, "Out of Africa" describes her friendships with the local people, her dedication for the landscape and wildlife, and great love for the adventurer Denys Finch-Hatton.
I’m a Sibert Honor author and write books for kids and teens about nature. Ever since I saw an elephant skull on the savanna in Kenya, I’ve been fascinated by elephants. When my daughter was an undergrad, she worked with Katy Payne and the Elephant Listening Project, and I knew I had to write about ELP’s astounding work—one of the only groups working with forest elephants. I hope you enjoy the QR codes in Eavesdropping on Elephants. Katy and her colleagues were very generous with their work. The more I write the more I discover our connections to our natural world that humble me and fill me with gratitude.
Katherine Roy’s beautifully illustrated picture book includes lots of fun information for elephant lovers. We follow an infant elephant as he learns how to survive on the plains, including his place in the family, how to walk and use his trunk, how to communicate with the herd, and how to stay cool in the scorching sun. A unique portrait of an elephant’s life.
Africa is not an easy place to live, even for the enormous elephants that call it home. Foraging for food and water and fighting off predators are only a few of the many skills that these giants must acquire as part of the long learning process that begins immediately after birth. Thankfully, they have a large familial network in place to teach them how to wash and drink and whiffle and roar - everything they need to know about how to be an elephant. Award-winning author-illustrator Katherine Roy's How to Be an Elephant delves into the intricate family dynamics at…
Books have the power to change your life, that is, if you can find a story that inspires you. As a multiple-time CEO and board director I noticed the lack of fiction books with smart, strong, and positive female leaders- that’s why I started writing the Ceiling Smasher series. My first novel, The Closer, is about the first female CEO of a sports company and the secret society of professional women, called the Ceiling Smashers, who help her succeed. The books on this list are based on true stories about extraordinary women who demonstrated courage, brainpower, and grit to achieve great things and blaze new trails- who wouldn’t be inspired by that?
I like the fact that Out of Africa is about a strong woman who was also an entrepreneur and an enlightened leader. Karen Blixen, a Danish countess, took up residence in Kenya and actually ran a coffee plantation—who doesn’t love a brave businesswoman? She built successful relationships with the Masai, Kikuyu, and Somali natives who worked on her plantation. A woman of many talents, Blixen’s poetic style of writing led to a profession as author Isak Dineson after she left her beloved Africa.
With classic simplicity and a painter's feeling for atmosphere and detail, Isak Dinesen tells of the years she spent from 1914 to 1931 managing a coffee plantation in Kenya.
