As someone with ADHD, anxiety, and a brain prone to rumination, life can be turbulent. Fantasy has long been my preferred method of escapism, and when I discovered the cozy variety a few years ago, I was immediately enthralled. It gives me that warm-fuzzy feeling I so desire in troubling times, while still providing my dopamine-deficient brain the hits it needs to remain immersed. More than anything, I want to share with others the way that cozy fantasy makes me feel. Crafting such fiction is my purpose.
I am not being hyperbolic when I say that discovering this fiction changed the course of my life. I found it during a dark time, and the impact it had might be the reason I’m so addicted to reading and writing cozy fantasy. Upon finishing it, I wasn’t ready to leave the world behind, so I fired up the audio and started again.
This novel is a place of reprieve. A warm hearth I can return to when life gets difficult. And I can’t recommend it enough.
A laugh-out-loud, slice-of-life martial-arts fantasy about . . . farming????
Jin Rou wanted to be a cultivator. A man powerful enough to defy the heavens. A master of martial arts. A lord of spiritual power. Unfortunately for him, he died, and now I’m stuck in his body.
Arrogant Masters? Heavenly Tribulations? All that violence and bloodshed? Yeah, no thanks. I’m getting out of here.
Farm life sounds pretty great. Tilling a field by hand is fun when you’ve got the strength of ten men—though maybe I shouldn’t have fed those Spirit Herbs to my pet rooster. I’m not used to…
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life.
Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.
12,090 A.D. It is a dark time for the world. Humanity is just crawling out from under three hundred years of domination by the race of vampires known as the Nobility. The war against the vampires has taken its toll; cities lie in ruin, the countryside is fragmented into small villages and fiefdoms that still struggle against nightly raids by the fallen vampires - and the remnants of their genetically manufactured demons and werewolves. Every village wants a Hunter - one of the warriors who have pledged their laser guns and their swords to the eradication of the Nobility. But…
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
My best friend recommended this book, and then when I hadn’t read it sent it to me. Obvs she knows me well; I love it!
I always thought I didn’t like horror, but it turns out I didn’t know what it was. The stories in The Changed Man felt like something I could write. They were weird and sometimes poignant. They are a slice of life that left me feeling uncomfortable but also curious and inspired to write, read, and think outside the box.
"Fat Farm" is one of the most brilliant short stories I’ve ever read. It so perfectly illustrates how short-sighted our thinking is around beauty, how our hedonism and values are a betrayal of ourselves. It’s so yummy!
Eleven chilling tales, including the author's introductions and afterword comments, provoke the dreaded dark side of the reader's imagination. Reprint.
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
I’ve always been intrigued by monsters. I grew up watching or reading anything that had a monster in it, much to the chagrin of my monster-hating mother. Over time, I grew bored with the same monsters in the same historical settings. It wasn’t until I discovered some of the books on this list that I found writers doing new, fun, and inventive things that reinvigorated my own love for them. I’m always going to be a monster junky, but I always hope to find authors that can bring these classic terrors into the modern world.
I was hooked after meeting the characters and seeing them interact with one another. I could easily imagine these people as real and the town of Hettford felt like a slice of life. The comedic tone caught me off-guard, but I quickly grew to want to spend more time with the loveable losers that form the Hettford Witch Hunt group.
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
These are so fun, violent (especially if you watch the animated version) but it’s full of cool characters. It’s scary enough to be edgy, but not scary enough to make you paranoid there’s someone in the house before bedtime. I’d say these are fairly classical vampires. When they fight or Ally with the Catholic Church they’re powerful opponents/players.
Not only does it have classic action manga…things? (Will I sound smarter if I say tropes?) It’s also got its cute interactions between characters outside of work, showing their relationships, humour, the organisation, and their allies. It’s over the top, but what’s the point in vampires if they can’t be dramatic and moody about things?
There's a secret organization somewhere in England created to defend the Queen and country from monsters of all sorts. Yes, it's hard to believe in this day and age... but really, isn't this the true age of monsters? Enter Hellsing, an agency, long in tooth, with the experience, know-how, and... er... equipment to handle the problems that arise when vampires, ghouls, and the like take on these dark forces. "What equipment?" you may say. How about another vampire, and a big pistol loaded with special silver bullets? That oughta do the trick. But what really knocks 'em dead is the…
As a Kenyan/American raised in both countries, I noticed growing up that there was very little creative content about Africa. Whilst in Kenya, I experienced much joy and fun in the culture and felt that other people in other parts of the world would also enjoy it. Loving reading, drawing, comics, and movies, I felt it would be useful to create such content about Africa. I was very fortunate to study arts at an undergraduate and graduate level in the US. This formal training, combined with extensive travel around Africa and the diaspora, has informed my sense of book and film creation and appreciation. I hope you enjoy this book list that I’ve curated!
As a child, Take Me Home was my most favorite storybook. The way that the creators show the relationship between a father and son, and how they work together to achieve the goal of creating a matatu bus (a public transport bus common throughout Africa) is so palpably endearing. Set in 1970’s Kenya, the story offers a heartfelt slice of life that inspired me to want to go to Kenya and soak up the sights and sounds and be a part of this wonderfully intimate world. Unfortunately, the book is currently out of print, but if you can find a used copy out there it will be so well worth it.
In
the 20th volume of Yoshinaga’s slice-of-life/cooking instructional
manga, the protagonists, Shiro and Kenji, a gay couple living in Tokyo, talk
about their friends’ weddings, aging, promotions, and other day-to-day
challenges—all while making dinner.
The recipes in this manga are easy to
follow and, because they’re simple, always work. And, since the characters are
always making a full meal, it’s easy to see what dishes make up a whole, modern
Japanese homestyle meal.
The pleasure of this manga is ghosting along like an
invisible guest at these meals, listening to everyday concerns as if you were a
member of this small and private group of characters.
Overflowing with warmth
and humanity and cozy in the best possible way, this series helps when I need
to recenter on how good small, everyday pleasures really can be.
Wedding bells are in the air as Gilbert/Wataru and Kohinata begin preparing for their upcoming nuptials. Pushed to his limit by the stress of finding an LGBTQ+-friendly venue and getting wedding-hot, Gilbert turns to his good friends Shiro and Kenji for the comforting company and soul food he knows he can rely on. This save-the-date announcement also means Shiro can finally broach a conversation years in the making with Kenji, and colors a significant step he takes in connecting his family with his life partner. And because when it rains it pours, big changes are also in store for Shiro…
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
