The stories in this collection are brief but rich with insight into the absurdities of the human condition. As well, I found the depiction of contemporary Israelis to be both moving and endearingly funny. I laughed and shook my head a lot.
It was a terrific book to carry around. I found I could read an entire story whenever I had spare moments. There was something wonderful about being able to do that and carry the resonance of the experience with me for the rest of the day.
Classic warped and wonderful stories from a “genius” (The New York Times) and master storyteller.
Brief, intense, painfully funny, and shockingly honest, Etgar Keret’s stories are snapshots that illuminate with intelligence and wit the hidden truths of life. As with the best writers of fiction, hilarity and anguish are the twin pillars of his work. Keret covers a remarkable emotional and narrative terrain - from a father’s first lesson to his boy to a standoff between soldiers caught up in the Middle East conflict to a slice of life where nothing much happens.
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
In
the 20th volume of Yoshinaga’s slice-of-life/cooking instructional
manga, the protagonists, Shiro and Kenji, a gay couple living in Tokyo, talk
about their friends’ weddings, aging, promotions, and other day-to-day
challenges—all while making dinner.
The recipes in this manga are easy to
follow and, because they’re simple, always work. And, since the characters are
always making a full meal, it’s easy to see what dishes make up a whole, modern
Japanese homestyle meal.
The pleasure of this manga is ghosting along like an
invisible guest at these meals, listening to everyday concerns as if you were a
member of this small and private group of characters.
Overflowing with warmth
and humanity and cozy in the best possible way, this series helps when I need
to recenter on how good small, everyday pleasures really can be.
Wedding bells are in the air as Gilbert/Wataru and Kohinata begin preparing for their upcoming nuptials. Pushed to his limit by the stress of finding an LGBTQ+-friendly venue and getting wedding-hot, Gilbert turns to his good friends Shiro and Kenji for the comforting company and soul food he knows he can rely on. This save-the-date announcement also means Shiro can finally broach a conversation years in the making with Kenji, and colors a significant step he takes in connecting his family with his life partner. And because when it rains it pours, big changes are also in store for Shiro…
When I finished my second book, which followed the life course of women in the U.S. in the early 20th century, I was left with questions and some confusion about women’s sexuality in the period. Books and magazine articles at the time obsessively discussed young women and their sexual freedom. But young women’s journals, and the psychological literature showed that publicly, young women performed a heterosexual script, but privately, and emotionally, they often remained far more comfortable with other girls and young women. Slowly it became clear that the real sexual revolution of the 20th century was the triumph of heterosexual relations and norms during the 1920s until the 1940s.
Michael Moffatt was a professor of anthropology when he embedded himself in the Rutgers student dorms to begin a years-long investigation of what entering adulthood meant for undergraduates at the State University of New Jersey.
Moffatt’s research included survey data, perceptive description of his own experience, and student journals (used with permission, of course). In the great tradition of social science, Moffatt identifies a range of sexual types among the young people he studied.
Coming of Age is about college as students really know it and-often-love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism,…
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
These are so fun, violent (especially if you watch the animated version) but it’s full of cool characters. It’s scary enough to be edgy, but not scary enough to make you paranoid there’s someone in the house before bedtime. I’d say these are fairly classical vampires. When they fight or Ally with the Catholic Church they’re powerful opponents/players.
Not only does it have classic action manga…things? (Will I sound smarter if I say tropes?) It’s also got its cute interactions between characters outside of work, showing their relationships, humour, the organisation, and their allies. It’s over the top, but what’s the point in vampires if they can’t be dramatic and moody about things?
There's a secret organization somewhere in England created to defend the Queen and country from monsters of all sorts. Yes, it's hard to believe in this day and age... but really, isn't this the true age of monsters? Enter Hellsing, an agency, long in tooth, with the experience, know-how, and... er... equipment to handle the problems that arise when vampires, ghouls, and the like take on these dark forces. "What equipment?" you may say. How about another vampire, and a big pistol loaded with special silver bullets? That oughta do the trick. But what really knocks 'em dead is the…
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life.
Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.
12,090 A.D. It is a dark time for the world. Humanity is just crawling out from under three hundred years of domination by the race of vampires known as the Nobility. The war against the vampires has taken its toll; cities lie in ruin, the countryside is fragmented into small villages and fiefdoms that still struggle against nightly raids by the fallen vampires - and the remnants of their genetically manufactured demons and werewolves. Every village wants a Hunter - one of the warriors who have pledged their laser guns and their swords to the eradication of the Nobility. But…
I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.
Carl is an unhealthy old man who gets the break of a lifetime when a strange accident enables him to upgrade his DNA. Not only is it like taking a sip from the fountain of youth, but Carl can also adopt some of the sensory super powers that animals have. But rather than this turning into another boring superhero story, Biomedical Self-Engineering is the story of a nice guy whose positivity brushes off on almost everyone he encounters. Carl’s not out to save the world. He’s just out to make each day a little better for himself and others.
Divorced and working as a security guard in Portland, 73 year old Carl is attacked by an unknown creature before he is able to taser it to death. After being released from the hospital, he discovers by accident that he is unwittingly acquiring DNA samples from other people he touches. He discovers a number of shocking facts about himself when a blue box appears in his right eye, Most importantly, he discovers that his health is nowhere near to what he assumed it would be. Can he reverse the negative aspects of his health using these blue boxes somehow? And…
As you get to know the characters I create, you'll be imbued with a sense of hope and possibility–with the magic that can happen when someone pokes a toe out of her comfort zone and makes things happen. You'll relate to discrete characters, who like most women, desire and deserve true love, authentic relationships—whether they be friends, mothers, daughters, or lovers–and meaningful work. You'll care about their emotional hurts, the misunderstandings that cause them to stumble, and cheer them on as they make choices that ultimately lead them to create empowered, fulfilling lives. Hooking you from the first sentence, I'll ignite your brain's hardwired desire to learn what happens next.
This luminous women's fiction is anchored by Lillian, restauranteur by day, cooking class instructor by night. Come for the lyrical and evocative descriptions of sophisticated food and indulgences. Stay for a brilliantly-crafted cast of flawed characters, who seek hope and restoration. I especially adore this novel for the relatable backstories of Lillian's students. It's the perfect, decadent slice of life for escaping yours.
From the author of Reese Witherspoon's Book Club pick The Scent Keeper comes a "heartbreakingly delicious" national bestseller about a chef, her students, and the evocative lessons that food teaches about life.
Once a month on a Monday night, eight students gather in Lillian's restaurant for a cooking class. Among them is Claire, a young woman coming to terms with her new identity as a mother; Tom, a lawyer whose life has been overturned by loss; Antonia, an Italian kitchen designer adapting to life in America; and Carl and Helen, a long-married couple whose union contains surprises the rest of…
Ever since I was a young girl, I always turned to writing to work through anything that was happening in my life, ranging from the first time I experienced loss to my parents’ divorce. I have since published three children’s books on tough topics as I have aimed to provide parents, children, and teachers with tools to discuss loss and change. My most recent book, Goodbye, Gus is specifically about the loss of a pet. My dad died when I was 21, and that was the first death (other than my dogs) that I ever experienced. I was able to experience first-hand the fact that the loss of my pets helped prepare me to cope with grief, and I also learned that we can all focus on what we did have and hang on to those memories forever.
I am recommending Dog Songs as a dog lover and as a poet. Two of my favorite things are dogs and poetry, and Mary Oliver combines the two in her beautiful celebration of the love between humans and dogs. I think this is a great choice when people are grieving, as the magic of the canine/human connection is conveyed in these poems, providing a source of beauty and comfort for the reader. All of her selections emphasize that unique love that we have with our pets, reminding us to enjoy life’s precious moments.
'The popularity of [Dog Songs] feels as inevitable and welcome as a wagging tail upon homecoming' Boston Globe
In Dog Songs, Mary Oliver celebrates the special bond between human and dog, as understood through her connection to the dogs who across the years accompanied her on her daily walks, warmed her home and inspired her work. The poems in Dog Songs begin in the small everyday moments familiar to all dog lovers and become, through her extraordinary vision, meditations on the world and our place in it.
Dog Songs includes visits with old friends, like Oliver's most beloved dog Percy,…
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
