Here are 34 books that The Memoirs of Jacques Casanova de Seingalt Vol. 1 the Venetian Years fans have personally recommended if you like
The Memoirs of Jacques Casanova de Seingalt Vol. 1 the Venetian Years.
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Philosophy is defined as “the study of the fundamental nature of knowledge, reality, and existence, especially when considered as an academic discipline.” Put another way, it is not so much the study of things and phenomena, but the derivative question below the veneer of what things are. I am interested in everything, how everything works, but also why it, and all of nature, including the mind and eyelashes, exist in the first place. I can remember back to childhood always thinking like this. This involves grasping for knowledge of both the details and global contexts of everything, whether it’s biology, chemistry, religion, neuroscience, horticulture, violence, goodness, hockey, or even what Plato was trying to say.
I was psychiatrically diagnosed as a successful prosocial psychopath. After being notified of this and giving a TED Talk on this in 2009
Literary agent Jane Dystel contacted me with a deal to write a memoir. So I first searched out other memoirs written by a successful prosocial psychopath and the granddaddy of all whacky true life bad boys was the first. As his full memoir volumes are 3,500 delicious pages in length, the 2,500 truncated version will do just fine.
Giacomo Girolamo Casanova was born in Venice in 1725 to actress Zanetta Farussi, wife of actor and dancer Gaetano Giuseppe Casanova. Giacomo was the first of six children, being followed by Francesco Giuseppe (1727–1803), Giovanni Battista (1730–1795), Faustina Maddalena (1731–1736), Maria Maddalena Antonia Stella (1732–1800), and Gaetano Alvise (1734–1783). At the time of Casanova's birth, the Republic of Venice thrived as the pleasure capital of Europe, ruled by political and religious conservatives who tolerated social vices and encouraged tourism. It was a required stop on the Grand Tour, traveled by young men coming of age, especially Englishmen. The famed Carnival,…
I’ve been fascinated by history my whole life, and have been reading historical fiction for as long as I can remember. I have a particular passion for the history of Italy, in all its complicated, bloody, and dazzling glory, from the politics to the music to the art to, of course, the food and wine. There is so much within Italian history that captivates, and as a woman of Italian descent it holds a special interest for me. I try to capture the drama, beauty, and complexity of Italy in my own historical novels, and the books on this list all do that in the most compelling way.
The Rossetti Letteris absolutely my favorite book of all time. This dual-timeline novel tells the story of Alessandra Rossetti, a 17th-century Venetian courtesan who becomes embroiled in dangerous political intrigue. In the present, PhD candidate Claire Donovan is writing her dissertation on Alessandra and the letter she wrote to warn the leaders of the Venetian Republic about what is known as the Spanish Conspiracy of 1618, and tries to uncover the courtesan’s role in the plot. I’ve never read a book that better describes my favorite city, Venice, more perfectly, both past and present. I reread this book about once a year, and am planning to do so again soon!
Alessandra Rossetti, a courtesan, becomes entangled in a conspiracy that threatens to destroy seventeenth century Venice. She alone has the power to reveal a Spanish plot. Centuries later, Claire Donovan is writing her dissertation on the young courtesan. She knows that Alessandra wrote a secret letter exposing the Spanish conspiracy. But how Alessandra learnt of it, or what happened to her afterwards is still a mystery. Claire hopes to uncover the secrets of the courtesan's life within Venice's ancient libraries and prove Alessandra deserves her place in history. But upon arrival in Venice, Claire learns that Cambridge professor Andrew Kent…
Strangely as an English writer who loves skiing, the one place in the world in which I feel most at home is the old town of Istanbul. I’ve been there so many times and every visit inspires me to write. One trip provided the opening sentences of my first novel, another the middle chunk of my second novel, Copper Trance & Motorways, and yet another a suite of poems. Despite the historical sites it’s not a particularly beautiful city but it has a vitality like an electric charge and the hospitality of most Turks is amazing. When I’ve been struggling with writer’s block it's taking off to Istanbul that’s unstuck me.
A big fat, fact-packed but readable history of the city as it changed from Constantinople into Byzantium and finally Istanbul. This is the book that places Viking immigrants alongside Romans, Goths, Moors, Ottomans, Venetians, and so many other races in a glorious cultural stew that makes the history of most other cities seem linear and dull by comparison.
Istanbul has always been a place where stories and histories collide and crackle, where the idea is as potent as the historical fact. From the Qu'ran to Shakespeare, this city with three names - Byzantium, Constantinople, Istanbul - resonates as an idea and a place, and overspills its boundaries - real and imagined. Standing as the gateway between the East and West, it has served as the capital of the Roman, Byzantine, Latin and Ottoman Empires. For much of its history it was known simply as The City, but, as Bettany Hughes reveals, Istanbul is not just a city, but…
I am a historian of early modern Europe, especially 16th- and 17th-century England, and my work pulls together threads from different historical disciplines, including political history, the history of science and technology, and environmental history. I am fascinated by the ways that human history is intimately linked with the environment, and I am most interested in how early modern European states and empires worked to understand, manage, and profit from the natural world, especially with respect to using and conserving natural resources such as water, wood, and wildlife. I have chosen books that explore these issues in innovative and exciting ways.
I love this book because it does such a masterful job of demonstrating how peoples, states, and the natural environment are closely linked with one another.
The book is about early modern Venice and its mainland empire, its immense and constant need for wood, and the state’s efforts to ensure that need could be sustainably met in both the near and distant future. The Venetians came to understand nature through the careful conservation of a vital but fragile resource, and their government developed to meet that challenge.
Over four centuries Venice created a unique bureaucracy of forestry and forest management, staffed by experts and tasked with counting and maintaining all of the trees within its vast territories.
Wood was essential to the survival of the Venetian Republic. To build its great naval and merchant ships, maintain its extensive levee system, construct buildings, fuel industries, and heat homes, Venice needed access to large quantities of oak and beech timber. The island city itself was devoid of any forests, so the state turned to its mainland holdings for this vital resource. A Forest on the Sea explores the history of this enterprise and Venice's efforts to extend state control over its natural resources. Karl Appuhn explains how Venice went from an isolated city completely dependent on foreign suppliers for…
Gamelit’s a big focus and passion of mine because it is the genre I didn’t know existed nor that I needed when I got started as a writer. I was always a sci-fi and fantasy guy and the most GameLit thing I experienced prior were anime like Sword Art Online or So I’m a Spider So What. Once I found gems like Dungeon Crawler Carl, Cradle, and others, I was reading everything I could in the genre. Not only that, but I’m writing in the space too, with six books out under my name, another five under a pen name, and many more to come.
At first I picked up the book because I thought it’d be a good laugh. I mean, with a title like “Beware of Chicken” how could it not be?
Turns out I was right but it was so much more than that.
As I read I found myself in a slice of life tale about farming. Which normally is not my jam at all. I love action and comedy. Slice of life stuff is just too slow for me. But the story picks up fairly quickly.
You know the cultivation/xianxia trope where some martial artist wants to grow to ultimate power and rule the heavens?
Yeah Jin wants nothing to do with that. The dude just wants to farm and be left alone.
But his chicken does.
So effectively we have a main character who wants to avoid all the standard tropes and a chicken who lives and breathes them.…
A laugh-out-loud, slice-of-life martial-arts fantasy about . . . farming????
Jin Rou wanted to be a cultivator. A man powerful enough to defy the heavens. A master of martial arts. A lord of spiritual power. Unfortunately for him, he died, and now I’m stuck in his body.
Arrogant Masters? Heavenly Tribulations? All that violence and bloodshed? Yeah, no thanks. I’m getting out of here.
Farm life sounds pretty great. Tilling a field by hand is fun when you’ve got the strength of ten men—though maybe I shouldn’t have fed those Spirit Herbs to my pet rooster. I’m not used to…
I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.
Carl is an unhealthy old man who gets the break of a lifetime when a strange accident enables him to upgrade his DNA. Not only is it like taking a sip from the fountain of youth, but Carl can also adopt some of the sensory super powers that animals have. But rather than this turning into another boring superhero story, Biomedical Self-Engineering is the story of a nice guy whose positivity brushes off on almost everyone he encounters. Carl’s not out to save the world. He’s just out to make each day a little better for himself and others.
Divorced and working as a security guard in Portland, 73 year old Carl is attacked by an unknown creature before he is able to taser it to death. After being released from the hospital, he discovers by accident that he is unwittingly acquiring DNA samples from other people he touches. He discovers a number of shocking facts about himself when a blue box appears in his right eye, Most importantly, he discovers that his health is nowhere near to what he assumed it would be. Can he reverse the negative aspects of his health using these blue boxes somehow? And…
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
I was a passionate elementary school teacher for thirty-five years. Now retired, I am grateful that my writing allows me to continue communicating with children. I am always working to improve my craft, help other writers, and embrace my author life.When I am not in a critique group or at my computer I might be doing yoga or biking.
Simple beautiful language with lovely bright colored art tells the story of a dad getting up very early to go to his job at the bakery. The dad's arms are heavily tattooed and from the first wordless spread before the title page, we understand because of the author's note, that this was probably a dad who has returned from being incarcerated. The loving relationship between father and daughter is evident. It's a sweet slice-of-life story.
Dad wakes early every morning before the sun, heading off to work at the bakery. He kneads, rolls and bakes, and as the sun rises and the world starts its day, Dad heads home to his young daughter. Together they play, read, garden and-most importantly-they bake.
This lovely, resonant picture book was inspired by muralist Katie Yamasaki's work with formerly incarcerated people. With subtle, uncluttered storytelling amplified by her monumental and heartfelt paintings, she has created a powerful story of love, of family and of reclaiming a life with joy.
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
Ever since I was abandoned in the woods, and raised by bats. I’ve thought vampires were pretty cool. I’ve never met one outside of government, but they are a unique part of folklore. A spiritual throwback to how pagan beliefs were affected by Christianity, including the fear of losing your soul, and an echo of physical fears; death, blood loss, and disease. To me, vampires represent even more; the predatory mentality found in humanity, and things we wish to ignore about ourselves. Being concerned about the way humanity in general responds to shady and unaccountable powers, it seemed the natural next step was to write about mystery-solving vampires.
I love this one, a graphic novel. Vampire hunting stories, set in a world emerging from three hundred years of vampiric rule. Our hero, D, is a Damphir (it’s not so easy to find good Damphir characters in media. Lore accuracy is basically impossible, but if it was, it would be D.) A vampire hunter, weighing his humanity against the value of vampire life.
Lots of fighting, lasers, robot horses, and wide-brimmed hats, and did I mention it was illustrated by Yoshitaka Amano? So it’s just visually stunning. I’ve honestly loved this since I heard of it as a teenager. Made it so much more fun that I recognised Yoshitaka Amano’s artwork from the Final Fantasy 9 games, which I also love.
12,090 A.D. It is a dark time for the world. Humanity is just crawling out from under three hundred years of domination by the race of vampires known as the Nobility. The war against the vampires has taken its toll; cities lie in ruin, the countryside is fragmented into small villages and fiefdoms that still struggle against nightly raids by the fallen vampires - and the remnants of their genetically manufactured demons and werewolves. Every village wants a Hunter - one of the warriors who have pledged their laser guns and their swords to the eradication of the Nobility. But…
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