Here are 100 books that Beware of Chicken fans have personally recommended if you like
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My GameLit stories like The Mad Immortal are inspired by the fun I've had playing RPGs such as World of Warcraft and Dungeons & Dragons. It’s that same sense of adventure that I seek out in other stories and that I feel these five books I selected demonstrate. In their own way, each of them inspired my own series as I worked to develop the rules for its magic system and to come up with compelling ways the characters could interact within those established restrictions. I love reading about clever applications of magic to solve problems, especially when it’s not immediately obvious how a given spell would help!
Unsouled is probably the book on my this list that most directly inspired how I approached the magic system within my own story.
It follows Lindon, a boy with only limited access to magic, who sets off on a journey to power up enough to save his homeland. I loved how each of the characters developed their own set of unique skills specific to them, which they then had to figure out how to level up over time as well as apply in various situations, many of which aren’t always obvious.
Given his initially weak access to magic, Lindon is also forced to get creative in order to defeat foes much more powerful than he is. I always appreciate any book that focuses on the clever applications of its magic.
Sacred artists follow a thousand Paths to power, using their souls to control the forces of the natural world.Lindon is Unsouled, forbidden to learn the sacred arts of his clan.When faced with a looming fate he cannot ignore, he must rise beyond anything he's ever known...and forge his own Path.
As an author, I’m fascinated with the fictional quest for power and the challenges and changes that journey both entails and provokes. Progression fantasy, beyond all the numbers and formalized rankings, is about the character first… not just people growing stronger, but how that growth impacts them on a fundamental level. It's something central to my own fiction, and as I’ve explored the progression fantasy genre, I’ve loved seeing the different ways other authors tackle that same idea. The worlds, people, and magic systems vary wildly between different series in the genre, but that central conflict’s impact on those engaged in it remains uniquely compelling.
Iron Prince is unique in this list (and among most progression fantasy books) in that it takes place in the distant future, on one of many planets in a galaxy at war.
Instead of mystical cores or game or system-imposed leveling constructs, individuals are given CADs (combat assistance devices) that largely do the same thing.
What I love about the book is that the main character, Rei, is the ultimate underdog. He’s done everything he could to achieve success despite his shortcomings, only to get crushed by peers and a governing system that abhors weakness.
His determination to push on is one of my favorite traits in characters, and ensures that we, the audience, remain engaged, even as he learns to leverage his unique gifts. Smart and never boring, I can’t wait for the sequel!
Reidon Ward will become a god. He doesn't know it yet, of course. Reidon was born weak, sickly and small. Afflicted with a painful disease and abandoned by his parents because of it, he has had to fight tooth and nail for every minor advantage life has allowed him.His perseverance has not gone unnoticed, however, and when the most powerful artificial intelligence in human history takes an interest in him, things began to change quickly. Granted a CAD—a Combat Assistance Device—with awful specs but an infinite potential for growth, Reidon finds himself at the bottom of his class at the…
As an author, I’m fascinated with the fictional quest for power and the challenges and changes that journey both entails and provokes. Progression fantasy, beyond all the numbers and formalized rankings, is about the character first… not just people growing stronger, but how that growth impacts them on a fundamental level. It's something central to my own fiction, and as I’ve explored the progression fantasy genre, I’ve loved seeing the different ways other authors tackle that same idea. The worlds, people, and magic systems vary wildly between different series in the genre, but that central conflict’s impact on those engaged in it remains uniquely compelling.
Progression fantasy is a young genre, and currently divides into a handful of different categories, the largest of which are LitRPGs and Cultivation fiction.
Dungeon Crawler Carl is almost universally praised as the best of the former.
I love it because it takes an impossible situation—Earth being transformed into a dungeon-delving murder reality show for the rest of the universe—and somehow injects equal mixes of humor and pathos.
I love that the main characters, the titular Carl and his cat, Donut, are the perfect emotional counterparts to the subgenre’s traditionally crunchy numbers… levels, skills, spells, and increasingly overpowered items all exist but don’t overshadow the essential humanity at the story’s center.
A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.
In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.
The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.
Gamelit’s a big focus and passion of mine because it is the genre I didn’t know existed nor that I needed when I got started as a writer. I was always a sci-fi and fantasy guy and the most GameLit thing I experienced prior were anime like Sword Art Online or So I’m a Spider So What. Once I found gems like Dungeon Crawler Carl, Cradle, and others, I was reading everything I could in the genre. Not only that, but I’m writing in the space too, with six books out under my name, another five under a pen name, and many more to come.
Savage Dominion is just plain fun and worth the read. But you know how it’s even better? On audio, narrated by Luke Daniels. Seriously, pick up the audio if you can. Luke’s narration alone is worth every penny.
Here we have a big, dumb nerd who honestly wasn’t hero material but when a wolf shows up to ruin his already bad date, our man sacrifices himself. This doesn’t go unnoticed and he is given the chance to become an eternal, basically a demi-god. Only he ends up being one for the “baddies” according to the solar court.
So Maulkin has to overcome everyone thinking he’s the devil, learn how this new world of his works, and all of that while being more brawns than brains in one of the funniest characters I’ve read in a good long while.
Maulkin didn't know dying would mean a new eternity of dungeon delving, monster slaying, and glory hunting. If he had, he wouldn't have been so worried about kicking the bucket on a date gone even more wrong than usual.
Reborn in the wild world of Amaranth, Maulkin finds himself in a hulking demi-human body with a sword of a size to match. Marked as an Eternal, a fledging immortal of boundless potential, Maulkin soon discovers he's been given a mission by the elder pantheon of this new realm:
Grow stronger. Ascend to godhood. Spread chaos in their name.
Gamelit’s a big focus and passion of mine because it is the genre I didn’t know existed nor that I needed when I got started as a writer. I was always a sci-fi and fantasy guy and the most GameLit thing I experienced prior were anime like Sword Art Online or So I’m a Spider So What. Once I found gems like Dungeon Crawler Carl, Cradle, and others, I was reading everything I could in the genre. Not only that, but I’m writing in the space too, with six books out under my name, another five under a pen name, and many more to come.
Bastion is a story about a demi-god who did nothing wrong and yet the whole world thinks he did.
The question is, did he?
We don’t know and neither does Scorio. He is brought to this world without a clue as to who he is and immediately put into danger. The second he gets out he is told he is a monster and they try to kill him.
What initially seems to be a simple quest for revenge and seeking more power grows into a journey of self-discovery. Not only of what Scorio is capable of doing but who he really is. All while fighting a system hell bent on keeping him down.
What can I say? I love a good underdog story.
Oh and this beauty legitimately feels like reading two books. Somewhere around the middle I swear the first book ends and the second one begins.
As an author, I’m fascinated with the fictional quest for power and the challenges and changes that journey both entails and provokes. Progression fantasy, beyond all the numbers and formalized rankings, is about the character first… not just people growing stronger, but how that growth impacts them on a fundamental level. It's something central to my own fiction, and as I’ve explored the progression fantasy genre, I’ve loved seeing the different ways other authors tackle that same idea. The worlds, people, and magic systems vary wildly between different series in the genre, but that central conflict’s impact on those engaged in it remains uniquely compelling.
Defiance of the Fall started as a web series and has some of the classic hallmarks of such… brief chapters ending in cliffhangers and a need to always recap what’s just happened.
Worse, the prose starts out very rough, though it improves with each successive book in the series.
So, why did I include it? Because it distills progression fantasy down to its purest form, to what some readers summarize as “Numbers go brrrr.”
In other words, there is always action and advancement happening. The dopamine hits for the reader never stop, and the main character, Zac, doesn’t either.
If there’s a problem, he’s cutting through it, and if he can’t, he’ll go on some sort of cosmic traveling trip to get strong enough to do so. Power is his all-consuming focus, and that is progression fantasy.
I was a passionate elementary school teacher for thirty-five years. Now retired, I am grateful that my writing allows me to continue communicating with children. I am always working to improve my craft, help other writers, and embrace my author life.When I am not in a critique group or at my computer I might be doing yoga or biking.
Simple beautiful language with lovely bright colored art tells the story of a dad getting up very early to go to his job at the bakery. The dad's arms are heavily tattooed and from the first wordless spread before the title page, we understand because of the author's note, that this was probably a dad who has returned from being incarcerated. The loving relationship between father and daughter is evident. It's a sweet slice-of-life story.
Dad wakes early every morning before the sun, heading off to work at the bakery. He kneads, rolls and bakes, and as the sun rises and the world starts its day, Dad heads home to his young daughter. Together they play, read, garden and-most importantly-they bake.
This lovely, resonant picture book was inspired by muralist Katie Yamasaki's work with formerly incarcerated people. With subtle, uncluttered storytelling amplified by her monumental and heartfelt paintings, she has created a powerful story of love, of family and of reclaiming a life with joy.
I’m a LitRPG author and narrative designer for the video games industry. I’ve written and designed for many RPGs and have always found it satisfying when the player character’s actions tangibly improve the in-game situations of the NPCs. In my own LitRPGs and interactive fiction, I intentionally place the player characters within communities they will come to care about and see grow as their own personal power grows. To me, a character build is more about relationships than upgrades. Stats are just numbers until they affect the lives of others. Then they become story.
Carl is an unhealthy old man who gets the break of a lifetime when a strange accident enables him to upgrade his DNA. Not only is it like taking a sip from the fountain of youth, but Carl can also adopt some of the sensory super powers that animals have. But rather than this turning into another boring superhero story, Biomedical Self-Engineering is the story of a nice guy whose positivity brushes off on almost everyone he encounters. Carl’s not out to save the world. He’s just out to make each day a little better for himself and others.
Divorced and working as a security guard in Portland, 73 year old Carl is attacked by an unknown creature before he is able to taser it to death. After being released from the hospital, he discovers by accident that he is unwittingly acquiring DNA samples from other people he touches. He discovers a number of shocking facts about himself when a blue box appears in his right eye, Most importantly, he discovers that his health is nowhere near to what he assumed it would be. Can he reverse the negative aspects of his health using these blue boxes somehow? And…
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
It’s never the plot that draws me to a novel; it’s always other ingredients like people and place and, in these regards, Cranford is a stellar delight. The protagonist is a frequent house guest in the small town of Cranford, giving readers intimate access to the quirky social codes of its mostly female population. From the ones who care about social mores to the ones who care less, these wonderful vignettes document their attempts to outwit a visiting magician, or foil rumored night-burglars, or adapt to the losses of loved ones. Each woman has had a journey in some way stifled by the patriarchy of the 1800s but these ladies’ timeless and absorbing intelligence, compassion, loyalty, ingenuity, forbearance, and above all, wit, shine through.
Elizabeth Gaskell was a British author during the Victorian era. Gaskell's novels are notable for detailed descriptions of the different classes of society in 19th century Britain. Cranford is a novel about a fictional town modeled closely after one Gaskell was familiar with. The story features a series of episodes in the life of Mary Smith.
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
