Here are 100 books that Cranford fans have personally recommended if you like
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I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
Some first person voices are just so naturally nostalgic, like you’re sitting around a campfire listening to someone telling you a story.
“The year my mother started hearing voices from her dead brother Clyde,” or “But Gigi was the first to fly.” So many moments to hold onto in this novel, each an introduction to another tale, or a memory you can’t wait to listen to and run off down the street to share it for yourself.
The voice of August is so real and clear and poetic that one forgets there’s even a writer behind it. This close first-person voice lets us in, welcomes us into the secrets of the street. “Everywhere we looked we saw the people trying to dream themselves out.” And dream I did, along every glorious page, only I never wanted out.
THE NEW YORK TIMES BESTSELLER FROM A NATIONAL BOOK AWARD WINNING AUTHOR
A TIME MAGAZINE TOP 10 NOVEL OF 2016 | SHORTLISTED FOR THE NATIONAL BOOK AWARD FOR FICTION 2016
FROM THE WINNER OF THE ASTRID LINDGREN MEMORIAL AWARD 2018
They used to be inseparable. They used to be young, brave and brilliant - amazingly beautiful and terrifyingly alone. August, Sylvia, Angela and Gigi shared everything: songs, secrets, fears and dreams. But 1970s Brooklyn was also a dangerous place, where grown men reached for innocent girls, where mothers disappeared and futures vanished at the turn of a street corner.
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
The pure and real absurdity of the stories in this book kept me coming back again and again. The cranky old backwoods-man, the paranoid mother, and the hard-as-nails grandmother all felt like real people to me, and you never knew when Strange the dog would show up. Experience the world through the eyes of a child growing up in early 20th-century backwoods America.
America’s “most gifted outdoor humorist” (Detroit Free Press) regales readers with this collection of gut-busting, man vs. nature tales originally published in such magazines as Field & Stream and Outdoor Living.
Patrick F. McManus’s hilarious and comic stories of camping and other nature-oriented activities reach ridiculous proportions in The Night the Bear Ate Goombaw. From teaching his stepfather the methods of madness behind farm work through his best friend’s grandmother’s fear of bears, McManus reveals that human behavior is even wilder than the wilderness.
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
Life happens. The septic tank overflows. Girls get in fights. Boys track dirt over your best carpet. You are absolutely going to ruin their lives with your attempt to explain the facts of life. Erma Bombeck takes these realities and laughs at them. You can’t help but laugh along with her from her tiny suburban home to her efforts to “forgive her enemies.”
The “marvelously funny” and much-loved humorist explores the perils of suburban living in this New York Times bestseller (Vogue). For years, the Bombecks have heard rumors of a magical land called Suburbia where the air is clean, the grass is trimmed, and children don’t risk getting mugged on their walk to school. After watching their friends flee the city for subdivided utopias like Bonaparte’s Retreat and Mortgage Mañana, Erma and her family load up their belongings and cry, “Station wagons . . . ho!” But life on the suburban frontier is not as perfect as they had hoped. The trees…
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
To little grade school me this book was high fantasy. A healer with amazing powers walking through another world. A vet doing his rounds in Pre-WWI Yorkshire. I laughed at every absurdity. The poodle that believed she was pregnant. The boxer that wouldn’t stop farting in his high-class lady’s house. Everything made me laugh while transporting me to a world where old men drink pints in pubs while their “wee bron doggie” sits under their stools.
From the #1 New York Times–bestselling author of All Creatures Great and Small: more true stories of a veterinarian in small-town Yorkshire, England. After his first day on the job, James Herriot’s mentor warns him that the life of a country veterinarian is full of small triumphs and big disasters, but that he’d never be bored. From night visits to drafty barns during freezing northern England winters, to the beautiful vitality of rural life in the summertime, to the colorful menagerie of animals—and their owners—that pass through his office, Herriot experiences new challenges and joys every day. In these pages,…
Humans are absurd. We are. Short stories that present this in a true and honest fashion, without being cruel or vulgar are a rare and delicious gem. In all of these books there is not a single ounce of malice or bitterness. Humans are born, we live, we suffer, and then we die. These books don’t deny this, or ignore it, instead they choose to focus on the funny, the fun, the absurd lives that we live.
Murder, espionage, and weight loss clinics make up the challenges faced by Tommy and Tuppence in what I consider to be Christie’s most engaging book. The concept of a loving pair getting bored and deciding to use their energy to solve crimes was delightful. Christie takes a long honest look at human nature, and despite the murder and betrayal, laughs, for we are absurd.
Six short stories from the Queen of Crime, featuring our favourite young detectives, Tommy and Tuppence.
Tommy and Tuppence Beresford were restless for adventure, so when they were asked to take over Blunt's International Detective Agency, they leapt at the chance.
After their triumphant recovery of a pink pearl, intriguing cases kept on coming their way: a stabbing on Sunningdale golf course; cryptic messages in the personal columns of newspapers; and even a box of poisoned chocolates.
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
Although dipping into glamorous strata of New York society, the friendship dynamics reminded me of the period of adulthood where you start to make your way in the world… Often it involves new jobs or new cities and sometimes women discover the people they thought were close friends are not. Parallel journeys of female friends can put them into tension where paths diverge and taking space is the only solution. Here, avid reader Katey is moving beyond her humble beginnings by talent and character alone, while room-mate Eve is escaping her privilege and family ties; their agendas blend well for a while until they spin off in different directions. Resourceful Katey continually starts over in her smart, sharp-humoured style becoming ever more able to rely on herself.
From the #1 New York Times-bestselling author of The Lincoln Highway and A Gentleman in Moscow, a “sharply stylish” (Boston Globe) book about a young woman in post-Depression era New York who suddenly finds herself thrust into high society—now with over one million readers worldwide
On the last night of 1937, twenty-five-year-old Katey Kontent is in a second-rate Greenwich Village jazz bar when Tinker Grey, a handsome banker, happens to sit down at the neighboring table. This chance encounter and its startling consequences propel Katey on a year-long journey into the upper echelons of New York society—where she will have…
I’m an Australian writer with a passion for literary fiction, especially novels centered on complex and multi-layered power dynamics. To me, relationships between women are particularly ripe for this kind of exploration – my own friendships with other women have been influential and formative, but not always easy! My interest in these darker and more complex dynamics of close friendship eventually led me to write my own novel on the topic. I’ve also published a range of essays, reviews, criticism, and creative nonfiction.
I devoured Sally Rooney’s debut in a single day when it came out in 2017.
I remember being blown away by her ability to effortlessly convey the depth and complexity of close relationships – particularly the dynamic between narrator Frances, a coolly ironic 21-year-old student, and her ex-girlfriend-now-best-friend-but-maybe-still-romantic-interest, Bobbi.
I loved Conversations with Friends not only for its three-dimensional characters and beautifully precise writing, but also for how true to life it felt. It was the first time I had read a novel that really captured the way my friends and I spoke, thought, and behaved – a thrilling experience.
'This book. This book. I read it in one day. I hear I'm not alone.' - Sarah Jessica Parker (Instagram)
'Brilliant, funny and startling.' Guardian
'I really like Conversations with Friends. I like the tone [Rooney] takes when she's writing. I think it's like being inside someone's mind.' - Taylor Swift
'A sharp, darkly funny comment on modern relationships.' Sunday Telegraph
Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend.…
I’d thought I was writing a novel about someone putting a life back together after everything fell apart but, when I’d finished, readers told me I’d written a book about vivid, authentic friendships. It was a welcome surprise. From Charles Dickens to Sylvia Plath, nuanced characters have always interested me and so, when writing, I set myself the task of believable dialogue and interactions which readers can relate to like it’s their own friends sitting around a table; laughing, crying, or bickering. When a life falls apart it’s often friendships that are tested to breaking but then become stronger as a result.
How are women supposed to behave, discreetly? Are their friendships always a saccharine Hallmark card? Not in this novel. Living loudly, louchely, in chaos, with hedonistic nights out and all-day hangovers, Laura and Tyler are a tight, whip-funny twosome… except one has a wedding on the horizon to a teetotal stable man, and she’s wrestling with whether marriage is a legitimate life milestone anymore. The friendship portrayal here is a messy, clever, and foul-mouthed foray into the moment when inseparable friends face the prospect of their familiar relationship disappearing through the unstoppable forces of adult life. And we’ve all had impossible choices when we haven’t known which loyalties to put first – one’s duty to oneself or to one’s best friend?
“An utterly triumphant ode to female friendship, in all its intense, messy and powerful beauty” from the internationally bestselling author of Grown Ups (Elle).
It is the moment every twenty-something must confront: the time to grow up. Adulthood looms, with all its numbing tranquility and stifling complacency. The end of prolonged adolescence is near.
Laura and Tyler are two women whose twenties have been a blur of overstayed parties, a fondness for drugs that has shifted from cautious experimentation to catholic indulgence, and hangovers that don’t relent until Monday morning. They’ve been best friends, partners in excess, for the last…
I was a passionate elementary school teacher for thirty-five years. Now retired, I am grateful that my writing allows me to continue communicating with children. I am always working to improve my craft, help other writers, and embrace my author life.When I am not in a critique group or at my computer I might be doing yoga or biking.
Simple beautiful language with lovely bright colored art tells the story of a dad getting up very early to go to his job at the bakery. The dad's arms are heavily tattooed and from the first wordless spread before the title page, we understand because of the author's note, that this was probably a dad who has returned from being incarcerated. The loving relationship between father and daughter is evident. It's a sweet slice-of-life story.
Dad wakes early every morning before the sun, heading off to work at the bakery. He kneads, rolls and bakes, and as the sun rises and the world starts its day, Dad heads home to his young daughter. Together they play, read, garden and-most importantly-they bake.
This lovely, resonant picture book was inspired by muralist Katie Yamasaki's work with formerly incarcerated people. With subtle, uncluttered storytelling amplified by her monumental and heartfelt paintings, she has created a powerful story of love, of family and of reclaiming a life with joy.
I’m a storyteller who loves ‘oh my gosh’ ideas. Something that, the moment I hear about it, it captivates me. I also love characters who are deeply heart-warming and pleasurable to be around. For me, delving into the intimacy of a character’s mind and their shifting relationships with others is a pleasure. This is why I’m so attracted to contemporary domestic family issues or love stories with living, breathing characters. By pairing it with a puzzling or shocking wow of an idea to investigate, I can explore my character’s unique world and set it at odds with something that threatens that existence.
This is an uplifting family drama about technology that could – and possibly is (if we think about AI and smartphones) – already happening.
It’s a social comment about a brain surgery that improves the functions of thinking. The implant proves so popular, it begins to bias society to favour those who have the implant and sideline those who don’t. The story is told from the viewpoints of a lesbian couple and their two children, demonstrating how easily divided we can be, enough to threaten the breakdown of society.
It’s a wonderful story with very real characters, commenting on mega technology and exploitative commercial enterprise yet is also at its heart, about the importance of the family unit.
From award-winning author Sarah Pinsker comes a novel about one family and the technology that divides them.
Get one - or get left behind.
Val and Julie just want what's best for their kids, David and Sophie. So when David comes home from school begging for a new brain implant to help with his studies, they're torn. Julie grew up poor and knows what it's like to be the only kid in school without the new technology, but Val is terrified by the risks and the implications.
Soon, everyone at Julie's work has the implant and she's struggling to keep…
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