The most recommended books about Mozart

I suspect I’ll raise a few eyebrows with this recommendation, notwithstanding the Amazon series it spawned (which ran for four seasons).

The book was not uniformly applauded, and it is difficult to know how accurate certain details are, given Tindall’s use of more than thirty pseudonyms and numerous denials from people she named. However, the prevalence of sex, drugs, and power politics in classical music is a harsh, ugly fact.

Classical musicians often misbehave, and if even those struggling for orchestral positions are guilty, how much worse might it be with the superstars? Obviously, I am thinking about Niccolò Paganini, but readers should also consider recent scandalous allegations against Placido Domingo and the late James Levine.

A guide to making art for those of use who are not geniuses. Don’t worry about making a masterpiece, just make your pieces of art. If you have a hard time letting yourself make bad art, so that you can one day make great art, this is the one to start with.

This is the first novel I read by Haruki Murakami and it got me hooked on his writing.

Toru Okada is tasked with finding his lost cat but, as he searches, the past stories of other characters constantly intersect and become inescapable detours, which often foster ambiguity and a sense of becoming lost in a charmed world.

We’re left with an impression of a world slipping into the surreal, where reality becomes blurred like Okada’s memory of what his missing cat looks like, and where “Ten minutes is not ten minutes” because time can stretch and shrink. I was frequently surprised and sometimes confounded by this but, because of Murakami’s skill as a writer, felt pleasantly lulled with the same dreamlike acquiescence as his hero into following Okada’s convoluted journey.

Booth wrote this book to be a complete guide for musicians seeking to expand their careers by offering educational concerts and in-school residencies, but the unusual title is likely a subtle reference to “lessons” that challenge widely accepted assumptions in the world…of music performance.

Open to any chapter to read important, focused information on designing a compelling educational concert, but it doesn’t take long to come shocking statements like “being a teaching artist makes you a better artist” (is it possible?) or a demand that we answer the question “why an inner-city fifth grader should give a damn about Mozart” (you mean they don’t?).

Whether Booth is astutely defining the difference between entertainment and art, exploring the importance of good questioning, or reminding us how play is essential to learning and growth, the nuggets of teaching wisdom embedded in these pages are worth their weight in gold.

Starlings are everywhere and yet I hadn’t properly seen them until I picked up this book.

The author combines the history of our relationship with the starling, a reviled bird that is nevertheless so much like us, with an up-close view of the species through a pet starling named Carmen. This book will leave you enchanted by the chatty birds. 

Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].

However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.

I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!

I love when authors mix genres. Dibdin’s Cosi Fan Tutti is a combination of mystery and a Mozart opera! 

Combining the farcical elements of corruption, romantic longing, and mistaken identity, Dibdin pulls us through the beautiful streets of Naples, Italy, where everyone is thoughtful and earnest, and still, somehow, nothing like they appear. 

His detective Aurelio Zen is supposed to be keeping the peace, but he’s not up for the job, much more interested in untying romantic entanglements and enjoying the countryside. A solid plan until the Italian sanitation department decides they’re going to clean up the streets for him.

Lighthearted and breezy but with a genuine emotional core, you’ll get through Cosi Fan Tutte in a single sitting and be happier for it. 

I used this in class the last semester I taught at Duke; had I continued to teach I would have used it again. The students and I found it was two things—as it tells the Secret History of Creation, Invention, and Discovery it also spotlights creative strategies and entrepreneurial behaviors in the stories it shares. It’s an entertaining history and narrative of creative and entrepreneurial successes; both teach us, guide us, maybe even inspire us. I’m the father of three daughters and appreciated the stories he’s uncovered of many life-changing innovations that women led but men claimed. 

Mary Durant was my mother. This was her first novel, published in 1963. When I read it, the proverbial light bulb popped to life in my very young head: I recognized the real-life people and events upon whom the characters and plot were based, and because of that familiarity, saw the way my mother had changed things around, invented circumstances, conversations and fashioned composite characters to create a story. It was a behind-the-scenes crash course in the art of fiction-writing, the marvelous synthesis by which the novelist spins fact and invention into literature. And I understood that really good fiction, though technically a "made up" story, is always imbued with Truth with a capital "T," and that great writing and Truth are inextricably intertangled.

My mother was a first-rate writer and reader, and because of her, I was initiated into the quasi-secret bandwidth of real literature. The key: it’s all… show more.