Fans pick 100 books like The Murder of Figaro

When I first visited Venice, I had the strange sense that I already “knew” the city because I had read this first and all the subsequent Leon novels set in the city and featuring Commissario Guido Brunetti. From those books, I recognized landmarks and hidden alleys, cafes and restaurants, how to take the Vaparetto, and where the main police stations and markets were. 

I wanted to write like that, make the city a main character–and I love other series that do the same, like Andrea Camilleri’s Montalbano series set in Sicily. These books “take you there.”

The setting is roiling Hong Kong just before the British turnover to China. A musician in the Hong Kong Philharmonic, searching for an unaccountably missing friend and colleague, becomes sucked into the back alleys of organized crime. Martin himself was a veteran professional orchestral string bass player in Hong Kong and has a consummate grasp of the pulse of the city and the vagaries of the music business. This gritty, rough-and-tumble page-turning thriller, with dialogue as spicy as the food and a noire feel, is an under-the-radar gem that in a fair world should be a best-seller. May be hard to find but so worth the effort.

Intense and intricate with complex human interactions subjected to the forces of history and destiny, Canone Inverso is both literary fiction and mystery. This gripping tale of evolving relationships centers around the field of classical music and a particular violin. With the setting in Germany, Austria, and Hungary during the turbulent 1930s and ’40s, a brilliant, working-class young violinist is secluded in a prison-like music conservatory with an aristocratic boy who befriends him. Gradually, their bond is severely tested. What is genius? What is friendship? What is the price paid for beauty and greatness? These are some of the issues we’re confronted with in this riveting novel.

Paul Adam takes readers on a tense, insiders journey through the shadowy netherworld of priceless antique violins in search for the holy grail of violins, Stradivari’s “Sister Messiah,” that leaves a trail of dead bodies in its path. The hero, Giovanni Castiglione (like Amadeo Borlotti in my Daniel Jacobus mystery, Playing With Fire) is an under-the-radar violin forger with a conscience. As a professional violinist for a half-century, I can attest that The Rainaldi Quartet is absolutely true to life from start to finish. I was unable to put it down. Adam hits the nail on the head in this gripping tale of byzantine intrigue. A virtuoso tour de force!

Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].

However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.

I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!

I suspect I’ll raise a few eyebrows with this recommendation, notwithstanding the Amazon series it spawned (which ran for four seasons).

The book was not uniformly applauded, and it is difficult to know how accurate certain details are, given Tindall’s use of more than thirty pseudonyms and numerous denials from people she named. However, the prevalence of sex, drugs, and power politics in classical music is a harsh, ugly fact.

Classical musicians often misbehave, and if even those struggling for orchestral positions are guilty, how much worse might it be with the superstars? Obviously, I am thinking about Niccolò Paganini, but readers should also consider recent scandalous allegations against Placido Domingo and the late James Levine.

Mary Durant was my mother. This was her first novel, published in 1963. When I read it, the proverbial light bulb popped to life in my very young head: I recognized the real-life people and events upon whom the characters and plot were based, and because of that familiarity, saw the way my mother had changed things around, invented circumstances, conversations and fashioned composite characters to create a story. It was a behind-the-scenes crash course in the art of fiction-writing, the marvelous synthesis by which the novelist spins fact and invention into literature. And I understood that really good fiction, though technically a "made up" story, is always imbued with Truth with a capital "T," and that great writing and Truth are inextricably intertangled.

My mother was a first-rate writer and reader, and because of her, I was initiated into the quasi-secret bandwidth of real literature. The key: it’s all… show more.

Starlings are everywhere and yet I hadn’t properly seen them until I picked up this book.

The author combines the history of our relationship with the starling, a reviled bird that is nevertheless so much like us, with an up-close view of the species through a pet starling named Carmen. This book will leave you enchanted by the chatty birds. 

I enjoy books where relationships go beyond romance and delve into themes of friendship and family. I also love a story that takes historical figures and plays with reality, blending fantasy and historical fiction. This book covers both.

What I adored most about this book was the portrayal of Nannerl’s (Wolfgang Amadeus Mozart’s sister) struggle for recognition against the patriarchal constraints of her time. This story beautifully blends themes of familial love, gendered expectations, and the power of imagination.