Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
Whether you are a seasoned classical music lover or someone wanting to explore the world of classical music, you will love this book which offers a carefully selected piece for every day of the year. Whether you choose to listen to one piece each day, or as I did, in large batches, you will discover a true treasure trove of gems, some well-known, some rather hidden from sight. The author’s gentle, unpatronizing, and always imaginative commentary will enhance your understanding and your delight. Some of my favourite pieces are missing from the list (how could they not?) but every major composer from Thomas Ades to Frank Zappa is represented here, with titans like Bach, Beethoven, Mozart, Chopin, and Schubert featuring more than once.
'A magnificent treasury . . . a fascinating tour de force.' Observer
'Year of Wonder is an absolute treat - the most enlightening way to be guided through the year.' Eddie Redmayne
Classical music for everyone - an inspirational piece of music for every day of the year, celebrating composers from the medieval era to the present day, written by award-winning violinist and BBC Radio 3 presenter Clemency Burton-Hill.
Have you ever heard a piece of music so beautiful it stops you in your tracks? Or wanted to discover more about classical music but had no idea where to begin?…
If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of allhuman cultures. Like religion, it offers solace and comfort from the hardships of life.
However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this is the ultimate achievement of music, is “the human propensity to create order out of chaos.” (p. 64) Music promotes “order within the mind” and in so doing, like storytelling, it helps to create and sustain that most valuable commodity, meaning. Storr’s book is littered with insightful musical examples from classical music that will ring true to every lover of this tradition.
Examines the psychological, emotional, historical and philosophical roles of the musical experience in a person's life. This text looks at music as both a social and a solitary experience and supports the contention that music is the most significant experience in life.
This magnificent book focuses on a single piece of music, Gustav Mahler’s titanic Eighth Symphony, and its premiere in Munich in the summer of 1910, a major musical and cultural event that attracted many eminent personalities from all over Europe. Mahler himself had no doubts about the uniqueness of this symphony which he saw as his "gift to the nation ... a great joy-bringer,” not so far away from Beethoven’s message in his Ninth. He wrote: "Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving."
Johnson offers a detailed account of the work, its premiere, and the public response to it, a description of the deep personal traumas surrounding its composition (death of beloved daughter, marital turmoil, and terminal health troubles) and offers a profound analysis of the symphony’s musical structure, content, and originality. The book, however, goes well beyond this in painting a vast panorama of the cultural and political life in Austria and Germany ahead of the war calamity that would overtake all of Europe. This includes a detailed analysis of rising antisemitism of which Mahler was undoubtedly a victim. Johnson also details the nationalist and authoritarian currents that would disfigure politics all the way to our times.
The Eighth Symphony was going to be different from anything Mahler had ever done before: it would speak in different tones, and of a different kind of experience. The world premiere in Munich in the summer of 1910 was the artistic breakthrough for which the composer had yearned all his adult life.
Stephen Johnson recounts the symphony's far-reaching effect on composers, conductors and writers of the time. Placing Mahler within his world, The Eighth reassesses Mahler's work in the context of the prevailing thought of his age, but also against the backdrop of that tumultuous summer,…
Ian Bostridge is one of the leading tenors of our time and maybe the leading interpreter of songs, a genre of classical music that reached its apex in the compositions of Franz Schubert, music’s gentle giant who died at the age of 31. Bostridge describes his book on Schubert's Winterreise, the greatest song cycle ever composed, as the 'anatomy of an obsession'. As one of the cycle's most distinguished interpreters, Bostridge has performed the cycle numerous times and knows it intimately. He also uses his knowledge as a historian to provide a probing and imaginative companion for those of us who can become fellow travellers on his obsession.
The book is beautifully written, containing an essay on each of the cycle's 24 songs—the song, so to speak, acting as the point of departure for a journey of its own. Some of these essays are historical in nature. They demonstrate how the poetry that so inspired Schubert had its origin in the romantic response to the stifling social controls of the Biedermeier period, the period of reactionary politics that followed the defeat of Napoleon in Europe. Bostridge is particularly adept at describing the role of the artist in this climate, highlighting the political standing of the romantic artist, describing some of the scuffles of Schubert and his circle with the authorities. Having read this book, a whole new vista of music will open up for you offering you hours of joy, inspiration, and solace.
An exploration of the world’s most famous and challenging song cycle, Schubert's Winter Journey (Winterreise), by a leading interpreter of the work, who teases out the themes—literary, historical, psychological—that weave through the twenty-four songs that make up this legendary masterpiece.
Completed in the last months of the young Schubert’s life, Winterreise has come to be considered the single greatest piece of music in the history of Lieder. Deceptively laconic—these twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour—it nonetheless has an emotional depth and power that no music of its…
Among the many works of fiction inspired by classical music, that include Tolstoy’s Kreutzer Sonata, Mann’s Doctor Faustus,and Tremain’s Music and Silence, I have opted for Vikram Seth’s, exquisitely written and highly personal novel of unrequited love, loss, and longing, because his intimate knowledge of the world of classical music, the music and the characters is unsurpassed.
The novel’s protagonist is a member of a successful string quartet, haunted by memories of a relationship he had had ten years previously. An unlikely reunion with the object of his infatuation, a pianist now happily married with a son, unleashes all kinds of personal and musical dynamics against the magical setups of Venice, Vienna, and… Manchester. The music performed by the different characters and the emotions that music triggers and unleashes are described with consummate sensitivity and insight. Every music lover will love this novel which is a treasure-trove of insight, musical and psychological.
Set in the present, with flashbacks, An Equal Music (the title is a phrase from a John Donne sermon) is a story of obsessive love narrated by Michael, a violinist from Rochdale in the north of England. He plays in a trio in Vienna in which Julia, half Scottish, half Austrian, is the pianist. He is much taken with her and she with him. But the trio splits up and the participants go their separate ways. Michael goes to London, where he joins a string quartet as second violinist. He feels the absence of Julia from his life keenly. One…
A book about the stories that classical music tells and the emotional power of these stories. All music tells stories. Musical stories entertain in moments of boredom, they offer solace in times of despair, they create solidarity in times of loneliness, they liberate the imagination, and open up visions of a better future. Musical stories also become parts of our personal life stories that sustain and feed us in a troubled and unpredictable world.
The book offers a panorama of musical stories linked to pieces of classical music that have long fascinated me, including operas, symphonies, song cycles, and chamber music. A close reading of these stories helps us better understand ourselves, our fellow human beings, politics, religion, leadership, sex, difference, love, death, and every other major aspect of human life.
Who was the man who would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet, his ambition is vast.
Antony's path to prosperity leads him to an education in Athens, a campaign for a seat in the Senate, and a position of military command. Undeterred by his baptism of fire on the battlefields of Judaea and Egypt, he climbs the ranks to become the right-hand…
Who was the man that would become Caesar's lieutenant, Brutus' rival, Cleopatra's lover, and Octavian's enemy?
When his stepfather is executed for his involvement in the Catilinarian conspiracy, Mark Antony and his family are disgraced. His adolescence is marked by scandal and mischief, his love affairs are fleeting, and yet, his ambition is vast.
Antony's path to prosperity leads him to an education in Athens, a campaign for a seat in the Senate, and a position of military command. Undeterred by his baptism of fire on the battlefields of Judaea and Egypt, he climbs the ranks to become the right…
