Here are 100 books that Year of Wonder fans have personally recommended if you like
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Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
Among the many works of fiction inspired by classical music, that include Tolstoy’s Kreutzer Sonata, Mann’s Doctor Faustus,and Tremain’s Music and Silence, I have opted for Vikram Seth’s, exquisitely written and highly personal novel of unrequited love, loss, and longing, because his intimate knowledge of the world of classical music, the music and the characters is unsurpassed.
The novel’s protagonist is a member of a successful string quartet, haunted by memories of a relationship he had had ten years previously. An unlikely reunion with the object of his infatuation, a pianist now happily married with a son, unleashes all kinds of personal and musical dynamics against the magical setups of Venice, Vienna, and… Manchester. The music performed by the different characters and the emotions that music triggers and unleashes are described with consummate sensitivity and insight. Every music lover will love this novel which is a treasure-trove…
Set in the present, with flashbacks, An Equal Music (the title is a phrase from a John Donne sermon) is a story of obsessive love narrated by Michael, a violinist from Rochdale in the north of England. He plays in a trio in Vienna in which Julia, half Scottish, half Austrian, is the pianist. He is much taken with her and she with him. But the trio splits up and the participants go their separate ways. Michael goes to London, where he joins a string quartet as second violinist. He feels the absence of Julia from his life keenly. One…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
If you want to delve into how music functions in the human mind and how it helps support communities and groups, then Anthony Storr’s is the book for you. Eminent psychiatrist, Oxford professor, and proficient pianist and violist, Storr (author of Churchill's Black Dog) uses his deep knowledge of philosophy, psychology, and religion to address questions like “Where does music come from?”, “Is music a common language for all humanity?” “How does music trigger emotions?” “Are our encounters with music in any way comparable with encountering persons?” Drawing on the work of Jung, Nietzsche, and Schopenhauer, Storr argues that music, like religion, is a feature of allhuman cultures. Like religion, it offers solace and comfort from the hardships of life.
However, music is not universal—different cultures develop their own musical traditions and conventions, just as they develop different political systems and different languages. What is universal, and this…
Examines the psychological, emotional, historical and philosophical roles of the musical experience in a person's life. This text looks at music as both a social and a solitary experience and supports the contention that music is the most significant experience in life.
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
This magnificent book focuses on a single piece of music, Gustav Mahler’s titanic Eighth Symphony, and its premiere in Munich in the summer of 1910, a major musical and cultural event that attracted many eminent personalities from all over Europe. Mahler himself had no doubts about the uniqueness of this symphony which he saw as his "gift to the nation ... a great joy-bringer,” not so far away from Beethoven’s message in his Ninth. He wrote: "Try to imagine the whole universe beginning to ring and resound. There are no longer human voices, but planets and suns revolving."
Johnson offers a detailed account of the work, its premiere, and the public response to it, a description of the deep personal traumas surrounding its composition (death of beloved daughter, marital turmoil, and terminal health troubles) and offers a profound analysis of the symphony’s musical structure, content, and originality. The…
The Eighth Symphony was going to be different from anything Mahler had ever done before: it would speak in different tones, and of a different kind of experience. The world premiere in Munich in the summer of 1910 was the artistic breakthrough for which the composer had yearned all his adult life.
Stephen Johnson recounts the symphony's far-reaching effect on composers, conductors and writers of the time. Placing Mahler within his world, The Eighth reassesses Mahler's work in the context of the prevailing thought of his age, but also against the backdrop of that tumultuous summer,…
Classical music has been one of the great passions of my life, ever since at the age of 6 my father introduced me to the magic of Chopin’s Polonaise héroïque, by improvising the story that the music was telling, creating a magical mosaic of notes and words. I then realized that music tells stories and that musical stories do not only offer pleasure, excitement, and consolation, but also act as sources of insight into the world we inhabit, in all its complexity and drama. I have since made classical music a regular part of my life, Bach, Mozart, Chopin, and Beethoven being intimate friends and acquaintances, not distant historical figures.
Ian Bostridge is one of the leading tenors of our time and maybe the leading interpreter of songs, a genre of classical music that reached its apex in the compositions of Franz Schubert, music’s gentle giant who died at the age of 31. Bostridge describes his book on Schubert's Winterreise, the greatest song cycle ever composed, as the 'anatomy of an obsession'. As one of the cycle's most distinguished interpreters, Bostridge has performed the cycle numerous times and knows it intimately. He also uses his knowledge as a historian to provide a probing and imaginative companion for those of us who can become fellow travellers on his obsession.
The book is beautifully written, containing an essay on each of the cycle's 24 songs—the song, so to speak, acting as the point of departure for a journey of its own. Some of these essays are historical in nature. They demonstrate…
An exploration of the world’s most famous and challenging song cycle, Schubert's Winter Journey (Winterreise), by a leading interpreter of the work, who teases out the themes—literary, historical, psychological—that weave through the twenty-four songs that make up this legendary masterpiece.
Completed in the last months of the young Schubert’s life, Winterreise has come to be considered the single greatest piece of music in the history of Lieder. Deceptively laconic—these twenty-four short poems set to music for voice and piano are performed uninterrupted in little more than an hour—it nonetheless has an emotional depth and power that no music of its…
I am an academic researcher and an avid non-fiction reader. There are many popular books on science or music, but it’s much harder to find texts that manage to occupy the space between popular and professional writing. I’ve always been looking for this kind of book, whether on physics, music, AI, or math – even when I knew that as a non-pro, I wouldn’t be able to understand everything. In my new book I’ve been trying to accomplish something similar: A book that can intrigue readers who are not professional economic theorists, that they will find interesting even if they can’t follow everything.
This is actually not one book but a five-volume (!) series of books which contains some of the best writing on classical music I’ve ever come across.
Taruskin, who passed away recently, was a legendary musicologist. In his writings, he managed to combine analytic writing that addresses his colleagues with unbelievably sharp and insightful writing that I, as a classical music fan who is not a pro, enjoy tremendously.
Taruskin loved picking intellectual fights, and this sort of combative energy is gripping. In this series, there are major story arcs like the interplay between “oral” and “literate” traditions or the role of nationalism in 19th-century music. I liked how Tarsukin switches smoothly between a close analysis of a piece and a discussion of how it relates to the wider culture.
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age.
Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical…
P. I. Tchaikovsky is a world-famous composer but few people know anything about him. Much of his life was hidden by the Soviet Union due to his homosexuality. As information finally came to light, the mystery of his death in 1893 became an obsession for me. The truth of it lies beyond the rumors of suicide or cholera, as particular circumstances exposed in my novel clearly show. I am a ballet historian and the writing of Fatewas an eight-year endeavor. Readers of Fate can now be the proverbial fly on the wall while Tchaikovsky lives his life and creates his major works.
I found that this sometimes funny but always emotional and moving account of Ms. Kirkland's life as a ballerina in New York City to be a real triumph. She brings to the pages an honesty that is rarely seen, even in autobiographies. From the illegal drug scene that nearly killed her to the everyday trials of an immensely talented dancer caught between two worlds, this is the stuff that nightmares are made of.
An American ballerina presents a story of the high-pressure world of dance which brought the dancer to a nightmare world of illness, drug addicition, and suicidal despair
I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses.
This is a great little book for introducing younger readers to their first pieces of classical music. Although it is meant for a younger audience, there are many anecdotes that slightly older readers will also enjoy. The accompanying music is available in both a CD and an online version. The recordings are from Naxos which has an excellent music library of top-notch performances. A great value!
My First Classical Music Book is a delightfully colorful introduction to classical music, designed to fire the imagination of children aged 5-7 years. Readers are asked to think about the different places in which we might hear music. Then, each of the major composers and musical instrument families are introduced and brought to life in a vivid and enchanting way. Throughout the book, children are referred to the accompanying audio CD so that they can hear examples as they read. This is the most exceptional book of its kind, providing an absorbing experience for both eyes and ears.
I am an award-winning composer, author, and educator. Since 1990 I have had the privilege of teaching others about music through my concerts, children’s books, academic books, lessons, and online courses.
This is a nice resource for teachers to have at their disposal. The book encompasses various grade levels. It was nice of the author to give permission to teachers to make copies for their classrooms. I love that besides the lessons, games, worksheets, and puzzles, it also includes a listening CD and PowerPoint presentation.
I am an associate professor of neuroscience at the Donders Institute in the Netherlands. My research lab focuses on discovering how the brain uses electrical signaling to compute information, and transfer information across different regions of the brain. I also have a few decades of experience teaching scientific coding, data analysis, statistics, and related topics, and have authored several online courses and textbooks. I have a suspiciously dry sense of humor and insufficient patience to read five books on the same topic.
Igor Stravinsky was one of the most influential and innovative music composers of the 20th century. He was also remarkably intelligent, humorous, and insightful. This book is a collection of interviews, letters, and notes made by and about Stravinsky. Some of these writings would interest only classical music enthusiasts, but much of the book comprises witty observations of human nature, art, and what it really means to praise or critique someone.
'The conversations between Igor Stravinsky and Robert Craft are unique in musical history.' Sunday Times
Dialogues is the final volume in the legendary series of Stravinsky's conversations with Robert Craft. In his Foreword, dated March 1971 shortly before his death, Stravinsky wrote of his 'final work of words': 'They are hardly the last words about myself or my music that I would like to have written, and in fact they say almost nothing about the latter, except tangentially, in comments on Beethoven. It is almost five years now since I have completed an original composition, a time during which I…
I’ve been playing the guitar since I was ten years old. From then until now it has been my life’s focus, my friend and delight, my consolation, companion, and frustration. While I am reconciled to never being the world’s most famous guitarist, I still have a career, make a living, and, hopefully, contribute positively to the Universe. I have recorded albums of previously unheard music, performed throughout the world, and edited and published books for guitar. In spite of decades of study and practice, I find my enthusiasm undimmed and enjoy nothing more than sharing my expertise and guiding those less experienced to discover the delights of playing music.
Classical music is often seen as being unapproachable, demanding, and difficult, the domain of geniuses and prodigies not for ordinary mortals. This delightful book makes available some of the greatest guitar music ever written in a form that is accessible yet recognisable. It enables the intermediate-level guitarist to advance their abilities while playing pieces that will transfix any audience, impress friends and family and render great satisfaction to the performer.
(Guitar). This collection of 55 well-known masterpieces of classical music offers arrangements that are well suited to the guitar, while remaining as faithful as possible to the original setting. This includes widely known classical melodies through to South American tangos - music for entertainment that suits the guitar particularly well. Some historical arrangements by prominent musicians of their time such as Mertz, Coste and Tarrega are a valuable addition to this collection. This collection is a treasure trove for tuition purposes, concert performance and just for fun, with pieces presented in order of increasing difficulty.
