Here are 100 books that The Kingdom of Back fans have personally recommended if you like
The Kingdom of Back.
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I’ve always loved things like dragons and dinosaurs, even as a child. And as a Malaysian-born Chinese-Australian, I consumed both Western and Eastern media. I read traditional fantasy books such as The Hobbit and Game of Thrones while simultaneously learning about Chinese folklore and eating zongzi for Dragon Boat Festivals. So, while I’ve always had an interest in dragons, I specifically love the lore, magic, and mythology surrounding East Asian dragons. East Asian dragons are different from the typical fire-breathing dragons we see in Western stories. Unlike in Western media, Eastern dragons are not monsters, and it can be hard to find books that portray them in that light.
This might be cheating a little, as the ‘dragon’ in this book is actually a giant robot-like mecha that is piloted by human soldiers, but I couldn’t leave this list without a mention of Iron Widow.
This is a fierce feminist fantasy re-imagining of China’s only female sovereign, Wu Zetian, and it absolutely pulls no punches. A furiously paced story of vengeance and redemption, this book was a thrill from start to finish.
Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers.
The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain.
When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I was initially drawn to this book by its stunning cover and back cover description, and then immediately fell for the story inside. The fast-paced narrative, filled with female friendships, tragedy, and fights against the patriarchy (by an army of gifted, powerful women. Yes, please!), kept me hooked.
This is a book about the power of women, and that spilled through on every page. Plus, the main character, Deka’s strength, leadership, and compassion make her one of my favorite fierce heroines.
The must-read new bold and immersive West African-inspired fantasy series, as featured on Cosmo, Bustle, Book Riot and Refinery 29. In this world, girls are outcasts by blood and warriors by choice, perfect for fans of Children of Blood and Bone and Black Panther.
Sixteen-year-old Deka lives in Otera, a deeply patriarchal ancient kingdom, where a woman's worth is tied to her purity, and she must bleed to prove it. But when Deka bleeds gold - the colour of impurity, of a demon - she faces a consequence worse than death. She is saved…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I loved how this book portrayed women supporting each other instead of succumbing to hatred and jealousy. The book handled so many delicate topics beautifully. I wish I had the space to share them all.
One such element was the nuanced portrayal of women’s responses to sexual abuse, highlighting the complexities of victimhood and power dynamics. The entire story is profound, thought-provoking, and a must-read for those seeking YA feminist literature.
Each year, eight beautiful girls are chosen as Paper Girls to serve the king. It's the highest honour they could hope for . . . and the most demeaning. This year, there's a ninth.
And instead of paper, she's made of fire.
'A timely reminder that, in the right hands, the fantasy genre has things to say about injustice and abuse of power in the real world' Guardian
Lei is a member of the Paper caste, the lowest and most persecuted class of people in Ikhara. Ten years ago, her mother was snatched by…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
What I loved most about this book was how strongly it made me feel—sad, angry, powerful. I am in awe of Tehlor Kay Mejia’s writing. They crafted a richly developed world and forged nuanced characters like Dani and Carmen, whose romance was perfect and heart-wrenching.
The book has a lot to say, addressing issues like immigration and misogyny with depth and authenticity, making it a feminist, Latinx, and sapphic masterpiece that I can’t help but adore and recommend.
"We Set the Dark on Fire burns bright. It will light the way for a new generation of rebels and lovers." -NPR
"Mejia pens a compelling, gripping story that mirrors real world issues of immigration and equality." -Buzzfeed
Five starred reviews!!
In this daring and romantic fantasy debut perfect for fans of The Handmaid's Tale and Latinx authors Zoraida Cordova and Anna-Marie McLemore, society wife-in-training Dani has a great awakening after being recruited by rebel spies and falling for her biggest rival.
At the Medio School for Girls, distinguished young women are trained for one of two roles in their…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I loved this book. I adore Mozart and reading about him through the eyes of his wife, was so well done in this book. We see Mozart brought to life from his early days as a young child to his struggles with his father as an adult. Waldron captured Mozart’s brilliance, his silliness, and his all-around personality with his family. She also shows the reader that behind this man, was a woman who supported her husband despite his frivolous spending and disregard for authority. This novel was well done, and I highly recommend it to anyone who has an interest in Mozart behind his music.
Giddy sugarplum or calculating bitch? Pretty Konstanze aroused strong feelings among her contemporaries. Her in-law's loathed her. Mozart's friends, more than forty years after his death, remained eager to gossip about her "failures" as wife to the world's first superstar.
Maturing from child, to wife, to hard-headed widow, Konstanze would pay Mozart's debts, provide for their children, and relentlessly market and mythologize her brilliant husband.
Mozart's letters attest to his affection for Konstanze as well as to their powerful sexual bond. Nevertheless, prominent among the many mysteries surrounding the composer's untimely death: why did his much beloved Konstanze never mark…
I am a freelance journalist who started writing about animals after getting and falling in love with a flock of chickens. Animals are fascinating in their own right but the way we talk about them, and our relationships, shine a fascinating light on humans and what we value. My work has appeared in The New York Times, The Washington Post, The Guardian, Country Living, and many others.
Starlings are everywhere and yet I hadn’t properly seen them until I picked up this book.
The author combines the history of our relationship with the starling, a reviled bird that is nevertheless so much like us, with an up-close view of the species through a pet starling named Carmen. This book will leave you enchanted by the chatty birds.
On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling who sang (an improved version of!) the theme from his Piano Concerto Number 17 in G to him. Knowing a kindred spirit when he met one, Mozart wrote "That was wonderful" in his journal and took the bird home to be his pet. For three years Mozart and his family enjoyed the uniquely delightful company of the starling until one April morning when the bird passed away.
In 2013, Lyanda Lynn Haupt, author of Crow Planet, rescued her own starling, Carmen, who has become a part of her…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].
However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.
I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!
0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of…
I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.
It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse makes an appearance in the wings: it's the Imperial Censor, whom everybody wanted to kill at one time or other. Mozart and his clever wife Constanze are commanded to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna!
The book is structured like an opera libretto, in four acts. There is even an overture, followed by two more overtures, just for fun. The plot follows that of "The…
I took an early plunge into literature because of my very smart, highly literate parents, and it shaped my young brain. When my brilliant mother came down with Alzheimer’s, I had been a professional published writer for years, with a penchant for the non-pollyanna side of life. Here was the perfect subject matter. My aim was to take on her disintegration and downfall and turn it into art, to produce something as pitiless and unladylike as the disease itself. If people learn something about Alzheimer’s by reading it, that’s fine. But my larger purpose was to do her (and my) ordeal justice via the powers she bestowed on me.
Mary Durant was my mother. This was her first novel, published in 1963. When I read it, the proverbial light bulb popped to life in my very young head: I recognized the real-life people and events upon whom the characters and plot were based, and because of that familiarity, saw the way my mother had changed things around, invented circumstances, conversations and fashioned composite characters to create a story. It was a behind-the-scenes crash course in the art of fiction-writing, the marvelous synthesis by which the novelist spins fact and invention into literature. And I understood that really good fiction, though technically a "made up" story, is always imbued with Truth with a capital "T," and that great writing and Truth are inextricably intertangled.
My mother was a first-rate writer and reader, and because of her, I was initiated into the quasi-secret bandwidth of real literature. The key: it’s all…
I never believed the idea that creativity was for a gifted few. Throughout my life, as a teenage fishing guide, an entrepreneur and college professor, novelist, and creativity guide, the folks I’ve met are rich with creative and entrepreneurial qualities. My calling is to help you appreciate your creative genius so that it appreciates in value for you. Growing your creatively entrepreneurial genius is the best way to prepare for a future of unknowable unknowns, the best way to build careers we desire, the best way to fully appreciate life. I offer various perspectiveS on core creative and entrepreneurial concepts so you can construct the best path to your personal renewal and growth.
I used this in class the last semester I taught at Duke; had I continued to teach I would have used it again. The students and I found it was two things—as it tells the Secret History of Creation, Invention, and Discovery it also spotlights creative strategies and entrepreneurial behaviors in the stories it shares. It’s an entertaining history and narrative of creative and entrepreneurial successes; both teach us, guide us, maybe even inspire us. I’m the father of three daughters and appreciated the stories he’s uncovered of many life-changing innovations that women led but men claimed.
In the vein of Susan Cain's QUIET and Malcolm Gladwell's DAVID AND GOLIATH, HOW TO FLY A HORSE is a smart, empowering book that dispels the myths around genius and creativity.
There is a myth about how something new comes to be; that geniuses have dramatic moments of insight where great things and thoughts are born whole. Poems are written in dreams. Symphonies are composed complete. Science is accomplished with eureka shrieks. Businesses are built by magic touch.
The myth is wrong. Anyone can create. Necessity is not the mother of invention. We all are.
