Amadeus

Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].

However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.

I recommend the script of the play (from… show more.

“What the American public wants in the theater is a tragedy with a happy ending.”

- William Dean Howell

Not so much the British public, I guess. Years ago, I found this play in the remainder bin of a book store and bought it because I’d enjoyed Sleuth, not realizing there were two Schaffer brother playwrights…who, it turns out, had a major sibling rivalry thing going on. The movie was remarkable but the play really drives home Salieri’s fury at God. Resilience, it turns out can be effectively weaponized: especially when you’re the director of the Italian opera, a court-savvy… show more.