Here are 52 books that Amadeus fans have personally recommended if you like
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I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
This is my favourite Dr. Seuss book (sorry, Horton!). Our hero is… um, maybea bear? Anyway, he’s carefree, young, and lives in the Valley of Vung. Pretty idyllic, yes? Until it’s not. Poor guy gets attacked by creatures determined to bite off his body parts. Fortunately, a chap in a one-wheeler-wubble shows up (I love it when that happens) and offers to take him to Solla Sollew, “Where they never have problems, at least very few.” What follows is a hero’s journey crammed with no end of near-death experiences culminating in him finally reaching utopia to discover…he can’t get in. He’s been resilient all along, but it’s here he excels and decides to go home and face his problems head-on. Sure, he brings a club. But, well, different times…
As our hero struggles to reach the city of Solla Sollew, where they never have troubles, at least very few, we realise that it's better to face up to life's problems than to try to run away from them!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranked among the UK's top ten favourite children's authors, Dr. Seuss is a global best-seller, with over 650 million books sold worldwide.…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
I love this book. It shocked me as a teenager. Shocked me. As a teenager! It was suggested to me by my father. I never looked at him the same way after that… The endless humiliations that Wilt endures are outrageous. In everybook in the Wilt series, something terrible happens to his penis. In this book it ends up reluctantly attached to a rubber sex doll… I’ll wait here while you reread that line. Wilt is overlooked and abused by everyone, but when he’s arrested for the murder of his wife (who is very much alive) his resilience is a thing of comic beauty–in that 1970’s English style. If you like your comedy Python-esque and filthy then you and I will be book club friends forever. Call me!
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
London, 1795 (the starting point in this book, for the current location and time, please check your phone). Ned Rise is a put-upon rogue whose life has been filled with personal catastrophes and several brushes with death. After being falsely accused of murder (because that’s how it goes when you’re Ned) he finds himself condemned to the malarial jungles of Africa, and providing free labour for the real-life Scottish explorer Mungo Park. Their fatal journey down the Niger River makes his days on the squalid streets of London look like a picnic, and Ned Rise proves to be more level-headed and resilient than the famous Scottish adventurer. T.C. Boyle is one of my favourite authors, and the creative energy and scathing social commentary in this fantastic book never lets up.
Set in 1795, "Water Music" is the rambunctious account of two men's wild adventures through the gutters of London and the Scottish Highlands to their unlikely meeting in darkest Africa.
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
I’m a total Looney Tunes fan. Okay, the Roadrunner and Coyote were never my go-to toons (I’m more of a Daffy man), but this short story hits the funny bone at just the right angle. The most resilient of all cartoon characters is Wile E. Coyote: Despite getting blown up, run over, and frequently falling off cliffs, he never quits. He’s a silent, comedic antagonist who always has new and creative approaches in his attempts to bag that bird. That said, there was a rather unhealthy reliance on those Acme products that never did him any good… So now he’s doing something about that! Wile E. has filed a product liability suit against the Acme Company. Those malfunctioning rocket sleds ruined his life and he’s seeking $17 million in damages.
Twenty-two side-splitting glimpses into some oddball corners of the American mind from bestselling author Ian Frazier.
The title essay of Coyote v. Acme, Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
I cannot reasonably recommend Part Two without Part One. If we look at all the ghastly sins with which the eponymous hero has been involved by the end of that first drama, it seems inconceivable that he can possibly be redeemed.
Nevertheless, we have Goethe’s Part Two, completed twenty-four years after the earlier play, and by its conclusion, Faust has (somehow) been saved.
In fact, I sense some echo of Part One when Angelica’s unborn baby strangles on its cord: a far milder outcome for Paganini (who sired the child) than for Faust (whose Gretchen drowns their infant and is condemned to death). However, as the readers will see, Paganini truly loves the son he begets some years later.
"Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read."-Irving Howe (on the earlier edition)
A classic of world literature, Goethe's Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text's varied meter and rhyme but also its diverse tones…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
In fairness, I read this book hoping for insights into the identity of Beethoven’s “Immortal Beloved,” a mystery it certainly does not resolve. However, many other aspects make the book worthwhile reading, notwithstanding the large historical liberties the author takes.
Smith’s Beethoven has been unable to appreciate the love so many have had for him. Who better to enlighten him than Napoleon, to whom he originally dedicated his third symphony (“Eroica”), only to scratch out the dedication and write instead, “to the memory of a great man”? What better vehicles than powerful, dream-like scenes (since in a sense, the whole book is a deathbed dream)?
Above all, whether the author has used fantasies, ghosts, or spirits, he has provided an interesting technique to present the supernatural events the protagonist experiences.
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Paganini is not one of the composers the author discusses. However, I consider Secret Lives an important book, simply because it “spills the beans” about a number of these giants.
Gioachino Rossini is portrayed with some of his numerous shortcomings (though Paganini’s dalliances achieved far more notoriety). I shall mention a few significant historical facts: (1) he and Paganini were very close friends, (2) Paganini wrote a set of brilliant variations, I Palpiti,based on an aria from Rossini’s opera, Tancredi, and (3) Paganini did indeed conduct the debut of another Rossini opera, Matilde di Shobran.
Secret Lives was also a source I tapped for some of the information I presented about composers (including, most notably, Richard Wagner) in one of my own novels.
In the fine tradition of "Secret Lives of Great Authors" and "Secret Lives of Great Artists" comes the latest entry in Quirk's successful series: "Secret Lives of Great Composers". You've heard their scores in countless movies, from "Fantasia" to "Apocalypse Now" - now get the skinny on their tumultuous lives, loves, and lunacy. You'll learn that Frederic Chopin had his heart removed before burial, due to his grave fear of being buried alive. Sergei Rachmaninoff hated the sound of his own music and despised performing it. Gustav Mahler was rarely invited to dinner parties because he would eat nothing but…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
I suspect I’ll raise a few eyebrows with this recommendation, notwithstanding the Amazon series it spawned (which ran for four seasons).
The book was not uniformly applauded, and it is difficult to know how accurate certain details are, given Tindall’s use of more than thirty pseudonyms and numerous denials from people she named. However, the prevalence of sex, drugs, and power politics in classical music is a harsh, ugly fact.
Classical musicians often misbehave, and if even those struggling for orchestral positions are guilty, how much worse might it be with the superstars? Obviously, I am thinking about Niccolò Paganini, but readers should also consider recent scandalous allegations against Placido Domingo and the late James Levine.
In the tradition of Anthony Bourdain’s Kitchen Confidential and Gelsey Kirkland’s Dancing on My Grave, Mozart in the Jungle delves into the lives of the musicians and conductors who inhabit the insular world of classical music. In a book that inspired the Amazon Original series starring Gael García Bernal and Malcolm McDowell, oboist Blair Tindall recounts her decades-long professional career as a classical musician—from the recitals and Broadway orchestra performances to the secret life of musicians who survive hand to mouth in the backbiting New York classical music scene, where musicians trade sexual favors for plum jobs and assignments in…
I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.
It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse makes an appearance in the wings: it's the Imperial Censor, whom everybody wanted to kill at one time or other. Mozart and his clever wife Constanze are commanded to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna!
The book is structured like an opera libretto, in four acts. There is even an overture, followed by two more overtures, just for fun. The plot follows that of "The…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I loved this book. I adore Mozart and reading about him through the eyes of his wife, was so well done in this book. We see Mozart brought to life from his early days as a young child to his struggles with his father as an adult. Waldron captured Mozart’s brilliance, his silliness, and his all-around personality with his family. She also shows the reader that behind this man, was a woman who supported her husband despite his frivolous spending and disregard for authority. This novel was well done, and I highly recommend it to anyone who has an interest in Mozart behind his music.
Giddy sugarplum or calculating bitch? Pretty Konstanze aroused strong feelings among her contemporaries. Her in-law's loathed her. Mozart's friends, more than forty years after his death, remained eager to gossip about her "failures" as wife to the world's first superstar.
Maturing from child, to wife, to hard-headed widow, Konstanze would pay Mozart's debts, provide for their children, and relentlessly market and mythologize her brilliant husband.
Mozart's letters attest to his affection for Konstanze as well as to their powerful sexual bond. Nevertheless, prominent among the many mysteries surrounding the composer's untimely death: why did his much beloved Konstanze never mark…
