Here are 54 books that Mozart in the Jungle fans have personally recommended if you like
Mozart in the Jungle.
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My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].
However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.
I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!
0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
I cannot reasonably recommend Part Two without Part One. If we look at all the ghastly sins with which the eponymous hero has been involved by the end of that first drama, it seems inconceivable that he can possibly be redeemed.
Nevertheless, we have Goethe’s Part Two, completed twenty-four years after the earlier play, and by its conclusion, Faust has (somehow) been saved.
In fact, I sense some echo of Part One when Angelica’s unborn baby strangles on its cord: a far milder outcome for Paganini (who sired the child) than for Faust (whose Gretchen drowns their infant and is condemned to death). However, as the readers will see, Paganini truly loves the son he begets some years later.
"Greenberg has accomplished a magnificent literary feat. He has taken a great German work, until now all but inaccessible to English readers, and made it into a sparkling English poem, full of verve and wit. Greenberg's translation lives; it is done in a modern idiom but with respect for the original text; I found it a joy to read."-Irving Howe (on the earlier edition)
A classic of world literature, Goethe's Faust is a philosophical and poetic drama full of satire, irony, humor, and tragedy. Martin Greenberg re-creates not only the text's varied meter and rhyme but also its diverse tones…
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
In fairness, I read this book hoping for insights into the identity of Beethoven’s “Immortal Beloved,” a mystery it certainly does not resolve. However, many other aspects make the book worthwhile reading, notwithstanding the large historical liberties the author takes.
Smith’s Beethoven has been unable to appreciate the love so many have had for him. Who better to enlighten him than Napoleon, to whom he originally dedicated his third symphony (“Eroica”), only to scratch out the dedication and write instead, “to the memory of a great man”? What better vehicles than powerful, dream-like scenes (since in a sense, the whole book is a deathbed dream)?
Above all, whether the author has used fantasies, ghosts, or spirits, he has provided an interesting technique to present the supernatural events the protagonist experiences.
Tap Dancing on Everest, part coming-of-age memoir, part true-survival adventure story, is about a young medical student, the daughter of a Holocaust survivor raised in N.Y.C., who battles self-doubt to serve as the doctor—and only woman—on a remote Everest climb in Tibet.
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Paganini is not one of the composers the author discusses. However, I consider Secret Lives an important book, simply because it “spills the beans” about a number of these giants.
Gioachino Rossini is portrayed with some of his numerous shortcomings (though Paganini’s dalliances achieved far more notoriety). I shall mention a few significant historical facts: (1) he and Paganini were very close friends, (2) Paganini wrote a set of brilliant variations, I Palpiti,based on an aria from Rossini’s opera, Tancredi, and (3) Paganini did indeed conduct the debut of another Rossini opera, Matilde di Shobran.
Secret Lives was also a source I tapped for some of the information I presented about composers (including, most notably, Richard Wagner) in one of my own novels.
In the fine tradition of "Secret Lives of Great Authors" and "Secret Lives of Great Artists" comes the latest entry in Quirk's successful series: "Secret Lives of Great Composers". You've heard their scores in countless movies, from "Fantasia" to "Apocalypse Now" - now get the skinny on their tumultuous lives, loves, and lunacy. You'll learn that Frederic Chopin had his heart removed before burial, due to his grave fear of being buried alive. Sergei Rachmaninoff hated the sound of his own music and despised performing it. Gustav Mahler was rarely invited to dinner parties because he would eat nothing but…
I’ve spent a lifetime as a professional classical musician and a mystery reader. Starting with Hardy Boys adventures at the same time I started playing the violin, my intertwined love affairs with music and the mystery genre continue to this day. As a long-time member of major American symphony orchestras, I’ve heard and experienced so many stories about the dark corners of the classical music world that they could fill a library. It gives me endless pleasure to read other mystery authors’ take on this fascinating, semi-cloistered world and to share some of my own tales with the lay public in my Daniel Jacobus mystery series.
If Canone Inverso is your main course, The Murder of Figaro is the perfect dessert. It is light, frothy, and witty as a Mozart comic opera. As it should be, since the main characters are Mozart and his wife Constanze. Together, the frolicking pair must speedily solve the backstage murder of the government censor; otherwise, Mozart’s new opera, The Marriage of Figaro, will never see the light of day. Larson herself was an accomplished opera singer and has thorough insight into the opera world: the music, the business, and the backstage backstabbing. Written as a delightful opera buffa, this book is an absolutely fun read.
It's 1786, and "The Marriage of Figaro," a new comic opera by Amadé Mozart and Lorenzo Da Ponte, has just begun its first onstage rehearsal when a corpse makes an appearance in the wings: it's the Imperial Censor, whom everybody wanted to kill at one time or other. Mozart and his clever wife Constanze are commanded to solve this deadly mystery. If they fail, "Figaro" will never play in Vienna!
The book is structured like an opera libretto, in four acts. There is even an overture, followed by two more overtures, just for fun. The plot follows that of "The…
I am a freelance journalist who started writing about animals after getting and falling in love with a flock of chickens. Animals are fascinating in their own right but the way we talk about them, and our relationships, shine a fascinating light on humans and what we value. My work has appeared in The New York Times, The Washington Post, The Guardian, Country Living, and many others.
Starlings are everywhere and yet I hadn’t properly seen them until I picked up this book.
The author combines the history of our relationship with the starling, a reviled bird that is nevertheless so much like us, with an up-close view of the species through a pet starling named Carmen. This book will leave you enchanted by the chatty birds.
On May 27th, 1784, Wolfgang Amadeus Mozart met a flirtatious little starling who sang (an improved version of!) the theme from his Piano Concerto Number 17 in G to him. Knowing a kindred spirit when he met one, Mozart wrote "That was wonderful" in his journal and took the bird home to be his pet. For three years Mozart and his family enjoyed the uniquely delightful company of the starling until one April morning when the bird passed away.
In 2013, Lyanda Lynn Haupt, author of Crow Planet, rescued her own starling, Carmen, who has become a part of her…
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places…
I’ve been a reader and writer of historical fiction for as long as I remember. As a writer, my goal is to bring these figures from the past alive again. These were real people and I want my readers to see that they are not just photos or stories in a history book.
I loved this book. I adore Mozart and reading about him through the eyes of his wife, was so well done in this book. We see Mozart brought to life from his early days as a young child to his struggles with his father as an adult. Waldron captured Mozart’s brilliance, his silliness, and his all-around personality with his family. She also shows the reader that behind this man, was a woman who supported her husband despite his frivolous spending and disregard for authority. This novel was well done, and I highly recommend it to anyone who has an interest in Mozart behind his music.
Giddy sugarplum or calculating bitch? Pretty Konstanze aroused strong feelings among her contemporaries. Her in-law's loathed her. Mozart's friends, more than forty years after his death, remained eager to gossip about her "failures" as wife to the world's first superstar.
Maturing from child, to wife, to hard-headed widow, Konstanze would pay Mozart's debts, provide for their children, and relentlessly market and mythologize her brilliant husband.
Mozart's letters attest to his affection for Konstanze as well as to their powerful sexual bond. Nevertheless, prominent among the many mysteries surrounding the composer's untimely death: why did his much beloved Konstanze never mark…
Growing up as a total tomboy in the early 90s, I naturally gravitated toward traditionally male-dominated sports, jobs, and hobbies throughout my life. Despite encountering instances of sexual harassment and sexism along the way, I had strong role models and books with fierce main characters to turn to for support. I have always been passionate about women claiming their power, which is why I love writing about and reading stories that center on this theme.
I enjoy books where relationships go beyond romance and delve into themes of friendship and family. I also love a story that takes historical figures and plays with reality, blending fantasy and historical fiction. This book covers both.
What I adored most about this book was the portrayal of Nannerl’s (Wolfgang Amadeus Mozart’s sister) struggle for recognition against the patriarchal constraints of her time. This story beautifully blends themes of familial love, gendered expectations, and the power of imagination.
From #1 New York Times bestselling author Marie Lu comes a historical YA fantasy about a musical prodigy and the dangerous lengths she'll go to make history remember her. Now in paperback.
Two siblings. Two brilliant talents. But only one Mozart.
Born with a gift for music, Nannerl Mozart has just one wish--to be remembered forever. But even as she delights audiences with her masterful playing, she has little hope she'll ever become the acclaimed composer she longs to be. She is a young woman in 18th century Europe, and that means composing is forbidden to her. She will perform…
I took an early plunge into literature because of my very smart, highly literate parents, and it shaped my young brain. When my brilliant mother came down with Alzheimer’s, I had been a professional published writer for years, with a penchant for the non-pollyanna side of life. Here was the perfect subject matter. My aim was to take on her disintegration and downfall and turn it into art, to produce something as pitiless and unladylike as the disease itself. If people learn something about Alzheimer’s by reading it, that’s fine. But my larger purpose was to do her (and my) ordeal justice via the powers she bestowed on me.
Mary Durant was my mother. This was her first novel, published in 1963. When I read it, the proverbial light bulb popped to life in my very young head: I recognized the real-life people and events upon whom the characters and plot were based, and because of that familiarity, saw the way my mother had changed things around, invented circumstances, conversations and fashioned composite characters to create a story. It was a behind-the-scenes crash course in the art of fiction-writing, the marvelous synthesis by which the novelist spins fact and invention into literature. And I understood that really good fiction, though technically a "made up" story, is always imbued with Truth with a capital "T," and that great writing and Truth are inextricably intertangled.
My mother was a first-rate writer and reader, and because of her, I was initiated into the quasi-secret bandwidth of real literature. The key: it’s all…
When Lara was four years old, her father moved from Rochester, New York, to Anchorage, Alaska, a distance of over 4,000 miles. She spent her childhood chasing after him, flying a quarter of the way around the world to tug at the hem of his jacket.
I never believed the idea that creativity was for a gifted few. Throughout my life, as a teenage fishing guide, an entrepreneur and college professor, novelist, and creativity guide, the folks I’ve met are rich with creative and entrepreneurial qualities. My calling is to help you appreciate your creative genius so that it appreciates in value for you. Growing your creatively entrepreneurial genius is the best way to prepare for a future of unknowable unknowns, the best way to build careers we desire, the best way to fully appreciate life. I offer various perspectiveS on core creative and entrepreneurial concepts so you can construct the best path to your personal renewal and growth.
I used this in class the last semester I taught at Duke; had I continued to teach I would have used it again. The students and I found it was two things—as it tells the Secret History of Creation, Invention, and Discovery it also spotlights creative strategies and entrepreneurial behaviors in the stories it shares. It’s an entertaining history and narrative of creative and entrepreneurial successes; both teach us, guide us, maybe even inspire us. I’m the father of three daughters and appreciated the stories he’s uncovered of many life-changing innovations that women led but men claimed.
In the vein of Susan Cain's QUIET and Malcolm Gladwell's DAVID AND GOLIATH, HOW TO FLY A HORSE is a smart, empowering book that dispels the myths around genius and creativity.
There is a myth about how something new comes to be; that geniuses have dramatic moments of insight where great things and thoughts are born whole. Poems are written in dreams. Symphonies are composed complete. Science is accomplished with eureka shrieks. Businesses are built by magic touch.
The myth is wrong. Anyone can create. Necessity is not the mother of invention. We all are.
