Here are 100 books that Wilt fans have personally recommended if you like
Wilt.
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My name is Tim O’Leary and two of my books, Dick Cheney Shot Me in the Face–And Other Tales of Men in Pain and Men Behaving Badly, emanate from the minds of protagonists trying to do the right thing the wrong way or evil characters doing the wrong thing they believe to be right. I’m particularly drawn to those wonderful literary psychopaths that draw you in with compelling personalities, while reviling the reader with their heinous actions.
I found this book in college, and at the time, I thought it was the most unique book I had ever read.
Thompson’s “Gonzo Journalism” was fresh, funny, and thought-provoking, with a subtext of modern poetry, political activism, and a sense of humor I have never seen replicated.
'We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. I remember saying something like, "I feel a bit lightheaded; maybe you should drive ..."'
Hunter S. Thompson is roaring down the desert highway to Las Vegas with his attorney, the Samoan, to find the dark side of the American Dream. Armed with a drug arsenal of stupendous proportions, the duo engage in a surreal succession of chemically enhanced confrontations with casino operators, police officers and assorted Middle Americans.
This stylish reissue of Hunter S. Thompson's iconic masterpiece, a controversial bestseller when…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.
The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.
This book will appeal not only to fans of dark humor and satire but also to…
One of Time's 100 best novels in the English language-by the acclaimed author of Lionel Asbo: State of England and London Fields
Part of Martin Amis's "London Trilogy," along with the novel London Fields and The Information, Money was hailed as "a sprawling, fierce, vulgar display" (The New Republic) and "exhilarating, skillful, savvy" (The Times Literary Supplement) when it made its first appearance in the mid-1980s. Amis's shocking, funny, and on-target portraits of life in the fast lane form a bold and frightening portrait of Ronald Reagan's America and Margaret Thatcher's England.
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Harriet Vane, a thinly disguised Sayers (who it seemed had fallen in love with her fictional detective, Lord Peter Wimsey), gets her own book where she goes back to Oxford to the women’s college she graduated from, to help uncover a mystery.
There is a delight in the fact that the female can be as deadly as the male, offering up a new sort of equality. This became a lovely television series starring Harriet Walter, but the book is rich and wonderful and sprinkled with untranslated Greek. You feel smarter, just holding it; it made me really wish I’d tried harder to qualify for a Rhodes scholarship back in the day.
The twelfth book in Dorothy L Sayers' classic Lord Peter Wimsey series, introduced by actress Dame Harriet Mary Walter, DBE - a must-read for fans of Agatha Christie's Poirot and Margery Allingham's Campion Mysteries.
'D. L. Sayers is one of the best detective story writers' Daily Telegraph
Harriet Vane has never dared to return to her old Oxford college. Now, despite her scandalous life, she has been summoned back . . .
At first she thinks her worst fears have been fulfilled, as she encounters obscene graffiti, poison pen letters and a disgusting effigy when she arrives at sedate Shrewsbury…
I am a Western Canadian nerd, and when I got to university, I knew that I had “found my people,” and I spent half my adult life studying and then teaching on various campuses. Universities are often as large as small cities, and each has its own particular atmosphere. What some folks don’t realize is that campuses have such a wide variety of niches and specialties that you could write a whole series featuring new facets of post-secondary life in each book. And, of course, that is what I did with my first detective series, the Randy Craig Mysteries.
Ostensibly an academic dissertation, the footnotes begin to reveal a far wilder and manic story happening to the writer.
There are trilingual puns, verbal pratfalls, and all the wild humour that Nabokov is known for throughout this book. Of all the metafiction I have ever read, this book made me feel as if I’d been given something rather than just had a big literary joke played on me.
A darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue—and "one of the great works of art of this century" (Mary McCarthy)—from one of the leading writers of the 20th century.
In Pale Fire Nabokov offers a cornucopia of deceptive pleasures: a 999-line poem by the reclusive genius John Shade; an adoring foreword and commentary by Shade's self-styled Boswell, Dr. Charles Kinbote; a darkly comic novel of suspense, literary idolatry and one-upmanship, and political intrigue.
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
This is my favourite Dr. Seuss book (sorry, Horton!). Our hero is… um, maybea bear? Anyway, he’s carefree, young, and lives in the Valley of Vung. Pretty idyllic, yes? Until it’s not. Poor guy gets attacked by creatures determined to bite off his body parts. Fortunately, a chap in a one-wheeler-wubble shows up (I love it when that happens) and offers to take him to Solla Sollew, “Where they never have problems, at least very few.” What follows is a hero’s journey crammed with no end of near-death experiences culminating in him finally reaching utopia to discover…he can’t get in. He’s been resilient all along, but it’s here he excels and decides to go home and face his problems head-on. Sure, he brings a club. But, well, different times…
As our hero struggles to reach the city of Solla Sollew, where they never have troubles, at least very few, we realise that it's better to face up to life's problems than to try to run away from them!
With his unique combination of hilarious stories, zany pictures and riotous rhymes, Dr. Seuss has been delighting young children and helping them learn to read for over fifty years. Creator of the wonderfully anarchic Cat in the Hat, and ranked among the UK's top ten favourite children's authors, Dr. Seuss is a global best-seller, with over 650 million books sold worldwide.…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
London, 1795 (the starting point in this book, for the current location and time, please check your phone). Ned Rise is a put-upon rogue whose life has been filled with personal catastrophes and several brushes with death. After being falsely accused of murder (because that’s how it goes when you’re Ned) he finds himself condemned to the malarial jungles of Africa, and providing free labour for the real-life Scottish explorer Mungo Park. Their fatal journey down the Niger River makes his days on the squalid streets of London look like a picnic, and Ned Rise proves to be more level-headed and resilient than the famous Scottish adventurer. T.C. Boyle is one of my favourite authors, and the creative energy and scathing social commentary in this fantastic book never lets up.
Set in 1795, "Water Music" is the rambunctious account of two men's wild adventures through the gutters of London and the Scottish Highlands to their unlikely meeting in darkest Africa.
My doctorate is in music, and although I am now more active as a composer, I was at one time a performer (pianist). Thus, I have both personal ties to the author (my mother) and professional insights into the subject matter. I have also interviewed a number of the world’s leading violinists (Bell, Chase, Markov, Zukerman, and others) and composed two works for the instrument (my Op. 4 and Op. 5, published by Broadbent & Dunn). Moreover, my series, The Passion of Elena Bianchi, also involves classical music and musicians, and echoes Paganini Agitato with concerts, poker, the great love of a child, and elements of the supernatural and/or demonic.
Of course, the entire notion of a ferocious enmity between Mozart and Salieri is fiction. They were actually friends and once even collaborated on a short cantata, Per la ricuperata salute di Ofelia [On the Recovery of the Health of Ofelia].
However, the story is a marvelous conception, seasoned by the central idea that the envious Salieri somehow ruined Mozart and drove him to his death (from overwork — also quite fictitious!). It truly “works” literarily. The play goes even further, accentuating the overbearing political influence of Italian musicians in the court.
I recommend the script of the play (from which the movie derived) so that the reader can get an even deeper appreciation for Salieri’s villainous character—and I can also recommend the award-winning movie!
0riginating at the National Theatre of Great Britain, Amadeus was the recipient of both the Evening Standard Drama Award and the Theatre Critics Award. In the United States, the play won the coveted Tony Award and went on to become a critically acclaimed major motion picture winning eight Oscars, including Best Picture.
Now, this extraordinary work about the life of Wolfgang Amadeus Mozart is available with a new preface by Peter Shaffer and a new introduction by the director of the 1998 Broadway revival, Sir Peter Hall. Amadeus is a must-have for classical music buffs, theatre lovers, and aficionados of…
I’m a writer (‘natch) and work with my fabulous wife, Susan McLennan. We’re winners of two regional Emmy awards and have created and/or written television shows for PBS, Disney, BBC, and CBC. I’ve always gravitated toward characters who really get put through the physical and emotional ringer. If they’re enduring an outlandish pile-on of hardships, I’m with them all the way. I’m not sure what this says about me, but what I love is how these hard done by characters find ways to turn things around and stagger to victory, often when all seems lost–not by magic, not by divine intervention, but thanks to some unseen force inside themselves.
I’m a total Looney Tunes fan. Okay, the Roadrunner and Coyote were never my go-to toons (I’m more of a Daffy man), but this short story hits the funny bone at just the right angle. The most resilient of all cartoon characters is Wile E. Coyote: Despite getting blown up, run over, and frequently falling off cliffs, he never quits. He’s a silent, comedic antagonist who always has new and creative approaches in his attempts to bag that bird. That said, there was a rather unhealthy reliance on those Acme products that never did him any good… So now he’s doing something about that! Wile E. has filed a product liability suit against the Acme Company. Those malfunctioning rocket sleds ruined his life and he’s seeking $17 million in damages.
Twenty-two side-splitting glimpses into some oddball corners of the American mind from bestselling author Ian Frazier.
The title essay of Coyote v. Acme, Frazier's second collection of humorous essays, imagines the opening statement of an attorney representing cartoon character Wile E. Coyote in a product liability suit against the Acme Company, supplier of unpredictable rocket sleds and faulty spring-powered shoes. Other essays are about Bob Hope's golfing career, a commencement address given by a Satanist college president, a suburban short story attacked by the Germans, the problem of issues versus non-issues, and the theories of revolutionary stand-up comedy from Comrade…
I’ve always loved to read and laugh, and the weirder the humor, the better. It’s a strange and turbulent world out there, and sometimes, it seems like you have to laugh for crying. Fortunately, there are plenty of other talented writers and entertainers out there who share this outlook – and not just authors. Many musicians, actors, and comedians can convey this sense of cosmic absurdity, and I’m a huge fan of most of them. These books just skim the surface of the wild worldviews of kindred spirits who are capable of appreciating just how weird our society really is and can lampoon it to hilarious effect.
I love Noir because it starts out plausibly enough but quickly starts slipping sideways into stranger realms. Of course, it’s Christopher Moore, so it’s going to be hilarious. I was amazed by the world-building Moore undertakes in creating the seamy underside of late-40s San Francisco. The Raymond Chandler/Dashiell Hammett vibe totally drew me in.
I found Noir’s San Francisco to be not quite realistic and not quite cartoonish, but very engaging. It’s a perfect place for Sammy “Two Toes” Tiffin, a down-on-his-luck bartender who meets the love of his life while the rest of his world goes cuckoo. Adding in twists involving a crashed flying saucer and a secret conspiracy of the wealthy and powerful had me hooked.
The absurdly outrageous, sarcastically satiric, and always entertaining New York Times bestselling author Christopher Moore returns in finest madcap form with this zany noir set on the mean streets of post-World War II San Francisco, and featuring a diverse cast of characters, including a hapless bartender; his Chinese sidekick; a doll with sharp angles and dangerous curves; a tight-lipped Air Force general; a wisecracking waif; Petey, a black mamba; and many more.
San Francisco. Summer, 1947. A dame walks into a saloon . . .
It's not every afternoon that an enigmatic, comely blonde named…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
Madison Spencer is a fourteen-year-old girl who dies of a drug overdose, only to discover that she has been condemned to Hell. However, she soon realizes that the damned souls in Hell are not punished in the classic sense but are instead subjected to a monotonous, soul-crushing existence where they are forced to relive their worst experiences. With the help of a few allies she meets in Hell, Madison sets out to unravel the mysteries of her afterlife, challenge the status quo, and find a way to escape her eternal torment.
Yes, another dark comedy. But Chuck Palahniuk has a particular talent for taking what makes humans squirm and serving it with a wholesome dollop of relatable ontology. In Damned, he explores themes of the afterlife, societal norms, and human behavior, all set against the backdrop of a reimagined Hell. This Hell is not just a place of eternal suffering…
Meet Madison, whip-tongued daughter of a narcissistic film star and a billionaire, abandoned at a Swiss boarding school over Christmas while her parents are off adopting more orphans. Madison dies of a marijuana overdose and awakes to find herself in Hell, sharing her cell with a motley crew of young sinners that's almost too good to be true.
Welcome to the afterlife as only Palahniuk could imagine it - he makes eternal torment, well, simply divine.
