55 books like Damned

This book is an unyielding portrayal of the excesses of 1980s consumerism, hedonism, and self-destruction. Amis pulls no punches in his depiction of John Self, a 35-year-old director of TV commercials who lives a life of excess driven by his appetites—primarily for food, drugs, alcohol, sex, and, of course, money. Through John Self’s descent, the novel delivers a harsh commentary on the culture of greed and indulgence that characterized the decade.

The novel's portrayal of greed, addiction, and sexism rubbed some readers and critics the wrong way. Some saw it as too nihilistic or excessively grim in its critique of 1980s culture, where everything seemed for sale, including morality. However, in this age of trigger warnings, safe spaces, and pervasive purity spirals, I personally found its unapologetically gritty satire a breath of fresh air.

This book will appeal not only to fans of dark humor and satire but also to… show more.

This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.

Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values… show more.

The story literally begins with a 100-year-old man climbing out of his window and disappearing into the night. But this is no ordinary man. No, this is Allan Karlsson, a Swedish man who has lived a long and incredibly eventful life. With only a suitcase in hand, he heads to the local bus station, where, much like in Tom Sharpe’s Wilt, he inadvertently becomes involved in a series of absurd and unpredictable events with equally absurd and unpredictable characters.

Unlike the darker tones of Palahnuik or Amis, Jonas's humor is gentle and charming, making for a much lighter read. On the surface, the story might sound rather humdrum, but as we learn more about Allan and his past, the book quickly becomes a glorious page-turner. The narrative alternates between present-day escapades and flashbacks to Allan's involvement in major historical events, including encounters with famous leaders at pivotal moments in… show more.

It is part memoir, part commentary on the art of stand-up comedy, offering insight into Stewart Lee’s career as a comedian, his relationship with the industry, and his personal development as a performer. The title refers to his “escape” from the confines of mainstream comedy and a comedic style he no longer found fulfilling. It also alludes to the gaggle of bible-thumpers who managed to cancel his multi-award-winning show, Jerry Springer: The Opera.

The book is structured around transcripts of Lee’s live performances, annotated with his reflections on each routine. He occasionally and hilariously rips into his own flaws and shortcomings as a stand-up comedian, all while delving deep into the craft of comedy—why certain jokes work, how audiences respond, and the importance of timing, structure, and pacing. The book offers a behind-the-scenes look at the intellectual and emotional processes that go into creating a comedy show.

Stewart Lee… show more.

I love everything Sara Shepard does.

The story kicks off with Emma, a kind-hearted foster kid, discovering she has an identical twin sister named Sutton, who was adopted by a wealthy family. When Emma agrees to meet Sutton, she's shocked to learn that Sutton has mysteriously disappeared, and she's expected to step into Sutton’s life until she returns. What starts as a simple case of mistaken identity quickly spirals into a compelling mystery as Emma immerses herself in Sutton’s world, uncovering secrets and lies at every turn.

What really draws me to this book is its layered storytelling. As Emma digs deeper into the life of her sister, she encounters the dangerous game that Sutton and her friends played—a game all about deceit and cruel pranks. Shepard masterfully intertwines the suspense of the investigation with the drama of high school life, making each character’s motives murky and adding to the… show more.

I love teaching from this book because I learn something new every time I pick it up. This robust volume includes chapters that cover how death was understood in a wide range of cultural contexts, from antiquity (e.g. “Ancient Identities: Age, Gender and Ethnicity in Ancient Greek Burials” or “The Place of Veneration in Earl South Asian Buddhism) to the contemporary (e.g. “Contested Burials: The Dead as Witnesses, Victims, and Tools” or “The Archaeology and Material Culture of Modern Military Death”). At over 800 pages, this book may seem overwhelming, but each chapter can be excerpted on its own. My favorite is “The Powerful Dead of the Inca” because it parallels the questions and paradigms I tackle in my own work on ancient Egypt dead, some 3000 years and 7,800 miles away. 

The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?

Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyria or rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.

A nice piece of folkloric detective work, and one that influenced my own book.

For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.

I was blown away by this thought-provoking philosophical examination of the relationship between the living and the dead.

Burial, Hans Ruin points out, is the most ancient cultural-symbolic practice in all of human development. In burying the dead, and through the attendant rituals accompanying burial, we are caring for them and communicating about or with them. Ruin looks at a variety of ways that such care has been accomplished and debated over time, from prehistoric graves to ancient Egyptian pyramids to Sophoclean dramas from ancient Greece.

All of these examples are put to use as part of a larger meditation on what it means to live ethically; as he puts it “there is no social space entirely outside the shared space with the dead. To learn to live is to learn to inhabit this space in a responsible way. Life is a life after, as inheritance, ancestry, legacy and fate.”     

This book opened in a graveyard and never let me go from there.

It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.