My favorite books on Heaven, Hell, & the Afterlife

The Great Divorce is part allegory, part fantasy, part self-help, part cautionary tale as readers tag along on a bus ride from Hell to Heaven. Through the course of the journey, Lewis uses a fascinating variety of unique characters and strange situations to illustrate how individual perspective and personal choices determine how happy (or miserable) we humans are in this life, as well as what we can expect in the next. 

Barker’s beautifully written Hellbound Heart reads like a fairy tale gone horribly, horribly wrong. The story (source material for the Hellraiser films) follows nihilist Frank as he chases bigger and bigger highs of sensual pleasure and depravity. His search leads to a mysterious puzzle box that, when opened, promises the ultimate in sensory gratification. What happens next is a masterclass in ‘be careful what you wish for.’ (Full disclosure: The Hellbound Heart’s author Clive Barker graciously helped launch my career 25 years ago, assisting with my first book and I am forever grateful!) 

The Divine Comedy is an oldie but a goodie that covers the entire gamut of afterlife possibilities in Christian tradition. Written in 1320, the three-layered tale is still studied to this day and continues to inspire new creative endeavors. The "Inferno" section gets—by far—the most attention, with its map of the Circles of Hell and extensive descriptions of the torments meted out therein. But don’t skip "Purgatorio" and "Paradiso," which also feature Dante’s lovely prosaic style along with insights into human nature and the role of free will in our lives and afterlives.  

For insights into non-western afterlife theory, the Bardo Thodol offers a collection of texts covering aspects of death, reincarnation, and the ‘space’ in between. The work, which dates back to the 8th century, serves as a ‘guidebook’ on preparing the soul for its continuing journey, including advice on meditation, the six states of consciousness, death rituals, and the pursuit of karma. Over the centuries the Bardo Thodol has inspired numerous interpretations as well as literary works. Screenwriter Bruce Joel Rubin, who spent time secluded in a Buddhist monastery, describes his film Jacob’s Ladder as a modern take on the ancient text. 

Hideaway explores the question: what would happen if people who’ve had near-death experiences bring something back with them from the other side? Koontz offers two characters resuscitated after being clinically dead for more than half an hour, one who tastes Heaven while the other sees Hell. Is the carnage that follows the result of their angel/demon hitchhikers wreaking havoc among the living, or is something else at play? The novel offers unique perspective on the desire to return to the land of the dead, and how closely the forces of Heaven and Hell are linked to the realm of the living.