Fans pick 100 books like Money

I remember when I first saw this title, I wished I had thought of it myself. Though mine may have been, Girl Walks Into a Bar and Stays Way Too Long. Another memoir by a woman who excelled professionally, as she hid her alcohol and coke addictions from herself and others, until it got so bad she couldn’t hide it anymore. 

I love that this book was the result of a dare! In 1816, eighteen-year-old Mary Shelley and three friends held a contest to see who could write the scariest story. Mary’s story—like her monster—has since taken on a life of its own and today permeates all forms of storytelling.

I find it amusing that my favorite version of the monster is the one Mel Brooks gave us in Young Frankenstein. I wonder what Mary Shelley would think if she knew how much her acceptance of a dare would change storytelling forever.

I like to revisit the original story from time to time to savor the gothic drama and flowery writing. If I’m reading it on a dark and stormy night, all the better.

I absolutely adored the way the narrative creates almost continual laugh-out-loud moments whilst tackling some pretty heavy themes.

Drug abuse and its effect on others is handled in a genuinely uplifting way, alongside hilarious family and relationship dynamics. I love Keyes’ ability to shine light through darkness every time.

The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.

Veronica is one of the original voices out there talking about addiction and recovery—and it shows in this book. While the book shares personal experience, it also calls on her years as a psychotherapist and recovery coach. And yet, unlike most addiction and recovery books out there, it references many of the other leaders in the recovery movement—everyone from Gabor Mate to movies that touch on recovery.

If Dashiell Hammett’s Sam Spade served as the model for most private detective protagonists in American books (and movies), Raymond Chandler’s private detective Philip Marlowe offered a fascinating, inside-out variation. Marlowe—especially in this book, which I love as Chandler’s best—seems more analytical than Spade, more passionate than Spade, but just not quite as cool by today’s standards. 

That little loss doesn’t hurt him or this classic, however, which provides the best plot with the most expressive prose of this top 5 private detective novels. Marlowe’s war-torn pal disappears, the guy’s oversexed wife gets murdered, and Marlowe naturally becomes police suspect number one. 

In between the developments, Marlowe makes light: “Mostly I just kill time, and it dies hard.” That’s a clever way to say so long to involvement, but the longest goodbye, the real and permanent one to which the book’s title refers and we sometimes call death—that’s the… show more.

The Chronicles of Thomas Covenant the Unbeliever is a fantastic tale of two worlds. There is the Land, a mystical place of good versus evil, with inhabitants who use supernatural means to summon help against the darkness, and our world where the writer Thomas Covenant lives as an outcast to keep his leprosy in remission and to avoid his hostile neighbors. When he is magically transported to the Land and its people beg him to fight the evil for them, he refuses, believing it is a suicidal delusion that will reactivate his disease and kill him. The troubled hero Covenant could not be more compelling, or his dilemma better written, especially as the true-blue inhabitants of the Land struggle to understand why he can’t do the right thing.

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.

He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book. 

This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.

Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values… show more.