97 books like Money

I come from a family of “functional” alcoholics, where feelings were never discussed and drinking was the way to solve (or more likely avoid or cause) problems. After 25 years of abusing alcohol (and drugs), I finally got sober. And for the first time ever, I started writing, because all those feelings I pushed down wanted a voice. All that childhood trauma needed more than AA and talk therapy to heal.  So I gifted those feelings with written words, as did the writers I mention in my list. Recovery is something to pass on and telling our stories is another healing way to do it.

In the natural course as a young man, I became a husband and a father. I have four children and eleven grandchildren. Fatherhood has been the most difficult yet rewarding job of my life. You never stop being a parent. So, it was inevitable that this would become a subject of my writing. I have tried to be a compassionate caregiver and a positive role model to my children; you’ll have to ask them if I’ve succeeded. In my novel, I try to depict two fathers (and their two sons) as good yet flawed men, doing their best and finding their way. Just as all fathers do.

I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!

I’m sober for over 21 years after struggling with addiction and alcoholism and I thought my life would end—I would never have fun again—if I got sober. I found the opposite to be true and have devoted a large part of my career and life to helping those who are struggling with addiction. I want them to see the hilarious moments in recovery and how much it’s the beginning, and not the end, of life. Books that can do this do more than any one person talking about recovery since they can really start a domino effect and a movement. My company has published nearly a dozen recovery memoirs and I look forward to publishing more.

I’m a former reporter turned mystery novelist with a fondness for classic cocktails. I’ve always been fascinated by the art of cocktail making, and how a great mixologist knows exactly what ingredients pair well with others to create new and surprising flavors. As a reader, I like a book that engages all of my senses. In the same way that a great description can draw a reader into a scene, the mention of a certain cocktail can evoke specific moods or memories. In each of these books, cocktails contribute to the atmosphere, offering readers something to savor, like a perfectly made Sazerac.

I’ve had a thing for antiheroes since my early days that were dominated by stereotypical “true-blue” protagonists in straightforward “good versus evil” narratives. Comic books, novels, and television shows were stunted by this unrealistic division that was intended to shelter the reader from provocative ideas and philosophies in favor of presenting a stable worldview. This distortion was most obvious in entertainment intended for young Canadian minds, so it wasn’t until I was old enough to make my own library selections and book purchases that I began to seek out the dark characters populating the gray area that is fiction and life. This ongoing exploration is reflected in my books.

I grew up on a small farm in Mississippi and discovered the wide world through a movable feast of books provided by the Bookmobile. The hayloft was my favorite reading spot. I could look across the lake to imagine myself in WWII Paris, the frozen tundras of Alaska, or anywhere beyond the pastures where Daddy’s cattle grazed. I fell in love with words when I was eight years old, a dreamer spinning stories inspired by the ones I read between the covers of my beloved books. I still love words and hear their music as they flow onto the pages of the thrillers I currently write.

I’m a professor myself who writes novels, so am especially drawn to novels about campus life! I really do value the life of the mind, but am also aware of just how strange a life that is within contemporary culture. At the same time, campuses are hotbeds of ideas, ranging from the deep and the true to the shallow and the crazy, and young passionate impressionable students simmer in those ideas for several years and then go on to shape our future. What could be more important than novels which bring all that to light? 

I confess I was a serious little boy and used to be an excessively serious writer. Stoning the Devil, which is about desperate Gulf Arab women, was longlisted for major prizes and hailed by the feminist press. Poignant, even heart-breaking, but hardly a barrel full of laughs—though even then I couldn’t resist some black humour. But when I became a professor of Creative Writing at an American university, I found I’d fallen into a world madder than Wonderland, and realised that the best way to tackle woke insanity was through humour—as the great comedians are doing. Nearly all the best British fiction is humorous, so I started letting out my own zany side.