Here are 100 books that Money fans have personally recommended if you like
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I come from a family of “functional” alcoholics, where feelings were never discussed and drinking was the way to solve (or more likely avoid or cause) problems. After 25 years of abusing alcohol (and drugs), I finally got sober. And for the first time ever, I started writing, because all those feelings I pushed down wanted a voice. All that childhood trauma needed more than AA and talk therapy to heal. So I gifted those feelings with written words, as did the writers I mention in my list. Recovery is something to pass on and telling our stories is another healing way to do it.
I remember when I first saw this title, I wished I had thought of it myself. Though mine may have been, Girl Walks Into a Bar and Stays Way Too Long. Another memoir by a woman who excelled professionally, as she hid her alcohol and coke addictions from herself and others, until it got so bad she couldn’t hide it anymore.
"Lisa Smith gives us a darkly comic, honest, and completely relatable inside look at high-functioning addiction in the world of corporate law-a sort of 'Sex and the Psych Ward.' It's inspiring, informative, and impossible to put down."
--Jennifer Belle, best-selling author of High Maintenance and The Seven Year Bitch
"Whether she's telling the town car driver to turn around so she can ditch showing up for her niece's birth and meet her coke dealer, or staging her own semi-intervention, Smith takes us into the mind of someone who's completely in control while being radically out of control. This girl may…
Hemingway's Goblet is a rollicking read about a mismatched relationship between a middle-aged commitment-phobic university professor in London and one of his female students, a Korean 15 years younger than him. He is accused of sexually harassing her, but somehow their relationship survives as they join forces to seek to…
I am a Pulitzer-nominated writer who began as a poet, then shifted to prose during a period of aesthetic and personal crisis in my life. I am interested in how the novelist can gather and curate fascinating facts for the reader and incorporate them into the text. I see writing as a great adventure and investigation into issues of empathy, power, and powerlessness, and the individual in an increasingly technological world.
When I wrote my first novel, I began investigating modern-day technology—robotics, bioengineering, AI, and information technology—and have read and worked in this area for over 15 years. It is a pleasure to share some of the books that have informed my own journey.
Truly a book for the ages, how could I not recommend this? It is THE iconic book about a constructed being and his consequent travails.
Made by Victor Frankenstein from all sorts of collected detritus, when the monster opens his “yellow, watery eyes,” the scientist flees from him and never looks back. The monster is left to negotiate the world on his own, but much like a newborn baby, he is ignorant and unequipped to do so.
I love how, unlike the popular concept of the monster, he is, in fact, a vegetarian, and at the start, very vulnerable and peaceful. He learns to read by sitting outside a cottage where he can hear the cottagers teaching a foreigner to read.
I wrote a whole novel about him, A Monster’s Notes, which transports him into the 21st century.
One of the BBC's '100 Novels That Shaped Our World'
'That rare story to pass from literature into myth' The New York Times
Mary Shelley's chilling Gothic tale was conceived when she was only eighteen, living with her lover Percy Shelley on Lake Geneva. The story of Victor Frankenstein who, obsessed with creating life itself, plunders graveyards for the material to fashion a new being, but whose botched creature sets out to destroy his maker, would become the world's most famous work of horror fiction, and remains a devastating exploration of the limits of human creativity. Based on the third…
I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!
I absolutely adored the way the narrative creates almost continual laugh-out-loud moments whilst tackling some pretty heavy themes.
Drug abuse and its effect on others is handled in a genuinely uplifting way, alongside hilarious family and relationship dynamics. I love Keyes’ ability to shine light through darkness every time.
Here's Rachel Walsh, twenty-seven and the miserable owner of size 8 feet. She has regular congress with Luke Costello, a man who wears his leather trousers tight. And she's fond - some might say too fond - of recreational drugs. Until she finds herself being frogmarched to the Cloisters - Dublin's answer to the Betty Ford Clinic. She's outraged. Surely she's not thin enough to be an addict? Heartsick and Luke-sick, she seeks redemption in the shape of Chris, a man with a past. A man who might be more trouble than he's worth.
I'm a mystery writer and teacher now. Back then, I spent 10 years homeless and addicted on the streets of San Francisco. I could always return to Mom in CT and get put in a cushy rehab. Until I couldn't. And then she was dying, and my younger brother was addicted and soon he'd be dead too. It got scary at the end because I wasn't just some white suburban kid playing a scumbag junkie. I was a scumbag junkie. But why do I have a passion for the topic? I guess it's because it isn't all bad. I know that sounds weird, but being homeless and addicted has moments of beauty and joy too.
The gold standard of recovery books. I found this gem literally in the gutter when I was homeless. Changed my life by showing me if I could get my shit together, I, too, could write a book about my experience, and, in the process, maybe help someone else who was suffering as well.
Jerry Stahl's seminal memoir of drug addiction and a career in Hollywood, Permanent Midnight is a classic along the lines of Hubert Selby, Jr.'s Last Exit to Brooklyn. Illuminating the self-loathing and self-destruction of an addict's inner life, Permanent Midnight follows Stahl through the dregs of addiction and into sobriety. In 1998, Ben Stiller, Owen Wilson, and Maria Bello starred in a film version of Permanent Midnight to much acclaim. Nic Sheff, author of Tweak, writes the introduction to this edition.
I’m sober for over 21 years after struggling with addiction and alcoholism and I thought my life would end—I would never have fun again—if I got sober. I found the opposite to be true and have devoted a large part of my career and life to helping those who are struggling with addiction. I want them to see the hilarious moments in recovery and how much it’s the beginning, and not the end, of life. Books that can do this do more than any one person talking about recovery since they can really start a domino effect and a movement. My company has published nearly a dozen recovery memoirs and I look forward to publishing more.
Veronica is one of the original voices out there talking about addiction and recovery—and it shows in this book. While the book shares personal experience, it also calls on her years as a psychotherapist and recovery coach. And yet, unlike most addiction and recovery books out there, it references many of the other leaders in the recovery movement—everyone from Gabor Mate to movies that touch on recovery.
"No thanks-I'm not drinking tonight." In a culture that equates alcohol with enjoyment and social acceptance, making this simple statement can make us feel like we're depriving or even punishing ourselves. "When we realize we can no longer drink safely, it can feel like the only choices are to spiral out of control or embrace a joyless life," says sobriety expert Veronica Valli. "But it's not true! Sobriety can be a path filled with fun, excitement, belonging, relaxation, and romance."
Soberful offers a practical and straightforward program on how we can get sober and stay sober by increasing our self-worth,…
I’ve been a journalist who’s focused on culture, particularly film, and especially classic film and film noir. That sparked me to write two crime novels, with a third on the way, for Level Best Books. The first came out in February. The next will reach the market in May 2025. The third will come out in 2026. For more information, please go to my website.
If Dashiell Hammett’s Sam Spade served as the model for most private detective protagonists in American books (and movies), Raymond Chandler’s private detective Philip Marlowe offered a fascinating, inside-out variation. Marlowe—especially in this book, which I love as Chandler’s best—seems more analytical than Spade, more passionate than Spade, but just not quite as cool by today’s standards.
That little loss doesn’t hurt him or this classic, however, which provides the best plot with the most expressive prose of this top 5 private detective novels. Marlowe’s war-torn pal disappears, the guy’s oversexed wife gets murdered, and Marlowe naturally becomes police suspect number one.
In between the developments, Marlowe makes light: “Mostly I just kill time, and it dies hard.” That’s a clever way to say so long to involvement, but the longest goodbye, the real and permanent one to which the book’s title refers and we sometimes call death—that’s the…
Ed Bishop stars as Philip Marlowe in a powerful and atmospheric full-cast dramatisation of Raymond Chandler's classic noir novel. The first time Marlowe sets eyes on Terry Lennox, he is lying drunk in the passenger seat of a Rolls-Royce Silver Wraith. The next time, he's on Skid Row. After they share a few Gimlets, Marlowe thinks he seems like a nice guy, but he's had a hard life - his white hair and scarred face testify to that. Or could it be marriage to Sylvia Lennox that has turned him prematurely grey? Although beautiful and rich, she plays the field…
I’ve had a thing for antiheroes since my early days that were dominated by stereotypical “true-blue” protagonists in straightforward “good versus evil” narratives. Comic books, novels, and television shows were stunted by this unrealistic division that was intended to shelter the reader from provocative ideas and philosophies in favor of presenting a stable worldview. This distortion was most obvious in entertainment intended for young Canadian minds, so it wasn’t until I was old enough to make my own library selections and book purchases that I began to seek out the dark characters populating the gray area that is fiction and life. This ongoing exploration is reflected in my books.
The Chronicles of Thomas Covenant the Unbeliever is a fantastic tale of two worlds. There is the Land, a mystical place of good versus evil, with inhabitants who use supernatural means to summon help against the darkness, and our world where the writer Thomas Covenant lives as an outcast to keep his leprosy in remission and to avoid his hostile neighbors. When he is magically transported to the Land and its people beg him to fight the evil for them, he refuses, believing it is a suicidal delusion that will reactivate his disease and kill him. The troubled hero Covenant could not be more compelling, or his dilemma better written, especially as the true-blue inhabitants of the Land struggle to understand why he can’t do the right thing.
I've been writing dark thrillers since 2003 and am fascinated by the whole "what would I do" premise of the genre. There's nothing like taking an ordinary character and throwing them into the most harrowing situation my imagination can conjure. Then, I picture myself in that situation, and the goosebumps arrive immediately. The scariest books are those rooted in reality, the kind where these terrible things could happen to us with just one wrong turn in our car, just one decision to engage with a stranger's question. A truly scary book features you as the protagonist. What would you do?
The movie version is so great people often dismiss the novel, but I'm telling you, if you want to be scarred for life read the book.
Harris is the godfather of the psychological thriller, and he masters this as all great thriller writers do by putting emotion over the plot. We feel every chill in the air that Clarie Starling does, smell the rot of the prison cells, and feel her abject fear as she puts on a brave face and interrogates Hannibal Lecter.
As part of the search for a serial murderer nicknames "Buffalo Bill," FBI trainee Clarice Starling is given an assignment. She must visit a man confined to a high-security facility for the criminally insane and interview him.
That man, Dr. Hannibal Lecter, is a former psychiatrist with unusual tastes and an intense curiosity about the darker corners of the mind. His intimate understanding of the killer and of Clarice herself form the core of Thomas Harris' The Silence of the Lambs--an unforgettable classic of suspense fiction.
As a former graduate student who holds an MA and Ph.D in English with a Creative Writing emphasis, but also as the child of immigrants and the first in my family to go to college, I love when writers deflate the pretensions of academia. I didn’t grow up around formally educated people so I can relate to the imposter syndrome some of the characters in these books experience. I don’t know who recommended Lucky Jim to me, but that book began my infatuation with the genre of academic satires or campus novels, of which there are many others.
This is classic, quintessential British humor, the kind of dry wit that makes you laugh out loud as you’re reading. I didn’t want it to end because of how hilarious I found the main character. Even while being funny, the book does a great job establishing the imposter syndrome the main character feels as a member of the middle class attempting to enter the elite halls of academia as an older graduate student.
He is a fish out of water, incapable of having normal social interactions with his peers, “betters,” or students. Possibly, the best-ever hangover scene in writing occurs in this book.
Penguin Decades bring you the novels that helped shape modern Britain. When they were published, some were bestsellers, some were considered scandalous, and others were simply misunderstood. All represent their time and helped define their generation, while today each is considered a landmark work of storytelling.
Kingsley Amis's Lucky Jim was published in 1954, and is a hilarious satire of British university life. Jim Dixon is bored by his job as a medieval history lecturer. His days are only improved by pulling faces behind the backs of his superiors as he tries desperately to survive provincial bourgeois society, an unbearable…
I’m primarily a music composer for film and TV, but I’ve also ventured into filmmaking, with one of my films being featured at an international film festival, so my journey in storytelling spans many years, and comedy has always been at its heart. Growing up, my father worked as a pit musician, which gave me exposure to the comedy acts of the time. Humor was a constant in our home, so when I started writing fiction, it felt only natural my writing would find a home in comedy.
This is an absolute classic of the comic novel genre, so popular that it found its way onto the big screen. This dark comedy plays out more like a farce as we follow the misadventures of Henry Wilt, an underappreciated and frustrated teacher. His life spirals out of control due to a series of absurd and ridiculous misunderstandings. The novel’s momentum is driven by these absurdities and gross misinterpretations, all skillfully woven together by the flawed actions of a cast of colorful characters, each caricatured to deliver maximum comedic impact.
Tom Sharpe imbues his characters—whether it's the incompetency of the police, Wilt’s oppressive wife, or Wilt himself—with wit and cynicism. His writing is a blend of slapstick, satire, and dark comedy, frequently veering into the absurd and ridiculous. Despite the over-the-top plot, the novel maintains a consistent pace and a dry, ironic tone. As a comic novelist myself, who values…
La más famosa novela de Tom Sharpe, en la que el autor no deja títere con cabeza. El protagonista, Henry Wilt, encadenado a un empleo demencial como profesor en un politécnico, acaba de ver postergado su ascenso una vez más. Mientras, las cosas no marchan mejor en casa, donde su maciza esposa, Eva, se entrega a imprevisibles arrebatos de entusiasmo por la meditación trascendental, el yoga o la última novedad recién olfateada. Wilt, que se siente impotente con respecto a su empleo, no vacila en entregarse a fantasías cada vez más asesinas y concretas acerca de su mujer, con la…