Fans pick 59 books like Being with the Dead

This book is a really fun investigation by a brilliant journalist who leads readers through a thorough yet skeptical look at the Silicon Valley-based movement known as “radical life extension” or “transhumanism.”

From hobbyists, to hackers, to scientists, to venture capitalists, a broad contingent of people in and around the “tech” space are convinced today that techno-scientific advancement will eventually allow humanity—or at least a certain small cadre of the wealthiest and savviest humans—to live forever.

There are heavy ideas here, and the book will give you a lot to think about, but it manages to be a breezy read despite the often troubling subject matter.  

This is the most moving “academic” book I’ve ever read, and really that’s because it blends academic subjects like cultural studies with more personal, memoir-type writing about being a Black woman in the 21st century.

In the Wake is concerned with more than just death, of course, but death looms large throughout the book, as it has in all of Black life throughout American history. Indeed, the first sentence is “I wasn’t there when my sister died,” and over the course of the book we bear witness to many other deaths that have affected the author as well.

Over time, readers come to understand the various meanings of “wake” operating as overlapping metaphors through which the author understands her own experience. There is “wake” as coming into consciousness/waking up to a world full of injustice, there is “the wake” like the path behind a ship, in this case a slave… show more.

Ariès was a masterful medieval historian, and in this slim volume, based on a series of lectures he gave at Johns Hopkins University, he traced big cultural shifts in the way Western culture has thought about death and dying.

Medieval traditions lauded a so-called “tame death,” in which the dying person calmly accepted their fate, received visitors at home, and directed the rituals and ceremonies that would accompany their impending demise. Death was a normal part of domestic life, witnessed by young and old alike.

This is eventually contrasted with the modern way of dying, in which people die in hospitals, not at home, hidden away from most of a society that has come to believe people need to be shielded from sad and upsetting matters like illness and death. It is a fascinating work of history and a powerful critique of contemporary mores around mortality.     

This book is not about death on its own but images of death, and the roles to which they are put by the press and politicians.

Focusing on iconic photographs of death from events such as the 1906 San Francisco Earthquake, the Vietnam War, and the September 11th attacks, among many others, Zelizer charts a growing discomfort over time with images of death in the news. As technology improved, such photos became more graphic and intimate, and norms around the increasingly professionalized field of journalism came to render them mostly off limits.

Despite the general squeamishness of Western journalists and readers towards such images today, however, we do still see them during major world events and important breaking stories. It’s also true, Zelizer points out, that images of death in far away places are often shown in American newspapers with less concern.

There are important lessons here for all of… show more.

For many of us who study cemeteries, there is a danger of thinking that these landscapes of the dead are just bodies and gravestones. Katherine Ramsland’s Cemetery Stories: Haunted Graveyards, Embalming Secrets, and the Life of a Corpse After Death is one of the few books out there that details every step between death and internment, which are just as revealing about American culture as a fancy gravestone epitaph or a biography of a deceased local celebrity.

Katherine Verdery was on my PhD dissertation committee and her insights have long influenced my work.

This dry and ironically humorous book shows how corpses and statues do indeed have political “lives,” expanding readers’ awareness of who counts and what matters. The book gave me courage and inspiration to write a chapter about volunteer body collectors in Ukraine in my book. I explore how and why they cared about the human remains that the military had left behind.

In both books, care for the dead is life-affirming and helps establish new kinds of political order.

I love teaching from this book because I learn something new every time I pick it up. This robust volume includes chapters that cover how death was understood in a wide range of cultural contexts, from antiquity (e.g. “Ancient Identities: Age, Gender and Ethnicity in Ancient Greek Burials” or “The Place of Veneration in Earl South Asian Buddhism) to the contemporary (e.g. “Contested Burials: The Dead as Witnesses, Victims, and Tools” or “The Archaeology and Material Culture of Modern Military Death”). At over 800 pages, this book may seem overwhelming, but each chapter can be excerpted on its own. My favorite is “The Powerful Dead of the Inca” because it parallels the questions and paradigms I tackle in my own work on ancient Egypt dead, some 3000 years and 7,800 miles away. 

Madison Spencer is a fourteen-year-old girl who dies of a drug overdose, only to discover that she has been condemned to Hell. However, she soon realizes that the damned souls in Hell are not punished in the classic sense but are instead subjected to a monotonous, soul-crushing existence where they are forced to relive their worst experiences. With the help of a few allies she meets in Hell, Madison sets out to unravel the mysteries of her afterlife, challenge the status quo, and find a way to escape her eternal torment.

Yes, another dark comedy. But Chuck Palahniuk has a particular talent for taking what makes humans squirm and serving it with a wholesome dollop of relatable ontology. In Damned, he explores themes of the afterlife, societal norms, and human behavior, all set against the backdrop of a reimagined Hell. This Hell is not just a place of eternal suffering… show more.

This book opened in a graveyard and never let me go from there.

It’s not the sort of book I expected to like, let alone be wowed by or to be pleasing to a kid, but it works so well. Neil Gaiman’s writing is almost never stronger than it is here and every page kept me hooked to the point where I just wanted to keep reading, page after page.

The figure of the vampire has become very familiar through portrayals in literature, stage, and cinema, but where does the myth itself originate?

Many have speculated on the roots of the vampire legend, ascribing it to various diseases, like porphyria or rabies. But Barber stripped away the cultural additions imposed on the legend by its fictional interpretation and looked for origins consistent with the bare, original legend.

A nice piece of folkloric detective work, and one that influenced my own book.