Here are 100 books that The Political Lives of Dead Bodies fans have personally recommended if you like
The Political Lives of Dead Bodies.
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The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
Death is everywhere in war: on the battlefield, in a disease-ridden hospital, or in childbirth on the home front. Drew Gilpin Faust’s non-fiction book, This Republic of Suffering, brings eye-popping numeric data to the prevalence of death in war. But she never stops at the surface level of how many deaths, or how many unidentified soldiers or improper burials occur during the Civil War. I was caught up entirely as Faust’s words, riveting and respectful of all the pain and loss, showed how death became an ennobling transformation for many people, either in the cause of racial standing or of Union/secessionist preservation.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation.
More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be six million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Some may disagree with me, but I think this is Winter’s masterpiece. It is a book that charts the ways our remembrance of the war dead changed from the violence of the First World War to the Holocaust to the present. He looks at film, photographs, literature, and war memorials to show how our memories have become less vertical and more horizontal over time and how we have focused less and less on the faces of the dead and more and more on the names of the masses, such as one finds on Maya Lin’s Vietnam War Memorial in Washington, D.C. While all of Winter’s works are fantastic, this is his best.
What we know of war is always mediated knowledge and feeling. We need lenses to filter out some of its blinding, terrifying light. These lenses are not fixed; they change over time, and Jay Winter's panoramic history of war and memory offers an unprecedented study of transformations in our imaginings of war, from 1914 to the present. He reveals the ways in which different creative arts have framed our meditations on war, from painting and sculpture to photography, film and poetry, and ultimately to silence, as a language of memory in its own right. He shows how these highly mediated…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Rothberg is not a historian but I love what he accomplished with this scholarly book. He examines film, literature, and paintings to suggest that our memories are multidirectional: meaning they often move in different directions at the same time. This allows him to place the holocaust side-by-side the colonial/decolonial project and produce a devastating story of how each fed upon the other. For example, he looks at moments in 1960s Paris that places Jewish survivors of Auschwitz in conversation with Algerian survivors of French concentration camps during the Algerian war to suggest their memories could work together to produce an honest remembrance of the past. I try to do something similar in my own book by illustrating how the war dead could link domestic and foreign places together in building an American Empire.
Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time. Employing a comparative and interdisciplinary approach, the book makes a twofold argument about Holocaust memory in a global age by situating it in the unexpected context of decolonization. On the one hand, it demonstrates how the Holocaust has enabled the articulation of other histories of victimization at the same time that it has been declared "unique" among human-perpetrated horrors. On the other, it uncovers the more surprising and seldom acknowledged fact that public memory of the Holocaust emerged in part thanks to postwar events that seem at…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
This may be the book that started it all. Mosse has many books that try to explain the rise of the Nazis in Germany who Mosse and his parents fled in the 1930s. Here Mosse describes how Nazis used the war dead from the First World War in an explicit attempt to harness the nationalism of Germans to support Nazi politics. Winter disagrees with Mosse and developed arguments that are probably more accepted by historians today but, for me, that doesn’t take away from the power of Mosse’s argument. Even though I don’t always agree with Mosse’s analysis, I can’t help but be engrossed by his writing, his passion, and his ability to describe how the war dead could be used as political weapons.
Millions were killed and maimed in the senseless brutality of the First World War, but once the armistice was signed the realities were cleansed of their horror by the nature of the burial and commemoration of the dead. In the interwar period, war monuments and cemeteries provided the public with places of worship and martyrs for the civic religion of nationalism. The cult of the fallen soldier blossomed in Germany and other European countries, and people seemed to build war into their lives as a necessary and glorious event - a proof of manhood and loyalty to the flag. Ultimately…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
This novel about a girl’s flight from Rwanda is gripping.
She vividly captures how perceptions of risk are radically altered by war, how grief and trauma may take years to fully understand, and why we should not pity survivors but respect their strength. These are lessons I learned firsthand as a result of my research in Ukraine and that I also describe, in an expository style.
An important theme in this book, and one I explore at length in my own, is that once separated by politics or geography, family and friendships are difficult to re-knit. A lesson from the current war in Ukraine, then, is that infrastructure will be far easier to repair than the interpersonal ruins. Similarly, Wamariya eventually finds her parents, but everything has changed.
A riveting story of dislocation, survival, and the power of stories to break or save us
When Clemantine Wamariya was six years old, her world was torn apart. She didn't know why her parents began talking in whispers, or why her neighbours started disappearing, or why she could hear distant thunder even when the skies were clear.
As the Rwandan civil war raged, Clemantine and her sister Claire were forced to flee their home. They ran for hours, then walked for days, not towards anything, just away. they sought refuge where they could find it, and escaped when refuge became…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
Taylor’s book about the civil war is unlike any other.
Utilizing personal letters and archival documents, the book illuminates the conflicting loyalties to kin and country in civil war America. Taylor takes readers beyond the battlefield to show them the emotional lives of people who had family members fighting on opposite sides of the war.
I found a direct parallel among the people I lived and worked among during my fieldwork in Ukraine. Instead of archival materials, I use personal interviews to show how the contemporary geopolitical crisis over Ukraine is accompanied by a relational crisis when siblings, friends, parents, and their children can no longer communicate.
This title discusses the crisis of the 'house divided'. The Civil War has long been described as a war pitting 'brother against brother'. The divided family is an enduring metaphor for the divided nation, but it also accurately reflects the reality of America's bloodiest war. Connecting the metaphor to the real experiences of families whose households were split by conflicting opinions about the war, Amy Murrell Taylor provides a social and cultural history of the divided family in Civil War America. She studies letters and diaries to understand how families coped with division between husbands and wives, brothers and sisters,…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
If you have ever wondered what personal relationships have to do with war, read Genocide as a Social Practice by Daniel Feierstein.
This author explains the social mechanics of genocide by comparing various cases. He argues genocide doesn’t just destroy human bodies, it destroys relationships as a means to the ultimate goal of social reorganization. This is one of very few books I brought with me during my fieldwork in Ukraine, where it accompanied me on cross-country train travel.
As I argue in my book, and like genocide in other places, Ukrainian society is being reconfigured in part through loss and death, but also relationships.
Genocide not only annihilates people but also destroys and reorganizes social relations, using terror as a method. In Genocide as Social Practice, social scientist Daniel Feierstein looks at the policies of state-sponsored repression pursued by the Argentine military dictatorship against political opponents between 1976 and 1983 and those pursued by the Third Reich between 1933 and 1945. He finds similarities, not in the extent of the horror but in terms of the goals of the perpetrators.
The Nazis resorted to ruthless methods in part to stifle dissent but even more importantly to reorganize German society into a Volksgemeinschaft, or people's…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
Experiencing War is a gem because Christine Sylvester argues so compellingly that war can’t be fully apprehended without considering experiences in addition to the more abstract geopolitical levels of analysis.
It was my personal experience of PTSD in Ukraine that persuaded me I had enough situated knowledge to write Everyday War, and Sylvester’s book affirmed this experience as a starting point. Everyday War is calibrated to fill the gap in knowledge about the embodied and subjective dimensions of war that Sylvester identifies in her succinct survey of the literature on war.
This edited collection explores aspects of contemporary war that affect average people -physically, emotionally, and ethically through activities ranging from combat to television viewing.
The aim of this work is to supplement the usual emphasis on strategic and national issues of war in the interest of theorizing aspects of war from the point of view of individual experience, be the individual a combatant, a casualty, a supporter, opponent, recorder, veteran, distant viewer, an international lawyer, an ethicist or other intellectual. This volume presents essays that push the boundaries of war studies and war thinking, without promoting one kind of theory…
I readTinker Tailor Soldier Spyfor the first time many years ago, while traveling aboard a Canadian National Railway train from Montreal to British Columbia. Something about the contrast between the majestic Canadian Rockies and the dark alleys of John Le Carré’s Berlin brought the Cold War fully to life and set me on the path to writing a novel of my own set during that time. (Living through some of those tense years of superpower stand-offs didn’t hurt.) Tinker Tailor Soldier Spyis told in third-person, but many Cold War novels written in the first person do a masterful job of evoking that troubled era.
This group of interconnected stories—set mostly in Russia and Chechnya—take place before, during, and after the Cold War. In the opening story, “The Leopard,” Anthony Marra perfectly captures the suffocating terror of life under Stalin.
The narrator is a disillusioned Soviet censor whose job is editing images of disgraced victims of Stalinist show trials out of official photographs and despoiling many other works of art for propaganda purposes.
Lines between work and life start to blur. The censor finds it increasingly hard to discern fact from fiction.
Things turn deadly when he himself becomes a victim and the truth (as he knows it) becomes irrelevant in the struggle against counter-revolutionaries.
From these troubled origins the Cold War began. The ability to discern truth from falsehood seems in our present times more pressing than ever.
*** A Granta Best of Young American Novelists 2017 ***
The Tsar of Love and Techno begins in 1930s Leningrad, where a failed portrait artist employed by Soviet censors must erase political dissenters from official images and artworks. One day, he receives an antique painting of a dacha inside a box of images due to be altered. The mystery behind this painting threads together the stories that follow, which take us through a century and introduce a cast of characters including a Siberian beauty queen, a young soldier in the battlefields of Chechnya, the Head of the Grozny Tourist Bureau,…
I am an award-winning historian, biographer, and political commentator. As a specialist in Soviet history, my books have been translated into many languages, including Arabic, Chinese, French, Finnish, German, Japanese, Portuguese, Russian, Spanish, and Turkish.
Political scientists Arel and Driscoll deal with the period between the Maidan revolt of 2014 and the 2022 invasion.
They point out that the Maidan events provoked a three-way split in Ukraine between pro-Western Ukrainians, pro-Russia Ukrainians, and those in the middle who wanted neither to join the Russian Federation nor to distance themselves from it. Most of these neutrals remained loyal to the Ukrainian nationalist government in Kyiv and continued to do so after the Russian invasion in February 2022.
The Russian invasion of Ukraine in 2022 has its roots in the events of 2013-2014. Russia cynically termed the seditionist conflict in Crimea and Eastern Donbas a 'civil war' in order to claim non-involvement. This flies in the face of evidence, but the authors argue that the social science literature on civil wars can be used help understand why no political solution was found between 2015 and 2022. The book explains how Russia, after seizing Crimea, was reacting to events it could not control and sent troops only to areas of Ukraine where it knew it would face little resistance…
