Here are 100 books that The Divided Family in Civil War America fans have personally recommended if you like
The Divided Family in Civil War America.
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As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
Katherine Verdery was on my PhD dissertation committee and her insights have long influenced my work.
This dry and ironically humorous book shows how corpses and statues do indeed have political “lives,” expanding readers’ awareness of who counts and what matters. The book gave me courage and inspiration to write a chapter about volunteer body collectors in Ukraine in my book. I explore how and why they cared about the human remains that the military had left behind.
In both books, care for the dead is life-affirming and helps establish new kinds of political order.
Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses-the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk-have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics-and how it can breathe new life into old bones.
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
This novel about a girl’s flight from Rwanda is gripping.
She vividly captures how perceptions of risk are radically altered by war, how grief and trauma may take years to fully understand, and why we should not pity survivors but respect their strength. These are lessons I learned firsthand as a result of my research in Ukraine and that I also describe, in an expository style.
An important theme in this book, and one I explore at length in my own, is that once separated by politics or geography, family and friendships are difficult to re-knit. A lesson from the current war in Ukraine, then, is that infrastructure will be far easier to repair than the interpersonal ruins. Similarly, Wamariya eventually finds her parents, but everything has changed.
A riveting story of dislocation, survival, and the power of stories to break or save us
When Clemantine Wamariya was six years old, her world was torn apart. She didn't know why her parents began talking in whispers, or why her neighbours started disappearing, or why she could hear distant thunder even when the skies were clear.
As the Rwandan civil war raged, Clemantine and her sister Claire were forced to flee their home. They ran for hours, then walked for days, not towards anything, just away. they sought refuge where they could find it, and escaped when refuge became…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
If you have ever wondered what personal relationships have to do with war, read Genocide as a Social Practice by Daniel Feierstein.
This author explains the social mechanics of genocide by comparing various cases. He argues genocide doesn’t just destroy human bodies, it destroys relationships as a means to the ultimate goal of social reorganization. This is one of very few books I brought with me during my fieldwork in Ukraine, where it accompanied me on cross-country train travel.
As I argue in my book, and like genocide in other places, Ukrainian society is being reconfigured in part through loss and death, but also relationships.
Genocide not only annihilates people but also destroys and reorganizes social relations, using terror as a method. In Genocide as Social Practice, social scientist Daniel Feierstein looks at the policies of state-sponsored repression pursued by the Argentine military dictatorship against political opponents between 1976 and 1983 and those pursued by the Third Reich between 1933 and 1945. He finds similarities, not in the extent of the horror but in terms of the goals of the perpetrators.
The Nazis resorted to ruthless methods in part to stifle dissent but even more importantly to reorganize German society into a Volksgemeinschaft, or people's…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
Experiencing War is a gem because Christine Sylvester argues so compellingly that war can’t be fully apprehended without considering experiences in addition to the more abstract geopolitical levels of analysis.
It was my personal experience of PTSD in Ukraine that persuaded me I had enough situated knowledge to write Everyday War, and Sylvester’s book affirmed this experience as a starting point. Everyday War is calibrated to fill the gap in knowledge about the embodied and subjective dimensions of war that Sylvester identifies in her succinct survey of the literature on war.
This edited collection explores aspects of contemporary war that affect average people -physically, emotionally, and ethically through activities ranging from combat to television viewing.
The aim of this work is to supplement the usual emphasis on strategic and national issues of war in the interest of theorizing aspects of war from the point of view of individual experience, be the individual a combatant, a casualty, a supporter, opponent, recorder, veteran, distant viewer, an international lawyer, an ethicist or other intellectual. This volume presents essays that push the boundaries of war studies and war thinking, without promoting one kind of theory…
I’m a historical novelist originally from Ohio. In Civil War lessons at school, we learned about battles and generals and read The Red Badge of Courage and other books centering on men’s experiences. With the exception of Florence Nightingale, women were largely absent from the discussions. I want to know about the women. As an adult, I lived in Roswell, Georgia, where I learned of the mill workers, mostly women and children, who, in 1864, were arrested and sent north by Federal forces for making Confederate cloth. Their fates largely remain a mystery, and I wrote my book in order to imagine what we may never know.
I love stories about ordinary women living through extraordinary times. In this story, the protagonist, Joetta, a North Carolina yeoman farmer who does not share the Confederacy’s view on slavery, attempts to stay neutral during the Civil War despite the ever-growing costs.
I admired the way Everhart deals with the relationship between Joetta and her teenage sons, boys old enough to assert their independence and choose their own way, no matter how much she may wish they chose differently.
From the author of The Saints of Swallow Hill, an evocative, morally complex novel set in rural 19th century North Carolina, as one woman fights to keep her family united, her farm running, and her convictions whole during the most devastating and divisive period in American history, perfect for readers of Cold Mountain by Charles Frazier and Enemy Women by Paulette Jiles.
Talk of impending war is a steady drumbeat throughout North Carolina, though Joetta McBride pays it little heed. She and her husband, Ennis, have built a modest but happy life for themselves, raising two sons, fifteen-year-old Henry, and…
As a child, I was drawn to the silences in family stories and as a young adult, the gaps in official records. Now I’m a former English professor turned full-time writer who is fascinated with who gets written out of history, and why. I love exploring overlooked lives, especially women’s lives—from Stalin’s female relatives to nineteenth-century shopgirls, and most recently, a pair of early medieval queens.
If you’ve ever found yourself obsessed with a family mystery, you’ll be captivated by The Lost. Mendelsohn had always wondered what happened to his great-uncle and aunt, and their four daughters, during the Holocaust. His search starts with ordinary genealogical curiosity but quickly spirals into an epic quest. I admire Mendelsohn’s elegant, lyrical prose and was swept up in his ruminations on what we owe the past. His discoveries are heartbreaking but they also spark hope—by rescuing one ordinary family from oblivion.
A writer's search for his family's tragic past in World War II becomes a remarkably original and riveting epic, brilliantly exploring the nature of time and memory.
'The Lost' begins as the story of a boy who grew up in a family haunted by the disappearance of six relatives during the Holocaust - an unmentionable subject that gripped his imagination from earliest childhood. Decades later, spurred by the discovery of a cache of desperate letters written to his grandfather in 1939, Daniel Mendelsohn sets out to find the remaining eyewitnesses to his relative's fates. The quest takes him to a…
I came to England on a Rhodes Scholarship from South Africa in 1961 and have been a Professor at the London School of Economics and Brandeis University. I am the Chief Historian of the Global Educational Outreach Project at the POLIN Museum of the History of Polish Jews in Warsaw. My interests are the politics of Eastern Europe, the history of the Jews, and the conflict in the Middle East. I have witnessed the transition from communist rule to democracy in Poland and the end of apartheid in South Africa. There are growing threats to democracy and political pluralism, and I very much hope that these can be successfully resisted.
In this remarkable combination of memoir and scholarly work, Philippe Sands, a British lawyer actively engaged in support of human rights, combines the story of his own Eastern European Jewish family with those of two jurists who forged the legal framework for the Nuremberg trials: Hersch Lauterpacht, who developed the concept of “crimes against humanity,” and Raphael Lemkin, who invented the term “genocide” to describe what was taking place. Both men and Sands’s maternal grandfather hailed from Lwów, part of southern Poland before the war, and now Lviv, in Ukraine.
All had relatives murdered in the Holocaust. They were determined to prosecute those responsible and establish an international framework for the protection of human rights and played an important part in the trials at Nuremberg.
THE BRITISH BOOK AWARDS NON-FICTION BOOK OF THE YEAR 2017
SUNDAY TIMES TOP 10 BESTSELLER
When he receives an invitation to deliver a lecture in the Ukrainian city of Lviv, international lawyer Philippe Sands begins a journey on the trail of his family's secret history. In doing so, he uncovers an astonishing series of coincidences that lead him halfway across the world, to the origins of international law at the Nuremberg trial. Interweaving the stories of the two Nuremberg prosecutors (Hersch Lauterpacht and Rafael Lemkin) who invented the crimes or genocide and crimes against humanity, the Nazi governor responsible for…
I write to learn what I don’t know about myself and our purpose as flawed beings in this Alice-in-Wonderland world. In the documentary about singer/poet Leonard Cohen, creator of the much-covered “Hallelujah” (title of the documentary), to explain the song, he says that life is so impenetrable that the only options are to shake your fist or exclaim “Hallelujah.” I think there is a third option: to laugh. And I prefer to do all three because that is what comes through me: confusion, pain, and hilarity. And hopefully a better understanding of the whole mess once I’ve written about it. And that is what I hope to share with readers.
How I love to laugh at the same time that I’m feeling all the raw pain of being a human—in this case a human woman who runs away from home. The beginning of this book—about a housewife, cooking ware saleswoman's trip to hell and back, is belly-laugh-inducing, causing one to cough and gasp in joy. But there’s more: Gilman writes real, complicated characters, complete with pain and delusions. And the reason they are so deeply funny is that Gilman is self-aware enough to know and show their flaws better than they know them.
Titular protagonist Donna Koczynski may inhabit a particular era (one when trendiness reigns), but she is rooted in her own psychology, which includes equal parts compassion, open-minded curiosity, lunatic-level denial, and crazed she-wolf rage.
Donna Koczynski is a failed punk rocker, recovering alcoholic, and suburban mother of two teenagers whose relatively peaceful existence suddenly detonates when she comes home early from a sales conference in Vegas to find the surprise of a lifetime. Suddenly realizing that life can be more than the rut of middle-aged motherhood, she sets off on an impulsive quest to reclaim everything she believes she sacrificed since her wild youth: Friendship, great love, and art. But as she flees her family and drives across the U.S. on what she calls an "emotional scavenger hunt"(and others might call a midlife crisis),…
I’m a UK bestselling writer of historical fiction who has often used Cornwall as a setting. I wrote about a lost garden and a colony of Edwardian artists in The Memory Garden, about the Second World War in A Gathering Storm and The Hidden Years. My father was Cornish, which meant wonderful childhood holidays spent in the county. I fell in love with its breathtakingly beautiful landscapes - rugged cliffs, picturesque fishing villages, expansive sandy beaches where the sea thunders in. I’ve feasted on its history and legends, and on stories of danger, romance, and adventure set in the region. It’s fulfilled a dream to have written my own.
As a writer I admit that I’m beguiled by Cornwall as a literary setting for high romance and adventure, yet it’s important to me to remember that ordinary people live and work there.
I was impressed by In Her Wake because it manages to encompass both extremes. Its overarching gothic narrative about a stolen child is used by the author to examine the extraordinary experience of some very humble, loving people whose lives have been put into suspension by tragedy. It’s incredibly moving and truthful.
A perfect life ... until she discovered it wasn't her own.
A tragic family event reveals devastating news that rips apart Bella's comfortable existence. Embarking on a personal journey to uncover the truth, she faces a series of traumatic discoveries that take her to the ruggedly beautiful Cornish coast, where hidden truths, past betrayals and a 25-year-old mystery threaten not just her identity, but also her life.
Chilling, complex and profoundly moving, In Her Wake is a gripping psychological thriller that questions the nature of family - and reminds us that sometimes the most shocking crimes are committed closest to…
I'd like to claim that my expertise in these matters stems from the fact that I am a supernatural entity—and a funny one at that. But my origin’s more mundane; when I was growing up on a corn & soybean farm miles outside of a rural village, I became a voracious reader. I was always intrigued by writers who could explore a world outside the bounds of reality and do it with style. Over the years, I’ve been a short-order cook, a corn detasseler, a summer camp counselor, a college professor, and a middle-grade author, and I’ve learned that you can find a little magic anywhere if you look hard enough.
I loved Ellen Raskin’s much-lauded The Westing Game when I was nine years old, but I never got around to reading her 1974 middle-grade book Figgs & Phantoms, until recently. It’s a weird and whimsical story about family and grief with a magical realist touch.
Once a month, Mona Lisa Newton stands on the shoulders of her diminutive Uncle Florence Figg and dons a cloak to form the “Figg-Newton giant” so they can reach the rare not-for-sale books on the top shelf of a local bookstore. Their family has its own private mythology, including a version of heaven called Capri, and when a death occurs, Mona is determined to follow the clues and find it.
The text and illustrations manifest Raskin’s wry sense of humor, though some of the book’s mature themes might be too much for younger readers.
From the Newbery Award-winning author of THE WESTING GAME, more clever riddles and wordplay, clues to be found, and mysteries to be solved!
A Newbery Honor book
The Amazing Dancing Figgs! While Mona hates all the attention her eccentric relatives bring to her in town, there is one Figg family member she likes: her Uncle Florence, the book dealer. But Uncle Florence keeps hinting that he's going to find his way to Capri, the Figg family heaven. And that means leaving Mona behind. Can Mona find Capri before it's too late, or will she learn that things are seldom what…
