Here are 100 books that War Beyond Words fans have personally recommended if you like
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The main reason I care about the relationship of war, conscience, and religion is because I believe strongly in the separation of church and state. A country’s methods of pursuing its best interests, include the use of power and warfare. Religions, however, make central: love your neighbor as much as you love yourself. People need to develop a conscience about what principle matters most. In the Civil War, the old tenet, an “eye for an eye,” was used to justify killing others for reasons of advantage or revenge. But I want to be involved instead in creating peace and justice for all.
Death is everywhere in war: on the battlefield, in a disease-ridden hospital, or in childbirth on the home front. Drew Gilpin Faust’s non-fiction book, This Republic of Suffering, brings eye-popping numeric data to the prevalence of death in war. But she never stops at the surface level of how many deaths, or how many unidentified soldiers or improper burials occur during the Civil War. I was caught up entirely as Faust’s words, riveting and respectful of all the pain and loss, showed how death became an ennobling transformation for many people, either in the cause of racial standing or of Union/secessionist preservation.
NATIONAL BESTSELLER • NATIONAL BOOK AWARD FINALIST • An "extraordinary ... profoundly moving" history (The New York Times Book Review) of the American Civil War that reveals the ways that death on such a scale changed not only individual lives but the life of the nation.
More than 600,000 soldiers lost their lives in the American Civil War. An equivalent proportion of today's population would be six million. In This Republic of Suffering, Drew Gilpin Faust describes how the survivors managed on a practical level and how a deeply religious culture struggled to reconcile the unprecedented carnage with its belief…
As a cultural anthropologist, I'm like a cultural detective, exploring the intricate and often heart-wrenching world of war, conflict, and population displacement. But before you envision me in a dusty library, let me share that I found my passion for unraveling the everyday, lived experiences of war while living in Ukraine, where I became close to incredible individuals whose lives had been profoundly altered by war. When people shared with me how Russian aggression was tearing apart their cherished friendships and family bonds, I knew I had to delve into the profound effects of war on personal relationships. So, here I am, on a mission to illuminate the hidden stories, and the untold struggles, that are so important.
Katherine Verdery was on my PhD dissertation committee and her insights have long influenced my work.
This dry and ironically humorous book shows how corpses and statues do indeed have political “lives,” expanding readers’ awareness of who counts and what matters. The book gave me courage and inspiration to write a chapter about volunteer body collectors in Ukraine in my book. I explore how and why they cared about the human remains that the military had left behind.
In both books, care for the dead is life-affirming and helps establish new kinds of political order.
Since 1989, scores of bodies across Eastern Europe have been exhumed and brought to rest in new gravesites. Katherine Verdery investigates why certain corpses-the bodies of revolutionary leaders, heroes, artists, and other luminaries, as well as more humble folk-have taken on a political life in the turbulent times following the end of Communist Party rule, and what roles they play in revising the past and reorienting the present. Enlivening and invigorating the dialogue on postsocialist politics, this imaginative study helps us understand the dynamic and deeply symbolic nature of politics-and how it can breathe new life into old bones.
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
Rothberg is not a historian but I love what he accomplished with this scholarly book. He examines film, literature, and paintings to suggest that our memories are multidirectional: meaning they often move in different directions at the same time. This allows him to place the holocaust side-by-side the colonial/decolonial project and produce a devastating story of how each fed upon the other. For example, he looks at moments in 1960s Paris that places Jewish survivors of Auschwitz in conversation with Algerian survivors of French concentration camps during the Algerian war to suggest their memories could work together to produce an honest remembrance of the past. I try to do something similar in my own book by illustrating how the war dead could link domestic and foreign places together in building an American Empire.
Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time. Employing a comparative and interdisciplinary approach, the book makes a twofold argument about Holocaust memory in a global age by situating it in the unexpected context of decolonization. On the one hand, it demonstrates how the Holocaust has enabled the articulation of other histories of victimization at the same time that it has been declared "unique" among human-perpetrated horrors. On the other, it uncovers the more surprising and seldom acknowledged fact that public memory of the Holocaust emerged in part thanks to postwar events that seem at…
Marriage and Fatherhood in the Nazi SS
By
Amy Carney,
When I was writing this book, several of my friends jokingly called it the Nazi baby book, with one insisting it would make a great title. Nazi Babies – admittedly, that is a catchy title, but that’s not exactly what my book is about. SS babies would be slightly more…
I am a professor who holds a Ph.D. in American history. I researched several archives in the United States and Paris, France to write this book and I am very proud of it. I was inspired to write this story mainly from listening to the friends of my parents, when I was younger, who went to war in Vietnam and came back broken yet committed to making the world a better place. The kindness they showed me belied the stories they shared of their harrowing experiences and I wanted to understand how this divergence happened in men that rarely spoke of their past.
This may be the book that started it all. Mosse has many books that try to explain the rise of the Nazis in Germany who Mosse and his parents fled in the 1930s. Here Mosse describes how Nazis used the war dead from the First World War in an explicit attempt to harness the nationalism of Germans to support Nazi politics. Winter disagrees with Mosse and developed arguments that are probably more accepted by historians today but, for me, that doesn’t take away from the power of Mosse’s argument. Even though I don’t always agree with Mosse’s analysis, I can’t help but be engrossed by his writing, his passion, and his ability to describe how the war dead could be used as political weapons.
Millions were killed and maimed in the senseless brutality of the First World War, but once the armistice was signed the realities were cleansed of their horror by the nature of the burial and commemoration of the dead. In the interwar period, war monuments and cemeteries provided the public with places of worship and martyrs for the civic religion of nationalism. The cult of the fallen soldier blossomed in Germany and other European countries, and people seemed to build war into their lives as a necessary and glorious event - a proof of manhood and loyalty to the flag. Ultimately…
As a postdoctoral researcher, I'm fascinated by the notions of cultural belonging to Europe and European nation-states, as they have evolved throughout history in relation to what the holders of these notions call their "others". I know of few cases in the field of identity and memory politics that are as controversial, as curious, as fragile, and yet as fascinating as the idea of a Europe, a social and political construct that emerges from past events but is shaped for political purposes. Debates about a common European history and memory are intertwined with those about the geographical and cultural definitions of Europe, and my book list often includes the most recent examples of these interactions.
Critical approaches are essential for the democratic formation of a common European and national memory.
The integration of the components (events and their commemoration) into a common European memory runs the risk of homogenising the descriptions and transforming them into a discourse in support of national or continental supremacy. With this in mind, Stefan Berger, Wulf Kansteiner and many of the contributors under their editorship explore how an agonistic approach to memory, a logic proposed in opposition to nationalist, teleological, and progressivist memory politics, can serve European memory culture.
The collection is based on a completed project, analysing the confrontation between agonistic memory and war memory in well-known European museums. All in all, memory politics should stimulate local democratic participation, promote ethical development, and influence social dynamics for collective solidarity.
This book discusses the merits of the theory of agonistic memory in relation to the memory of war. After explaining the theory in detail it provides two case studies, one on war museums in contemporary Europe and one on mass graves exhumations, which both focus on analyzing to what extent these memory sites produce different regimes of memory. Furthermore, the book provides insights into the making of an agonistic exhibition at the Ruhr Museum in Essen, Germany. It also analyses audience reaction to a theatre play scripted and performed by the Spanish theatre company Micomicion that was supposed to put…
I’m a historian of modern Europe and France and have focused my research and writing on the First World War for almost 30 years now. The war remains the “original catastrophe” of the catastrophic 20th century and continues to shape our world in decisive ways here in the 21st century. I don’t think there are many topics that are of clearer and more urgent interest, and what fascinates me most is how every day, individual people experienced these colossal events, events that seemed only very personal and intimate to most of them at the time. It is with this in mind that I’ve chosen the books on my list.
Not as well known as Henri Barbusse’s great novel Under Fire (Le feu), Chevalier’s book should be on everyone’s shelf of works on the Great War. This aptly titled novel is very obviously based on Chevalier’s own experiences serving as a soldier at the front. The writing is haunting and evocative of the extreme trauma of combat, the miseries of life in the trenches, and the emotional responses of young soldiers to the broader society that sent them to war.
First published in 1930, Fear graphically describes the terrible experiences of soldiers during World War I. It tells the story of Jean Dartemont, a young man called up in 1915. He is not a rebel, but neither is he awed by hierarchical authority. After an exceedingly short training period, he refuses to follow his platoon and is sent to Artois and the trenches. With absolute realism, Gabriel Chevallier depicts what he experienced every day, for months: violence, blood, death, bodies ...
One day, he is wounded, evacuated and hospitalised. The nurses consider it their duty to stimulate the soldiers' fighting…
An Italian Feast celebrates the cuisines of the Italian provinces from Como to Palermo. A culinary guide and book of ready reference meant to be the most comprehensive book on Italian cuisine, and it includes over 800 recipes from the 109 provinces of Italy's 20 regions.
I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.
Perhaps the finest and least well-known novel to come out of the First World War. Imagist poet Richard Aldington takes his own experiences of the home and Western Fronts and turns both barrels on the sanctimony of Edwardian society and its parade of sycophants, socialites, and fools. Unusually, it is a book by a poet that resists turning war into poetry. Unafraid to use realistically coarse military language, it divided the critics at the time and has divided readers ever since. It is a howl of rage that speaks across the century, a timeless reminder that there is no romance in the needless carnage of war.
One of the great World War I antiwar novels - honest, chilling, and brilliantly satirical
Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among…
I’m a historian and professor in Louisiana, in the southern United States. When I was an undergraduate in college (many years ago!), I embraced the opportunity to study diverse subjects, ranging from the natural sciences to the humanities. I became fascinated by medicine and health and their relationship to history, society, and international relations–and have remained fascinated ever since. These interests led me to study humanitarianism and its place in 20th-century US foreign relations and international history. Over the years, I have researched and written two books and more than 20 articles on these subjects, and I love sharing this history with readers and students alike.
More than a century has passed since the First World War, but this book shows us that its humanitarian legacies are well worth remembering.
I appreciate this book for many reasons, but most of all, for the truly global perspective its authors take. They make it clear that the Great War was truly a world war. More than this, it should be remembered as a global humanitarian crisis. The authors examine many diverse efforts to assist both soldiers and civilians while also considering the messy politics involved in these relief efforts.
I find this book valuable for revealing the complex relationships between aid workers and relief recipients, a dynamic as central today as it was 100 years ago.
This book provides fresh perspectives on a key period in the history of humanitarianism. Drawing on economic, cultural, social and diplomatic perspectives, it explores the scale and meaning of humanitarianism in the era of the Great War. Foregrounding the local and global dimensions of the humanitarian responses, it interrogates the entanglement of humanitarian and political interests and uncovers the motivations and agency of aid donors, relief workers and recipients. The chapters probe the limits of humanitarian engagement in a period of unprecedented violence and suffering and evaluate its long-term impact on humanitarian action.
The writing of Mad Hatter (my 7th book), was fueled by curiosity about WW2 and about my absent father. I emigrated to Canada as a young woman and pursued a career in the Arts – theatre, painting, writing. But only when I embarked on this fictionalized family story did I begin to uncover shocking family secrets as I pulled together threads of childhood memory, woven in with research material, trying to make sense of it all. Writing has literally saved my life, and Mad Hatter has liberated me in a manner I could never have predicted. I am an intense, passionate workaholic, writing in many genres, exulting in life's surprises!
An accumulation of memories haunt and inform Noonday, a novel that stands alone as the third in a trilogy spanning both world wars. I particularly love Barker’s avoidance of sentimentality. She is an honest writer who digs deep and gives no easy solutions as she follows a cast of characters who originally met as students at the Slade School of Art in London. Elinor, who is central, still suffers from the death of her brother Toby in the Great War. Barker’s skillful evocation of the past gives weight and resonance to every word, reminding the reader of the increasing complexity of character formation with life’s most intense and sometimes tragic experiences.
A new novel from the Booker Prize winning Pat Barker, author of the Regeneration Trilogy, that unforgettably portrays London during the Blitz (her first portrayal of World War II) and reconfirms her place in the very top rank of British novelists.
London, the Blitz, Autumn 1940. As the bombs fall on the blacked-out city, ambulance driver Elinor Brooke races from bomb sites to hospitals trying to save the lives of injured survivors, working alongside former friend Kit Neville, while her husband Paul Tarrant works as an air-raide warden. Once fellow students at the Slade School of Fine Art before the…
My entire life has revolved around the military. At seven years old, I decided that I would serve my country as a Marine, so my formative years were spent reading as much as I could about the ideas of service, leadership, combat, and sacrifice. I joined the Corps at seventeen and spent the next twenty-one years trying to live up to those stories I read as a child. Now, I divide my time between training special operations Marines for combat, writing about my experiences, and encouraging veterans of all services to put their stories on paper as a senior editor for the Lethal Minds Journal. I share the lessons I’ve learned in my weekly substack, Walking Point.
This is a book I have read over and over. Jünger, a German infantryman, paints a picture of trench warfare that does nothing to glamorize combat, but I found the ideas of duty, bravery, leadership, and even ethics in its pages.
I appreciate that this memoir began as Jünger’s journal and was re-written and edited over a number of years, which allowed for the level of reflection that I feel is necessary for a memoir.
Originally published in 1920, The Storm of Steel is a first-hand account of World War I trench combat lifted from the diaries of Ernst Jünger, a German infantryman who would become one of Europe's most talented writers. The book was first translated into English in 1929 by Basil Creighton, the acclaimed translator of many other classic works of German literature, and was widely hailed as a masterpiece.
The Storm of Steel remains the definitive account of World War I, following Jünger through several major engagements as he develops from an eager young soldier into a battle-hardened officer. Subsequent revisions by…
