Fans pick 100 books like Death of a Hero

Barry’s dramatic historical account of the 1918 influenza pandemic has been called “fascinating,” “brilliant,” “sobering,” and “terrifying” by numerous reviewers.

It is a piece of history, the worst public health disaster in the century before COVID-19, that should have helped succeeding generations to take pandemic preparedness more seriously. It should have enhanced our understanding that during such a crisis, science must lead the way. Despite all that we did learn from the great influenza of 1918, we were unable to avoid many of the mistakes made when our leaders too often shunned the advice of science and made the COVID-19 pandemic political.

This book informed and influenced me greatly. It inspired me to see the need for and the importance of recording and learning from our experiences a century later.

I first read this book about twenty years ago and still find it heartbreaking to think it was written by someone who experienced first-hand the horror of the First World War and with it so much pain and grief brought about not only from her experiences as a V.A.D. but also from her own personal losses.

It is a book that helped me understand as much as anything possibly could living in the twenty-first century, how much of a struggle it must have been for ordinary people to keep going and survive that dark time in history.

It will take some digging, but do try to hunt this down. Thompson was assigned as Churchill's bodyguard just a week before the 1921 Cairo Peace Conference began. His account of his boss's attitudes and habits is refreshingly irreverent. (While smoking a cigar, Churchill “looked like an upholstered toad, slowly incinerating himself.”) Thompson also provides an important contemporaneous description of how T. E. Lawrence was regarded by Arabs in 1921, before either he or Churchill became enveloped in mythology.

Korda’s book provides a rich historical account of Lawrence of Arabia.

It explains how the Ottoman Empire was dissected by the British and French after World War I. Because the Europeans ignored cultural boundaries and simply drew straight lines on a map, the region has been a fiery mess since then. Lawrence was a hero for the British, but he advised against the specifics of the peace treaty signed at Versailles.

Korda’s book exemplifies the idea that peace can be achieved through cultural understanding and openness. Had the Europeans utilized a peacebuilding approach the area wouldn’t have been dragged into disarray and generations of conflict. 

Beevor has a rare gift of presenting war at the level of both the ordinary soldier and the generals and distant leadership making decisions both good and bad. His sources range from letters home, to diaries, to dispatches on both the Soviet and German side. He writes without flinching about the horrors of war, or too overtly playing the cheerleader as so many military histories do, to their detriment. 

The original Vietnamese title of this novel was The Fate of Love. The hero is a veteran of the North Vietnamese Army who fought in The War Against the Americans to Save the Nation. He suffers from PTSD and mourns the loss of his fiancee. The novel proceeds as a series of discontinuous episodes as the hero relives traumatic memories.

As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his… show more.

This remains the outstanding full-length biography of Hitler, not least because it is brilliantly written; it is also extraordinarily prescient.

Fest’s portrayal of the Nazi leader, the first to be written by a German, shows how any human society, no matter how cultured or educated, if far enough degraded and humiliated will be willing to listen to a banal, humourless bully whose singular obsessions were to pick at Germany’s war wounds and delegate the slaughter of the blameless minority he deemed responsible.

In Fest’s hands, Hitler emerges as no freak of nature with god-like powers, no monster beyond our comprehension…but shockingly human, the living fulfillment of the racist fantasies of the ordinary, pot-bellied fascists who brought him to power.

While researching early English history for my own book, I came to the miserable conclusion that I would first have to read Bede’s. To be honest the thought of paint drying had more allure. Yet, when I did finally buckle down to read (what is in fact five books) it was a complete revelation. Bede takes the reader on a very entertaining ride through early English history but it is much more than that. Indeed, the most striking thing about the work is its obsession with detail and accuracy. Drawing on the extensive library at Jarrow, Bede made a huge effort to ‘get it right’. Yes, there are biases and yes there are some curious obsessions, but in fighting fake news and fake history this 8th-century masterpiece remains an example to us all.   

If ever there was a book that should be read for all the wrong reasons, then H.E. Marshall’s bizarre children’s book is it. Once a standard text on Edwardian nursery shelves this ‘storybook’ of English history typifies all that is wrong with Britain’s backward-looking, exceptional view of itself. Starting with the tale of how Brutus of Troy tossed some giants off the white cliffs at Dover (yes really!) and ending in 1905, the book sets out an inevitable narrative arc of British top-doggery while plagiarising Shakespeare’s plays and passing them off as history along the way. In any sane country it would be a curiosity but in 2008 it was reprinted by the Civitas think tank and has been promoted by Conservative politicians ever since on that basis that ‘this is the way to teach British history.’ There's a case, set out in my own book, that Marshall did more… show more.