Here are 100 books that Stalingrad fans have personally recommended if you like
Stalingrad.
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I'm an award-winning teacher and writer who introduces students and readers to war in a profession that today is at best indifferent to military history, and more often hostile. That gives me a wry sense of irony, as colleagues would rather teach about fashion than fascism and truffles over tragedy. Having written a multiple award-winning book that covered 2,000 years of war, frankly I was sickened by how the same mistakes were made over and again. It has made me devoted to exploring possibilities for humane behavior within the most inhumane and degraded moral environment humanity creates; where individuality is subsumed in collective violence and humanity is obscured as a faceless, merciless enemy.
Beautifully written masterwork on one of the most important wars of the 19th century. It takes the reader from the experience of ordinary soldiers in battle to key debates around the cabinet table, in a rare display of dexterity and understanding of all levels of war. You will enter Grant’s HQ from where he ran the critical Western theater of operations and sit across from Lincoln as he makes the key decision for a hard war that let the Union maximize its resources and win. And you will walk into Lee’s HQ where the Confederacy lost the war in bursts of Southern hubris that led to two ill-conceived invasions of the North that provoked the final crushing.
Now featuring a new Afterword by the author, this handy paperback edition of the Pulitzer Prize-winning Battle Cry of Freedom is without question the definitive one-volume history of the Civil War. James McPherson's fast-paced narrative fully integrates the political, social, and military events that crowded the two decades from the outbreak of one war in Mexico to the ending of another at Appomattox. Packed with drama and analytical insight, the book vividly recounts the momentous episodes that preceded the Civil War including the Dred Scott decision, the Lincoln-Douglas debates, John Brown's raid on Harper's Ferry. From there it moves into…
I am not a historian but a journalist, and in writing the book I wanted to do what I have done in my political writing. Namely to cut through the lies, to bring accuracy to the distortions, and to point a finger at the politicians and pundits who would prefer that we wallowed in the phony nostalgia of our imagined past. Tackling fake history is like tackling fake news. You need not only to seek out the truth that lies underneath but also discover in whose interests myth-making works in the first place. That's why fighting fake history matters and that is why I wrote the book.
Perhaps the finest and least well-known novel to come out of the First World War. Imagist poet Richard Aldington takes his own experiences of the home and Western Fronts and turns both barrels on the sanctimony of Edwardian society and its parade of sycophants, socialites, and fools. Unusually, it is a book by a poet that resists turning war into poetry. Unafraid to use realistically coarse military language, it divided the critics at the time and has divided readers ever since. It is a howl of rage that speaks across the century, a timeless reminder that there is no romance in the needless carnage of war.
One of the great World War I antiwar novels - honest, chilling, and brilliantly satirical
Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among…
Between us, we’ve been in the interreligious relations business for a combined 50 years. We started working together when Jerry was Deputy Assistant Secretary of State under President Barack Obama. In 2015, we were both invited by Prince Ghazi of Jordan to join other interreligious leaders to advance a UN resolution defining and taking a stand against religicide. That resolution never made it to the Security Council. But we joined forces to sound the alarm about religicide. We wrote our book in the hope of inspiring an international campaign to end this killing in the name of God – or being killed because of your God.
This book relates the suspenseful and twisted path through which two of the world’s worst human rights abuses finally came to be recognized following World War II and the Holocaust. Raphael Lemkin, a Polish Jewish lawyer who lost dozens of family members in the Holocaust, led the campaign for genocide to be recognized as a crime under international law. The banner for crimes against humanity was carried by Hersch Lauterpacht. Although both men lobbied the Nuremberg war crimes tribunal to recognize the particular form of human rights that they espoused, they never actually met. But Sands makes it clear that genocide and crimes against humanity are based on fundamentally different, and at times, opposed concepts of human rights. One is focused on the rights of individuals and the other on the rights of entire groups. Sands’ book is one of the best analyses of the complexities of remaking international law,…
THE BRITISH BOOK AWARDS NON-FICTION BOOK OF THE YEAR 2017
SUNDAY TIMES TOP 10 BESTSELLER
When he receives an invitation to deliver a lecture in the Ukrainian city of Lviv, international lawyer Philippe Sands begins a journey on the trail of his family's secret history. In doing so, he uncovers an astonishing series of coincidences that lead him halfway across the world, to the origins of international law at the Nuremberg trial. Interweaving the stories of the two Nuremberg prosecutors (Hersch Lauterpacht and Rafael Lemkin) who invented the crimes or genocide and crimes against humanity, the Nazi governor responsible for…
History has always been my passion. Since I was 16, I tried to understand the world around me and the forces that shaped it. I thought that history as a discipline provided the best answers. In the 1970s, because of the official anti-Semitism, it was impossible to get into the history department programs at the Soviet universities. Nonetheless, I resolved to study history after my emigration to the US in 1979 and joined a graduate program at the University of Chicago. For four decades I have been writing about Russian history, although I also read, teach, and write on global history.
A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.
_______________________________________ 'With Archangel, Robert Harris confirms his position as Britain's pre-eminent literary thriller writer' The Times
'He has a talent for heart-poundingly tense story-telling, and an ability to conjure up atmospheres almost palpable with menace' Sunday Times _______________________________________ Deadly secrets lurk beneath the Russian ice.
Historian Fluke Kelso is in Moscow, attending a conference on recently unclassified Soviet papers, when an old veteran of the Soviet secret police visits his hotel room in the dead of night. He tells Kelso about a secret notebook belonging to Josef Stalin, stolen on the night of his death.
History has always been my passion. Since I was 16, I tried to understand the world around me and the forces that shaped it. I thought that history as a discipline provided the best answers. In the 1970s, because of the official anti-Semitism, it was impossible to get into the history department programs at the Soviet universities. Nonetheless, I resolved to study history after my emigration to the US in 1979 and joined a graduate program at the University of Chicago. For four decades I have been writing about Russian history, although I also read, teach, and write on global history.
Beautifully written, the book follows the lives of Russia’s two great aristocratic families in the aftermath of the Bolshevik Revolution. Their fate was typical of the entire Russian aristocracy. It is a story of the Bolsheviks' cruelty and a painful survival of their many victims.
The riveting and harrowing story of the Russian nobility caught in the upheaval of the Revolution
Winner of the Pushkin House Russian Book Prize Named a Best Book of the Year by The Kansas City Star and Salon
Epic in scope, precise in detail, and heartbreaking in its human drama, Former People is the first book to recount the history of the aristocracy caught up in the maelstrom of the Bolshevik Revolution and the creation of Stalin's Russia. It is the story of how a centuries-old elite, famous for its glittering wealth, its service to the tsar and empire, and…
Steven G. Marks is a historian who has written extensively on Russian economic and cultural history, the global impact of Russian ideas, and the history of capitalism. He received his PhD from Harvard University and has spent more than 30 years teaching Russian and world history at Clemson University in South Carolina.
Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.
Moscow, 1937: the soviet metropolis at the zenith of Stalin s dictatorship. A society utterly wrecked by a hurricane of violence. In this compelling book, the renowned historian Karl Schlogel reconstructs with meticulous care the process through which, month by month, the terrorism of a state-of-emergency regime spiraled into the Great Terror during which 1 1/2 million human beings lost their lives within a single year. He revisits the sites of show trials and executions and, by also consulting numerous sources from the time, he provides a masterful panorama of these key events in Russian history. He shows how, in…
Who hasn’t seen the classic American movies on the Vietnam War–Apocalypse Now, The Deer Hunter, or Platoon? They are fine films, but have you ever asked yourself where the Vietnamese are? Save for a few stereotyped cameo appearances, they are remarkably absent. I teach the history of the wars in Vietnam at the Université du Québec à Montréal. My students and I explore the French and the American sides in the wars for Vietnam, but one of the things that I’ve tried to do with them is weave the Vietnamese and their voices into our course; this list provides a window into those Vietnamese voices.
This is an autobiographical novel that will change your perspective on the Vietnam War. The protagonist of the story, Kien, leaves Hanoi to join the ranks of those going south to liberate the country from the Americans and their South Vietnam allies.
It’s 1965. The Americans are invading. Scores of young men and women like Kien march off in a great patriotic wave from the North to save the South. The patriotic groundswell doesn’t last long though, as Bao Ninh plunges us into the brutality of the Vietnam War.
Through Kien, we discover for the first time what the experience of war was for the other side without the patriotic glitz. It’s not pretty, and yet Bao Ninh succeeds in humanizing the North Vietnamese soldier before our eyes.
It makes for a very powerful read. And like so many other soldiers making it home alive, the return to civilian life…
This is the semi-autobiographical account of a soldier's experiences. The hero of the story, Kien, is a captain. After 10 years of war and months as a MIA body-collector, Kien suffers a nervous breakdown in Hanoi as he tries to re-establish a relationship with his former sweetheart.
I only ever enjoyed one subject at school, and that was history. I read history books for pleasure, and then studied the subject at university, along with politics. As an adult, I worked in publishing and then began to write history books for myself, books to be read by both children and adults. History has remained my passion all my life, and the five books I have chosen here are just some of the many fine history books that deal with the major events of the recent 20th century. I hope you enjoy my selection.
In May 1940, as Britain fought for its survival against Nazi Germany, British Prime Minister Neville Chamberlain resigned to be replaced by the determined and forceful Winston Churchill. Chamberlain had been the face of appeasement, negotiating peace with the Nazi leader Adolf Hitler in the hope of buying him off. Many felt that he had brought Britain to the brink of disaster. Two months later three journalists—Michael Foot, Peter Howard, Frank Owen—writing anonymously as Cato, published this scathing attack on Chamberlain and the other appeasers, naming and shaming the guilty men responsible for betraying their country.
In his preface to the 1998 reissue, Michael Foot wrote, 'Guilty Men was conceived by three London journalists who had formed the habit of meeting on the roof of the Evening Standard offices in Shoe Lane, Fleet Street, just after the the afternoon paper had been put to bed and, maybe, just before the Two Brewers opened across the road.'
The book's genesis and publication could hardly have been swifter. Its writing took four days from the 1st to the 4th June 1940: it was published on the 5th July. It is an angry book, indeed, a devastatingly effective polemic.…
I’m a Lithuanian-American with a Chinese name, thanks to my husband. Thirty years ago, I found papers among my uncle’s possessions telling a WWII story about our ancestral Lithuania. I had heard about it in broad terms, but I could hardly believe what I was reading. I spent years validating the material. The result was Amber Wolf, a historical novel about a war within the war: the fight against the Russian occupation of Eastern Europe. While many countries were involved in separate struggles, I focused on Lithuania and their David and Goliath fight against the Russian army. After all this time, the story still moves me.
Bloodlands is a story about the dead. Using archives made available after the break-up of the Soviet Union, Mr. Snyder sheds light on both Stalin’s and Hitler’s brutality.
In a confined area that includes just eastern Poland, Ukraine, Belarus, and the Baltic countries, 14 million civilians died from the 1930s to the end of the war. Most were either starved or shot. Even more startling were the plans to kill millions more.
Stalin said, “a single death is a tragedy, a million deaths are a statistic.” Mr. Snyder reminds us of the tragedy.
Americans call the Second World War "the Good War." But before it even began, America's ally Stalin had killed millions of his own citizens-and kept killing them during and after the war. Before Hitler was defeated, he had murdered six million Jews and nearly as many other Europeans. At war's end, German and Soviet killing sites fell behind the Iron Curtain, leaving the history of mass killing in darkness. ? Assiduously researched, deeply humane, and utterly definitive, Bloodlands is a new kind of European history, presenting the mass murders committed by the Nazi and Stalinist regimes as two aspects of…
From an early age, I have made a life out of listening to, telling, teaching, and writing about war stories. I am intrigued by their widespread personal and public importance. My changing associations with these stories and their tellers have paralleled evolving stages in my life—son, soldier, father, and college professor. Each stage has spawned different questions and insights about the tales and their narrators. At various moments in my own life, these war stories have also given rise to fantasized adventure, catharsis, emotional highs and lows, insights about human nature tested within the crucible of war, and intriguing relationships with the storytellers—their lives and minds.
As a Vietnam veteran, teacher of war literature, and writer, I am disappointed that I never interviewed Michael Herr. I can only imagine what such an encounter might have been like with this larger-than-life figure, at least the persona (adrenaline junky, reporter on drugs) found in this fragmented collection of war reportage. With its New Journalistic style and content, the sensory-overload writing might be best described as a collection of literary illumination rounds (their underlying message—war is hell and addictive). As a freelance journalist, Herr arrived in Vietnam wanting to reveal the large ugly truths about the war, which he succeeds in doing, but I find the soldiers’ personal war stories more gripping and truthful. For me and even Herr, the real surprise is that this book ultimately chronicles the author’s own war story of innocence lost: the anti-war reporter becomes just as addicted to war as some of his…
A groundbreaking piece of journalism which inspired Stanley Kubrick's classic Vietnam War film Full Metal Jacket.
We took space back quickly, expensively, with total panic and close to maximum brutality. Our machine was devastating. And versatile. It could do everything but stop.
Michael Herr went to Vietnam as a war correspondent for Esquire. He returned to tell the real story in all its hallucinatory madness and brutality, cutting to the quick of the conflict and its seductive, devastating impact on a generation of young men. His unflinching account is haunting in its violence, but…
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