100 books like Moscow, 1937

This book relates the suspenseful and twisted path through which two of the world’s worst human rights abuses finally came to be recognized following World War II and the Holocaust. Raphael Lemkin, a Polish Jewish lawyer who lost dozens of family members in the Holocaust, led the campaign for genocide to be recognized as a crime under international law. The banner for crimes against humanity was carried by Hersch Lauterpacht. Although both men lobbied the Nuremberg war crimes tribunal to recognize the particular form of human rights that they espoused, they never actually met. But Sands makes it clear that genocide and crimes against humanity are based on fundamentally different, and at times, opposed concepts of human rights. One is focused on the rights of individuals and the other on the rights of entire groups. Sands’ book is one of the best analyses of the complexities of remaking international law,… show more.

Beevor has a rare gift of presenting war at the level of both the ordinary soldier and the generals and distant leadership making decisions both good and bad. His sources range from letters home, to diaries, to dispatches on both the Soviet and German side. He writes without flinching about the horrors of war, or too overtly playing the cheerleader as so many military histories do, to their detriment. 

A brilliant novel set in 1990s Russia. The plot involves Stalin and one of his deep secrets. The author seamlessly moves the story from the 1930s to 1990s and back. One rarely sees a historical novel so accurate in capturing the historical events and so utterly captivating. It is on par with some of the best thrillers.

Beautifully written, the book follows the lives of Russia’s two great aristocratic families in the aftermath of the Bolshevik Revolution. Their fate was typical of the entire Russian aristocracy. It is a story of the Bolsheviks' cruelty and a painful survival of their many victims.

If you would like to try and understand the Soviet and post-Soviet psyche, these first-hand, verbatim interviews from 1991-2012, by Svetlana Alexievich, the Belarusian Nobel Laureate, question and discuss what it means and meant to be a Soviet. With a wide selection of individual testimonies from different backgrounds of the Soviet Union, from ordinary folk to officials, prisoners, relatives of those who were murdered, the executioners, the book also investigates how they coped when the Soviet Union broke down. Written from transcribed, spoken recordings, these documentary / reportage texts get to the heart of the matter—often that there is a gaping vacancy in the place of what one had previously believed in, from one's earliest of days, even before becoming a red-scarfed Pioneer. When one's whole philosophical fabric has been torn down, how do you exist? How do you cope and make sense of the world? What really is so… show more.

There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain… show more.

You may recognize Fiona Hill from her damning testimony in the first impeachment of President Donald Trump in the Ukraine scandal, at which time she was senior director for European and Russian affairs at the National Security Council. Prior to that, she—along with co-author Cliff Gaddy—were two of the top minds on Russian politics at the Brookings Institute.

Together their book, Mr. Putin: Operative in the Kremlin goes beyond the standard biographies of Vladimir Putin’s rise from the streets of Leningrad to the KGB to the Kremlin. More importantly, it highlights the variety of roles that Putin plays in the role he currently occupies: the embodiment of the state, the interpreter of Russian history, the survivalist, the outsider, the free marketeer, and the case officer. Understanding how Putin switches from one role to another atop the Russian political system is crucial to understand that system.

Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.

Vladimir Voinovich was probably the greatest Russian satirical writer since Gogol. After the fall of the U.S.S.R., he was asked if it was still possible to write satire in Russia. He insisted that it was. “The Soviet Union was a giant mental hospital but it was organized,” he explained. “Now, the inmates have been told that they can do whatever they want. So Russia is funnier than ever.”

In this novel, published in 1986, Voinovich demonstrated his stunning ability to divine the future. He described a new Russian regime dominated by state security and based not on Marxism-Leninism but on the teachings of the Orthodox Church. Like Russia today, the regime of his novel tells its citizens that they are surrounded by “three rings of hostility.” The first is the former Soviet republics; the second, the former Soviet satellites, the third, the West – the former “capitalist enemy.” This makes… show more.

This vivid history of the Soviet Union at war by BBC journalist Alexander Werth is worth picking up for the Stalingrad chapters alone. In January 1943, Werth set out by train from Moscow to Stalingrad with a small group of correspondents. His conversations with Russian soldiers, officers, nurses, and railwaymen about the fighting, the Germans, and the Soviet defense of the city are woven into these chapters and make for extremely engaging reading.