10 books like Secondhand Time

Karl Schlögel’s masterpiece, Moscow,1937, is a gripping study of Moscow at the peak of the Stalinist Great Terror. With short chapters and a multitude of illustrations, the book leads the reader on a panoptic tour of every aspect of the city’s life in this year of mass arrests and waves of executions. Step by step, Schlögel builds a convincing case that as the Communist regime struggled to get a grip on the chaos unleashed by the regime’s own collectivization and industrialization drives, its reflexive response was to resort to political violence. The murderous frenzy that resulted changed the society beyond recognition.

There are many excellent histories of the Russian Revolution that chronicle the main events, but none convey the complexity of experiences in Tsarist Russia during its final years and the Soviet regime in its initial phase as Mark Steinberg’s short but powerful and original work. This book gives us the bird’s-eye view of developments as they unfold, but also places them under the microscope to give us personal stories and experiences from different wakes of life. Using contemporary journalism and diaries, Steinberg recovers the voices of a range of ethnic groups in various regions of the empire—Jews, Ukrainians, and Central Asians--as well as workers, peasants, women, and members of the intelligentsia. As we witness their lives being thrown into upheaval by rapid political and economic transformation in the first years of the 20th century, followed by World War I, the two revolutions of 1917, and civil war, we gain… show more.

You may recognize Fiona Hill from her damning testimony in the first impeachment of President Donald Trump in the Ukraine scandal, at which time she was senior director for European and Russian affairs at the National Security Council. Prior to that, she—along with co-author Cliff Gaddy—were two of the top minds on Russian politics at the Brookings Institute.

Together their book, Mr. Putin: Operative in the Kremlin goes beyond the standard biographies of Vladimir Putin’s rise from the streets of Leningrad to the KGB to the Kremlin. More importantly, it highlights the variety of roles that Putin plays in the role he currently occupies: the embodiment of the state, the interpreter of Russian history, the survivalist, the outsider, the free marketeer, and the case officer. Understanding how Putin switches from one role to another atop the Russian political system is crucial to understand that system.

Fully abstract art was a Russian invention, but until this remarkable book by Aaron Cohen came out, there was no treatment of the subject that explained the historical context in which it emerged in the work of Kandinsky, Malevich, Tatlin, and others. Other art historians have traced the aesthetic process that led, seemingly ineluctably, toward abstraction, but Cohen shows us how closely linked it was to the despair felt during the First World War. In this short but accessible work that makes extensive use of previously untouched Russian sources, he brings to life the debates over the issue among Russian artists and critics and details the response of the art market to the turmoil of the period and the birth of avant-garde movements that revolutionized art worldwide.

Alex Halberstadt’s paternal grandfather was the last living bodyguard for Josef Stalin. His maternal grandparents were Lithuanian Jews who watched firsthand as their world caught fire in the Holocaust. And Alex, who grew up in Moscow but moved to New York as a teenager, is now an out gay American man. From this mad tapestry of personal history, Halberstadt weaves an incredibly moving story of identity, family, and inherited trauma.

Stephan Orth has a lot of nerve. The author of Couchsurfing in Iran, he decides to take his talents to Russia, stopping in places no tourist would dare to go and getting to know actual Russian people. And then he writes a funny, insightful, mind-bendingly entertaining book about them. Who does this guy think he is? Do yourself a favor: Read his book and find out. Stephan is a fabulous tour guide of the real Russia and its people.

While sipping cocktails in a New York City bar in the late 1940s, John Steinbeck and the famed war photographer Robert Capa began musing about Russia. “What do the people wear there? What do they serve at dinner? Do they have parties?... How do they make love, and how do they die?” Though gallons of ink were routinely spilled in newspaper stories about the political situation there, no one covered the private lives of the Russian people, which is what these two great artists wanted to know about. So, they decided to find out for themselves. They detail the fruits of their fascinating and frequently madcap journey in A Russian Journal.

I’m recommending this because if have any interest in Russia but haven’t yet read it, you simply must. No, really, listen: You must. David Remnick writes like Muhammad Ali boxed: with grace, power, and an unfair amount of skill. This is a deeply researched, carefully crafted, incredibly absorbing account of the final days of the Soviet Union. Never mind the “tomb” title; the book is filled with colorful characters and delicious slices of life, all captured during a time of historic upheaval.

Nabokov's ability to catch and pin ephemeral ideas provides sumptuous reflections in this prism of his analytic perception. Speak, Memory is a ludic, linguistic, conjuring of memories. The chapters were written on different occasions and collated for this purpose. He even wrote an extra Chapter (16) as an anonymous reviewer, explaining "He (Nabokov) is out to prove that his childhood contained, on a much-reduced scale, the main components of his creative maturity; thus, through the thin sheath of a ripe chrysalis one can see, in its small wing cases, the dawning of color and pattern, a miniature revelation of the butterfly that will soon emerge and let its flushed and diced wings expand to many times their pupal size." I most admire his ability to analyse a memory and comprehend it in atomic scale.

Maybe it mesmerised me because I was in a remote city in Russia, and it was… show more.

I would read this book only for Prince Myshkin the so-called "Idiot", a holy fool, and Nastasya Filippovna, a complex, piteous, feisty, worshipped, orphaned, tormented, tragic woman of great beauty who was brought up to be a kept mistress. Aside from Nastasya Filippovna, the beauty of the book is reading how Myshkin navigates around his own sense of divided love, between Nastasya and Aglaya and how he contends with the greed and ambition of others. His thoughts on death, execution, infidelity, insanity, the profound depths of mentality, of dread and fear, are all presented in the unravelling of this tragic tale set amongst a small group of individuals in St Petersburg in the mid-19th century. Written in instalments, the intricate plots, the love triangles, the tragic love story intensifies as the narrative continues. But essentially, I really chose this book, for Myshkin's soul-searching soliloquies, his internal dialogues in which you… show more.