100 books like Behind Putin's Curtain

If you would like to try and understand the Soviet and post-Soviet psyche, these first-hand, verbatim interviews from 1991-2012, by Svetlana Alexievich, the Belarusian Nobel Laureate, question and discuss what it means and meant to be a Soviet. With a wide selection of individual testimonies from different backgrounds of the Soviet Union, from ordinary folk to officials, prisoners, relatives of those who were murdered, the executioners, the book also investigates how they coped when the Soviet Union broke down. Written from transcribed, spoken recordings, these documentary / reportage texts get to the heart of the matter—often that there is a gaping vacancy in the place of what one had previously believed in, from one's earliest of days, even before becoming a red-scarfed Pioneer. When one's whole philosophical fabric has been torn down, how do you exist? How do you cope and make sense of the world? What really is so… show more.

Alex Halberstadt’s paternal grandfather was the last living bodyguard for Josef Stalin. His maternal grandparents were Lithuanian Jews who watched firsthand as their world caught fire in the Holocaust. And Alex, who grew up in Moscow but moved to New York as a teenager, is now an out gay American man. From this mad tapestry of personal history, Halberstadt weaves an incredibly moving story of identity, family, and inherited trauma.

While sipping cocktails in a New York City bar in the late 1940s, John Steinbeck and the famed war photographer Robert Capa began musing about Russia. “What do the people wear there? What do they serve at dinner? Do they have parties?... How do they make love, and how do they die?” Though gallons of ink were routinely spilled in newspaper stories about the political situation there, no one covered the private lives of the Russian people, which is what these two great artists wanted to know about. So, they decided to find out for themselves. They detail the fruits of their fascinating and frequently madcap journey in A Russian Journal.

I’m recommending this because if have any interest in Russia but haven’t yet read it, you simply must. No, really, listen: You must. David Remnick writes like Muhammad Ali boxed: with grace, power, and an unfair amount of skill. This is a deeply researched, carefully crafted, incredibly absorbing account of the final days of the Soviet Union. Never mind the “tomb” title; the book is filled with colorful characters and delicious slices of life, all captured during a time of historic upheaval.

Authoritarian Goes Global is an edited volume by Larry Diamond, Marc Plattner, and Christopher Walker—all distinguished experts in the study of democracy—which explains why authoritarian regimes have been so resilient. More specifically, the book offers evidence of how authoritarian regimes have been able to defend against democracy promotion, and in some cases, spread authoritarian norms and tactics. To help understand this better, the book provides interesting case studies on some of the most notable autocracies such as China, Iran, Russia, Saudi Arabia, and Venezuela—and also gives insights into how authoritarian regimes use new (and old) tools of propaganda and surveillance to control their citizens. For example, if you want to understand why Russia has shifted to a war footing, this book explains why this happened.

Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.

The eighteenth-century Russian princess Ekaterina Dashkova deserves your attention. This well-travelled woman was a friend of Catherine the Great, an author and playwright, wrote one of the earliest autobiographies known in Russia, held public office as President of the Academy of Sciences, and was instrumental in establishing the Russian Academy, of which she then became Director. 

Her entertaining memoirs take us into the inner circle of the Empress’ world, offer an entrée into the literary salons of Europe, and allow us to listen in on her scientific and intellectual exchanges with Benjamin Franklin, Voltaire, and Diderot. Long accessible only in French, the language of Russian aristocratic society, this English edition opens up her world to new readers.

This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.

Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.

His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable. 

Amazingly, in the spring of 1917 an Interview Commission was formed in Russia to obtain oral histories of the revolution that led to the abdication of Czar Nicholas II. Thirteen key players were interviewed about their role in the sweeping and often violent events that had occurred just two months earlier. You can sense the ambivalence that they were struggling with. Of special note is Alexander Kerensky, who would become the leader of the Provisional Government, describing how he called Nicholas’ brother Michael in the middle of the night, waking him up, and persuading him to renounce the throne.

The author was an old fraud but this is a delightful period piece which reveals a good deal, sometimes inadvertently, about the lives of Russians in the benighted Soviet sixties.