Here are 100 books that Véra fans have personally recommended if you like
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I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Alice Jameschanged my life as a writer. It completely opened up the field of biography and pointed the way to the work I’ve been doing for almost four decades: writing women’s lives. Before Alice James, biographies had to be of famous people, usually men. Here was a book about the little sister of the great novelist Henry James and the eminent philosopher William James, a woman who had essentially done nothing with her own talent and brilliance except—luckily!—keep a diary. Jean Strouse read that diary and used it as the entry point for a whole book about the dynamics of an extraordinary family, about women’s choices in 19th century America, about invalidism and suppressed ambition. It’s a riveting psychological tale full of poignance and unexpected heroism.
Alice James was the youngest child and only girl in a family that produced two of the most brilliant individuals in 19th-century America. Her elder brother, William, became the foremost psychologist of his time and her second brother, Henry, its greatest novelist. Her story reveals a troubled, highly intelligent woman who struggled to extract a sense of meaning and self from a life that had every outward appearance of failure. She was articulate, politically radical, funny, wise, difficult and intensely involved with her brothers and friends. This portrait sheds new light on the history of women, on the nature of…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Anyone who admires the portraits of John Singer Sargent is sure to know his gorgeous Daughters of Edward Darley Boit, the exquisite grouping of four girls in white pinafores emerging from the shadowy rooms of an elegant Parisian apartment. But do you know the girls, and how Sargent came to paint them? And what became of them all? Erica Hirshler, a curator at Boston’s Museum of Fine Arts, where the painting is on permanent exhibition, has written a book that reveals all in a stylish and richly nuanced historical detective story.
John Singer Sargent’s renowned portrait “The Daughters of Edward Darley Boit” is examined in an aesthetic, philosophical, and personal tour de force that has been called “thoroughly absorbing” (New York Times Book Review); “brilliant and insightful”?(Wall Street Journal); “an attractive, well-illustrated scholarly book, further enlivened by the author’s warm and friendly tone” (Times Literary Supplement); “a uniquely crafted history” (The Magazine Antiques); “a brilliant work of criticism, without a word of jargon in it” (Maine Antique Digest); “sensitive and penetrating” (Choice); and “a meticulously researched account of [the Boits’] milieu, their eccentric lifestyle, its unintended effects on their daughters, and…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Janice Nimura has uncovered a marvelous and strange tale of five Japanese girls selected by the Meiji Restoration government to travel to the United States to learn Western ways during a period of modernization. Three of them remained through their school years, their lives entwining with host families and new friends as they overcame prejudice and proved themselves bright, eager learners. Yet they returned with their new knowledge to a Japan once again suspicious of outside influence, their lives forever altered by their time away as the human subjects of a grand social experiment with unintended consequences. I loved getting to know these girls as they grew into womanhood, striving to realize their hopes and dreams as the world changed around them.
In 1871, five young girls were sent by the Japanese government to the United States. Their mission: learn Western ways and return to help nurture a new generation of enlightened men to lead Japan.
Raised in traditional samurai households during the turmoil of civil war, three of these unusual ambassadors-Sutematsu Yamakawa, Shige Nagai, and Ume Tsuda-grew up as typical American schoolgirls. Upon their arrival in San Francisco they became celebrities, their travels and traditional clothing exclaimed over by newspapers across the nation. As they learned English and Western customs, their American friends grew to love them for their high spirits…
I’m a cognitive psychologist, originally from Scotland, but I have lived and worked in Canada for the last 50 years, first at the University of Toronto, and then at a research institute in Toronto. My passion has always been to understand the human mind – especially memory – through experimental research. Memory is fundamental to our mental life as humans; to a large extent it defines who we are. It is a complex and fascinating topic, and my career has been devoted to devising experiments and theories to understand it better. In our recent book, Larry Jacoby and I attempt to pass on the excitement of unravelling these fascinating mysteries of memory.
This classic book, unlike others in the list, is not so much about memory, as a collection of the author’s memories of his childhood and early years.
Nabokov was born into a wealthy family in pre-Revolutionary Russia in 1899. His childhood in St. Petersburg and at the family’s country estate are described in loving detail, as are aspects of later years in England, Germany, and France. Nabokov was one of the great writers of the 20th Century, and the memories are recounted in his glowing and evocative prose.
His writing is nostalgic, but also wryly humorous, aware that many aspects of his early life are gone forever. Many of the chapters first appeared as articles in The New Yorker; all are eminently readable.
An autobiographical volume which recounts the story of Nabokov's first forty years up to his departure from Europe for America at the outset of World War Two. It tells of his emergence as a writer, his early loves and his marriage, and his passions for butterflies and his lost homeland. Written in this writer's characteristically brilliant, mordant style, this book is also a tender record of lost childhood and youth in pre-Revolutionary Russia.
I’m a historian of Southern Africa who is fascinated by questions of visibility and invisibility. I love probing beneath the surface of the past. For example, why is thisperson famous and renowned, butthatperson isn’t? To me, recognition and reputation are interesting to scrutinize as social categories in their own right, rather than as factual statements. I’ve written two books focusing on the history of religious expression in Southern Africa, and my most recent book is a biography of the forgotten South African writer and politician Regina Gelana Twala.
I love the way in which this fascinating group biography of the female partners of renowned male writers brings these usually ignored figures into the limelight.
Ciuraru argues that behind the careers of many acclaimed literary figures stand the important contributions of their wives. These women offered intellectual as well as practical support.
Many of these literary wives shelved their own creative aspirations to tend to the careers of their husbands.
But after their husbands’ deaths, some of these women found they finally had space for their own literary lives to start blossoming.
"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."-Francine Prose, author of The Vixen
A witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships.
"With an ego the size of a small nation, the literary lion is powerful on the…
When I was pregnant for the first time, I knew exactly the sort of mother I was going to be. I had read all the articles, bookmarked all the tastefully filtered Instagram posts. But then I had my son, and I realized almost immediately how little I knew. It turns out that while those tender Instagram moments do happen (and they truly are magic), there are just as many moments that can only be described as: WTF? My novel, The Perfect Ones, goes deep behind the screens of two Instagram influencers and their messy, conflicting, and fundamentally human feelings on motherhood. Here are five more books about the parts that don’t make the Instagram grid.
This novel does the very scary thing of looking postpartum directly in the eye.
It follows new mom Liz Bennet along her increasingly unhinged search for clues about her husband’s suspected infidelity. Most moms (hopefully!) won’t relate to Liz’s specific situation, but Justine Sullivan paints a terrifyingly realistic portrait of the madness of those first years of new motherhood.
Liz Bennett knows that she is one of the lucky ones. Wealthy and charming, Arno is a supportive husband to Liz and a doting father to their daughter, Emma. A rising banker at a top firm in the Boston area, he is the picture of perfection, rounding off their idyllic New England life. But when Liz sees a text on Arno's phone with a kissy-face emoji, her anxiety kicks into overdrive and she begins to worry that her luck has run out.
Plagued by persistent skepticism and countless sleepless nights, Liz decides she must uncover the truth about her husband…
I have enjoyed writing and creating stories based on fictional characters since my writing assignments in elementary school. I can remember my teachers telling my mother that my stories were very captivating and that I would take my simple assignments to a level that they hadn’t expected. This love for writing led to a love for reading fiction books and a deeper love for urban fiction, women’s fiction, and erotic fiction. I enjoyed books so much that I became a bookseller at a local bookstore and moved up to a specialist who introduced customers to their next favorite book.
This is one of those books that you never want to end. I was hooked from the very beginning when I was introduced to Regina and Larry. They had what outsiders would call the perfect marriage until Larry started getting his needs satisfied elsewhere.
I loved how Regina ultimately pulled herself together, took control of her life, and accepted her new normal. I thought the author’s way of describing Regina’s best friend Karen’s character and her husband John was one that left no room for confusion regarding their struggles of dealing with addiction and the demands of a spouse who just wasn't having it.
I finished this book in record-breaking time because it left me wanting more each time I closed it. My bookmark never stayed tucked in the creases of this book for too long!
Regina Moore and Karen Jackson, lifelong best friends, are living the kind of life most women only fantasize about. With beautiful homes, fulfilling careers, and two adoring husbands, their joy could not be greater, their worlds could not be richer. But suddenly, shattering truths about the loving men they thought they knew turn happiness into anguish and rage. For Karen and Regina, nothing they believed in or cherished can ever be the same as it was.
Yet, in the painful process of starting over, new doors will open, and two women who once had it all will rediscover the power…
I have always been intrigued by the Roaring 20s, and specifically in how the lives of women truly began to change during this time. My grandmother loved to boast about how she had been a flapper as a young woman. Her sister-in-law was one of the first female attorneys in Detroit in the mid-20s. The era brought about opportunities and freedoms previously unknown to women. Many women suddenly had options, both in terms of careers and lifestyles. Goals of first wave feminists were beginning to be reached. The research I did for my book furthered my understanding of society at the time, particularly in America.
Many readers knowledgeable about the Jazz Age know about F. Scott Fitzgerald’s many novels, as well as his life.
This fictionalized account gives keen insight into his wife, Zelda. Read to discover the difficulties faced by a creative woman married to a celebrated man. In many ways, Zelda was a woman of her times, yet like so many women overshadowed by her husband.
Read about their scandalous lives—hers in some ways even more so than his.
THE NEW YORK TIMES BESTSELLER OF THE JAZZ AGE NOW AN AMAZON ORIGINALS SERIES STARRING CHRISTINA RICCI
'If ever a couple ... became an era, it was F Scott Fitzgerald and his glamorous "flapper" wife, Zelda. They were the Jazz Age' Independent
When beautiful, reckless Southern belle Zelda Sayre meets F. Scott Fitzgerald at a country club dance in 1918, she is seventeen and he is a young army lieutenant. Before long, Zelda has fallen for him, even though Scott isn't wealthy or prominent or even a Southerner and keeps insisting, absurdly, that his writing will bring him both fortune…
My interest in gaslighting began when I watched the movie, Gaslight, starring Ingrid Bergman. Until then, I hadn’t understood how someone who appears charming and caring can use someone’s love to control, manipulate and undermine them, to such an extent that the victim doubts their own perception of reality. I started to read accounts of victims of gaslighting. I then realized that someone I knew was going through this. Fiction is a powerful means of creating awareness of issues and injustices, and I hope my new series character, Sally Fairburn, will inspire women to seize back their lives.
Holly appears to have a perfect life, living in a beautiful house, lunching with friends, married to handsome Zach, a hospital doctor.
But gradually we discover that Holly’s life is one of fear: she is a victim of gaslighting. If Holly dares to cross Zach, the cruel, sadistic narcissist shows itself. One of the chapters that sent shivers down my spine was when Zach punishes Holly when she is at her most vulnerable – in the birthing suite.
He sabotages the delivery of their daughter, causing Holly to need a C-section, all because, earlier, Holly left some shoes on the floor and Zach tripped over them.
For much of the book we wonder if Holly will ever be free of her abusive husband, but the author creates a wonderful ending which had me clapping my hands with delight.
He married me despite my darkest secret. But am I safe now that I know his?
From the outside, my marriage to Zach was perfect: dream home, a perfect baby girl and passionate, all-consuming love. When we met, I confessed my darkest secret to him and he never judged me for it. Instead, he vowed to always protect me whatever the cost.
But as I cradle my gorgeous baby, I have to accept that the husband who used to be my everything, has changed. At first it was little things: expecting me to keep to a strict schedule, picking out…
