Here are 100 books that Daughters of the Samurai fans have personally recommended if you like
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I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Nell Painter’s biography of Sojourner Truth breaks new ground in a different way. Sojourner Truth is famous, an iconic freedom fighter and advocate for Black and female suffrage. Weall know her demand for recognition, “Ain’t I a woman?” Or do we? Painter’s research reveals a much more complicated woman and investigates why history has reduced a fascinating life story to that one simple question, which might never have been asked, at least in those precise words. Read this book to find out the true story of Sojourner Truth.
Sojourner Truth first gained prominence at an 1851 Akron, Ohio, women's rights conference, saying, "Dat man over dar say dat woman needs to be helped into carriages, and lifted over ditches. . . . Nobody eber helps me into carriages, or ober mud-puddles . . . and ar'n't I a woman?"
Sojourner Truth: ex-slave and fiery abolitionist, figure of imposing physique, riveting preacher and spellbinding singer who dazzled listeners with her wit and originality. Straight-talking and unsentimental, Truth became a national symbol for strong black women--indeed, for all strong women. Like Harriet Tubman and Frederick Douglass, she is regarded as…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Alice Jameschanged my life as a writer. It completely opened up the field of biography and pointed the way to the work I’ve been doing for almost four decades: writing women’s lives. Before Alice James, biographies had to be of famous people, usually men. Here was a book about the little sister of the great novelist Henry James and the eminent philosopher William James, a woman who had essentially done nothing with her own talent and brilliance except—luckily!—keep a diary. Jean Strouse read that diary and used it as the entry point for a whole book about the dynamics of an extraordinary family, about women’s choices in 19th century America, about invalidism and suppressed ambition. It’s a riveting psychological tale full of poignance and unexpected heroism.
Alice James was the youngest child and only girl in a family that produced two of the most brilliant individuals in 19th-century America. Her elder brother, William, became the foremost psychologist of his time and her second brother, Henry, its greatest novelist. Her story reveals a troubled, highly intelligent woman who struggled to extract a sense of meaning and self from a life that had every outward appearance of failure. She was articulate, politically radical, funny, wise, difficult and intensely involved with her brothers and friends. This portrait sheds new light on the history of women, on the nature of…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Stacy Schiff is a master biographer. Any subject she chooses (Cleopatra, Benjamin Franklin, Antoine de St. Exupéry, the accused witches of Salem) is elevated by the passion and persistence she brings to research and writing. Her Pulitzer Prize-winning biography of Véra Nabokov, the wife of Vladimir, is another pioneering work that proves you don’t have to be at center stage to be worthy of a book. What did Véra do for Vladimir, and he for her? This is no take-down, not the kind of exposé that reveals the great man’s wife as the true genius, exploited and forgotten. It’s a love story of equals, two against (and for) the world.
WINNER OF THE PULITZER PRIZE FOR BIOGRAPHY • NEW YORK TIMES BESTSELLER • From the award–winning author of The Revolutionary and The Witches comes “an elegantly nuanced portrait of [Vladimir Nabokov’s] wife, showing us just how pivotal Nabokov’s marriage was to his hermetic existence and how it indelibly shaped his work.”—Michiko Kakutani, The New York Times
ONE OF ESQUIRE’S 50 BEST BIOGRAPHIES OF ALL TIME
“Monumental.”—The Boston Globe “Utterly romantic.”—New York magazine “Deeply moving.”—The Seattle Times
Stacy Schiff brings to shimmering life one of the greatest literary love stories of our time: Vladimir Nabokov, émigré author of Lolita; Pale Fire;…
I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.
Anyone who admires the portraits of John Singer Sargent is sure to know his gorgeous Daughters of Edward Darley Boit, the exquisite grouping of four girls in white pinafores emerging from the shadowy rooms of an elegant Parisian apartment. But do you know the girls, and how Sargent came to paint them? And what became of them all? Erica Hirshler, a curator at Boston’s Museum of Fine Arts, where the painting is on permanent exhibition, has written a book that reveals all in a stylish and richly nuanced historical detective story.
John Singer Sargent’s renowned portrait “The Daughters of Edward Darley Boit” is examined in an aesthetic, philosophical, and personal tour de force that has been called “thoroughly absorbing” (New York Times Book Review); “brilliant and insightful”?(Wall Street Journal); “an attractive, well-illustrated scholarly book, further enlivened by the author’s warm and friendly tone” (Times Literary Supplement); “a uniquely crafted history” (The Magazine Antiques); “a brilliant work of criticism, without a word of jargon in it” (Maine Antique Digest); “sensitive and penetrating” (Choice); and “a meticulously researched account of [the Boits’] milieu, their eccentric lifestyle, its unintended effects on their daughters, and…
Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.
This is a thoughtful and well-written account of Japan's history since the Meiji restoration. The book is enlivened by multiple narrative themes, from feminism to socialism, most of which run counter to the official government version of the nation's history.
This is a fresh and surprising account of Japan's culture from the 'opening up' of the country in the mid-nineteenth century to the present.
'How much I admired it, what a lot I learned from it and, above all, how very much I enjoyed it ... Masterly.' Neil MacGregor
It is told through the eyes of people who greeted this change not with the confidence and grasping ambition of Japan's modernizers and nationalists, but with resistance, conflict, distress.
We encounter writers of dramas, ghost stories and crime novels where modernity itself is the tragedy, the ghoul and the bad guy;…
I am a researcher, lecturer, theatre-maker, and writer based in Australia. I have lived in Japan for periods of time since my childhood and worked with a Japanese theatre company, touring internationally. This experience provided the basis for my PhD research in modern Japanese history and the performing arts. The following books were influential in the formation of my book,Cultural Responses to Occupation in Japan. Under each entry, I also include other relevant scholars and would encourage readers to follow them up as well.
In Peasants, Rebels, Women, and Outcastes: The Underside of Modern Japan, the social historian Mikiso Hane offers neglected insights on Japanese society from the margins. Hane’s people's history of modern Japan uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts of peasants, factory and industrial workers, and outsiders to detail lived experiences of ordinary people. The perspective from the underclasses resonates with Hijikata’s butoh and his life experiences.
This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country's era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan's "modern century" (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan's "economic miracle."
Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened the…
Growing up during the Cold War, I wondered how the United States and the Soviet Union became locked into an existential struggle that threatened to vaporize the planet. So, I studied Russian, Chinese, and Japanese (along with French, Spanish, and German) to learn more. At issue was the global order and the outcome of this struggle depended on the balance of power—not only military power that consumed Soviet attention but also economic power and standards of living that Western voters emphasized. Yet it was Japan that had the workable development model as proven by the Four Asian Tigers (Hong Kong, Singapore, South Korea, Taiwan) during the 1960s to 1990s.
This book is a deep dive into what makes Japan special. William G. Beasley (1919-2006), a long-time professor at the University of London, was one of his generation’s finest Japanologists. This book highlights the enormous achievements of the Meiji generation, who alone among non-Western leaders, positioned their country to win the game of economic catch-up.
For Japan, the Meiji Restoration of 1868 has something of the significance that the French Revolution has for France: it is the point from which modern history begins. In this now classic work of Japanese history, the late W. G. Beasley offers a comprehensive account of the origins, development, and immediate aftermath of the events that restored Imperial rule to Japan. He makes the case that the origins of the Meiji Restoration are not found in economic distress or class struggle, but in a growing sense of national danger and national pride spurred by Japan's contacts with the West. Nationalism…
I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.
Some might buck at describing Cloud of Sparrows as ‘premodern battle’ – after all, it describes events of the mid-19th Century! However, Takashi Matsuoka’s novel is a soulful retelling of the Bakumatsu, or the twilight of the Tokugawa shogunate as Japan was violently pushed into the age of gunpowder.
Cloud of Sparrows is richly detailed in combat amongst a fading samurai culture. Descriptions abound of the all-important Battle of Sekigahara, which had established the Tokugawa shogunate over two centuries prior. More immediate attention is paid to countless duels amongst the retainers of Genji, the Great Lord of Akaoka, who struggle to uphold antiquated notions of honor as Japan’s warrior class confronts gunpowder and cannon. Even the most experienced historical fiction writer will learn from Matsuoka’s descriptions of blades and bows.
Warrior clans nursing ancient grudges. Western missionaries brandishing pistols. Beautiful geishas who are deadly ninjas.
1861 - after two centuries of isolation Japan has been forced to open its doors. Now new influences are tearing apart the old order. Japan is as unprepared for outsiders as missionaries are for samurai assassins, executions and honour killings. Genji's life is at risk. He plans his escape to the Cloud of Sparrows but the road is long and there are many places along the way for brutal samurai to attack -The demons of the past, the treachery of the present, an uncertain future…
Why do some states appear to be so much more stable and secure than others. Why are some states so much more successful in providing public services such as health care, education, and infrastructure to their citizens than others. As an economic historian interested in the deeper roots of global inequalities in human welfare, the long-run development of states has always been one of the principal themes I have studied. In my view, the fiscal capacity of the state can be considered as the backbone of the state. Understanding the formation of fiscal states thus brings us closer to intricate puzzles of power, policies, and economic development.
This book traces the paths of fiscal development in England, Japan, and China, focusing on a critical era of institutional reform after, respectively, the English Civil Wars, the Meiji Restoration, and the Taiping Rebellion.
He brilliantly shows how these events led to urgent calls for state revenue, but how responses differed. England and Japan developed tools of modern public finance and equipped themselves to become world powers. China failed and only caught up much later.
This book is a wonderful example of historical comparative research in fiscal state formation, offering deep insights into the rise of the modern world system.
The rise of modern public finance revolutionized political economy. As governments learned to invest tax revenue in the long-term financial resources of the market, they vastly increased their administrative power and gained the ability to use fiscal, monetary, and financial policy to manage their economies. But why did the modern fiscal state emerge in some places and not in others? In approaching this question, Wenkai He compares the paths of three different nations-England, Japan, and China-to discover why some governments developed the tools and institutions of modern public finance, while others, facing similar circumstances, failed to do so.
I am not the type of person who likes to say “you are wrong” in fact I am the type of person who likes to say “let us add this to the whole story”. When you picture Japan you do not picture: slavery, snake dancers, or even samurai removing their shoes outdoors in a gesture of politeness to a superior, you do not imagine Italian Jesuits, western traders, pirates, and Chinese samurai, but they are all a part of actual samurai life. It is my task to add those lost items to our understanding of Japan and the samurai, but of course, in addition to this, I have to correct the story of the ninja, simply because it is a false one. The shinobi as they should be known were disfigured in the 20th century and I want to reveal their true face.
There is samurai culture as understood by most people, involving bushido, loyalty, honour, and truth and then there is this book, an autobiography by a real samurai about the honest truth about actually being a samurai. Part criminal, part reluctant warrior, this man’s story is one of passion, hardship, and eventual love for his family. It is one of the greatest windows into actual Japanese life, and again, it is not a best seller and is maybe now out of print. If you want to know what a samurai’s life was like after the wars with nothing to do but to just be a samurai, look no further, this is one of my most cherished books.
A series of picaresque adventures set against the backdrop of a Japan still closed off from the rest of the world, Musui's Story recounts the escapades of samurai Katsu Kokichi. As it depicts Katsu stealing, brawling, indulging in the pleasure quarters, and getting the better of authorities, it also provides a refreshing perspective on Japanese society, customs, economy, and human relationships.
From childhood, Katsu was given to mischief. He ran away from home, once at thirteen, making his way as a beggar on the great trunk road between Edo and Kyoto, and again at twenty, posing as the emissary of…
