100 books like The Meiji Restoration

Growing up during the Cold War, I wondered how the United States and the Soviet Union became locked into an existential struggle that threatened to vaporize the planet. So, I studied Russian, Chinese, and Japanese (along with French, Spanish, and German) to learn more. At issue was the global order and the outcome of this struggle depended on the balance of power—not only military power that consumed Soviet attention but also economic power and standards of living that Western voters emphasized. Yet it was Japan that had the workable development model as proven by the Four Asian Tigers (Hong Kong, Singapore, South Korea, Taiwan) during the 1960s to 1990s.

Growing up during the Cold War, I wondered how the United States and the Soviet Union became locked into an existential struggle that threatened to vaporize the planet. So, I studied Russian, Chinese, and Japanese (along with French, Spanish, and German) to learn more. At issue was the global order and the outcome of this struggle depended on the balance of power—not only military power that consumed Soviet attention but also economic power and standards of living that Western voters emphasized. Yet it was Japan that had the workable development model as proven by the Four Asian Tigers (Hong Kong, Singapore, South Korea, Taiwan) during the 1960s to 1990s.

Growing up during the Cold War, I wondered how the United States and the Soviet Union became locked into an existential struggle that threatened to vaporize the planet. So, I studied Russian, Chinese, and Japanese (along with French, Spanish, and German) to learn more. At issue was the global order and the outcome of this struggle depended on the balance of power—not only military power that consumed Soviet attention but also economic power and standards of living that Western voters emphasized. Yet it was Japan that had the workable development model as proven by the Four Asian Tigers (Hong Kong, Singapore, South Korea, Taiwan) during the 1960s to 1990s.

Growing up during the Cold War, I wondered how the United States and the Soviet Union became locked into an existential struggle that threatened to vaporize the planet. So, I studied Russian, Chinese, and Japanese (along with French, Spanish, and German) to learn more. At issue was the global order and the outcome of this struggle depended on the balance of power—not only military power that consumed Soviet attention but also economic power and standards of living that Western voters emphasized. Yet it was Japan that had the workable development model as proven by the Four Asian Tigers (Hong Kong, Singapore, South Korea, Taiwan) during the 1960s to 1990s.

I am a researcher, lecturer, theatre-maker, and writer based in Australia. I have lived in Japan for periods of time since my childhood and worked with a Japanese theatre company,  touring internationally. This experience provided the basis for my PhD research in modern  Japanese history and the performing arts. The following books were influential in the formation of my book, Cultural Responses to Occupation in Japan. Under each entry, I also include other relevant scholars and would encourage readers to follow them up as well.

Living in Britain for the past 20 years, I've been able to look at Japan with new eyes and to understand historical events from a global perspective. 'Cherry' Ingram's story isn't just about a man and his love for cherry blossoms. It's also about the cherry ideology and how it was perverted for militaristic purposes before and during World War II. While researching the book, I was amazed how many compelling anecdotes came to light that offered new insights into both British and Japanese society in the early 20th century.

I am the grown-up little girl who loved to read. I loved novels and children’s biographies—Amelia Earhart, Marie Curie, Annie Oakley. I imagined that if I could learn to write books that inspired readers and moved them to tears like my favorite books, I would have accomplished a great good. My first biography, The Peabody Sisters, took twenty years and won awards for historical writing. My second biography, Margaret Fuller, won the Pulitzer. But what matters more than all the prizes is when people tell me they cried at the end of my books. I hope you, too, will read them and weep over lives lived fully and well.    

I am fascinated by how societies conduct war. Who is expected to fight, and how are they organized? How is technology developed, implemented, and improvised in the heat of battle? And, most importantly, how do its participants make sense of the carnage around them? History is replete with tales of savagery and courage, of honor and depravity. Perilously few of these have been formed into novels, leaving an incomplete and disjointed understanding of thousands of years of struggle. Many authors, including those listed here, paved the path for holistic depictions of historical battle fiction – my hope is to contribute tales from oft-neglected societies, beginning with Belisarius and the 6th-Century Roman Empire.

Why do some states appear to be so much more stable and secure than others. Why are some states so much more successful in providing public services such as health care, education, and infrastructure to their citizens than others. As an economic historian interested in the deeper roots of global inequalities in human welfare, the long-run development of states has always been one of the principal themes I have studied. In my view, the fiscal capacity of the state can be considered as the backbone of the state. Understanding the formation of fiscal states thus brings us closer to intricate puzzles of power, policies, and economic development.  

Growing up, I was introduced to Japanese culture and history through anime. But I decided to dig a little deeper, reading history books and looking up more and more information. I was fascinated by what was presented of “Old Japan,” both the misconceptions that were spread by pop culture and by the surprising details that it gets right that no one would believe. This fascination is one of the most consistent things about me through the years, and the idea of delving into works of my own that merged samurai drama with lesbian relationships has been a recurring desire of mine for years.