100 books like Peasants, Rebels, Women, and Outcastes

This book is probably the first scholarly book that blew my mind and pushed me to want to know what else I had always gotten wrong.

Where, like most people I know, I had always thought that the Japanese bombing of Pearl Harbor was just a thing that happened because of “war,” this book made it clear why it happened.

The US and Japan, both diplomats and everyday people, did not choose to understand each other. Different world views, different assumptions, and plain old racism led the US and Japan into a horrific, bloody conflict with long-lasting consequences.

This book provides an accessible introduction to butoh. Centered on the perspectives of its co-founder Kazuo Ohno and his son Yoshito Ohno, the first half of the book by Yoshito offers a useful outline of Kazuo’s life in dance. The second half provides insightful personal reflections, evocative photographs, detailed processes, and some of the relationships deriving from Kazuo’s workshops in his studio in Yokohama. The book reflects on Ohno’s distinctly ‘modern’ sensibility and worldview, as compared with the experimental-traditional fusion of butoh’s co-founder, Hijikata Tatsumi. Their mutual interest in the non-human and non-living generated a unique dance form that continues in the present.

This book has helped me think through the relationship between capitalism, modernity, and romantic anti-capitalist movements both in East Asia and beyond. The book deals with intellectual currents in interwar Japan, (the 1920s to 1945) and shows how conservative philosophers developed a theory to “overcome modernity.” These authors, many from the so-called Kyoto School, targeted the rampant consumer culture, the overturning of ethical relations, and other structural changes. However, Harootunian contends that such critiques did not grasp the fundamental dynamic of capitalism and its relation to such cultural shifts and consequently, such philosophers were “overcome by modernity.”  This means that such critics of modernity were incorporated into the Japanese fascist military complex, which itself claimed to confront capitalist modernity. At a time, when we see right-wing attempts to confront modernity around the world (Trump, Le Pen, Modi) this book remains extremely relevant.  

For a general overview of Japanese theatre, and more broadly Japanese culture, readers are encouraged to have a look through A History of Japanese Theatre edited by Jonah Salz. This encyclopaedic collection of essays by scholars on Japanese theatre history offers a rich and thorough survey of Japanese theatre for a wide readership. From ancient Noh theatre to Kabuki and Bunraku to modern literary theatre to critical theatre and performance, readers can glean how the performing arts have developed throughout Japanese history. As the book weaves together some of the intellectual concerns and artistic reflections of prominent artists in their forms, we can grasp interwoven historical patterns which continue from antiquity to the present.

This book is a deep dive into what makes Japan special. William G. Beasley (1919-2006), a long-time professor at the University of London, was one of his generation’s finest Japanologists. This book highlights the enormous achievements of the Meiji generation, who alone among non-Western leaders, positioned their country to win the game of economic catch-up.

This is a thoughtful and well-written account of Japan's history since the Meiji restoration. The book is enlivened by multiple narrative themes, from feminism to socialism, most of which run counter to the official government version of the nation's history.

Janice Nimura has uncovered a marvelous and strange tale of five Japanese girls selected by the Meiji Restoration government to travel to the United States to learn Western ways during a period of modernization. Three of them remained through their school years, their lives entwining with host families and new friends as they overcame prejudice and proved themselves bright, eager learners. Yet they returned with their new knowledge to a Japan once again suspicious of outside influence, their lives forever altered by their time away as the human subjects of a grand social experiment with unintended consequences. I loved getting to know these girls as they grew into womanhood, striving to realize their hopes and dreams as the world changed around them.  

Some might buck at describing Cloud of Sparrows as ‘premodern battle’ – after all, it describes events of the mid-19th Century! However, Takashi Matsuoka’s novel is a soulful retelling of the Bakumatsu, or the twilight of the Tokugawa shogunate as Japan was violently pushed into the age of gunpowder.

Cloud of Sparrows is richly detailed in combat amongst a fading samurai culture. Descriptions abound of the all-important Battle of Sekigahara, which had established the Tokugawa shogunate over two centuries prior. More immediate attention is paid to countless duels amongst the retainers of Genji, the Great Lord of Akaoka, who struggle to uphold antiquated notions of honor as Japan’s warrior class confronts gunpowder and cannon. Even the most experienced historical fiction writer will learn from Matsuoka’s descriptions of blades and bows.

This book traces the paths of fiscal development in England, Japan, and China, focusing on a critical era of institutional reform after, respectively, the English Civil Wars, the Meiji Restoration, and the Taiping Rebellion.

He brilliantly shows how these events led to urgent calls for state revenue, but how responses differed. England and Japan developed tools of modern public finance and equipped themselves to become world powers. China failed and only caught up much later.

This book is a wonderful example of historical comparative research in fiscal state formation, offering deep insights into the rise of the modern world system. 

This is a World War II memoir by United States Marine Eugene Sledge, first published in 1981. 

It is a powerful depiction of war, honest and authentic, describing what it was like to fight in some of the fiercest battles of World War II. The writing is vivid and gripping, sometimes humorous, but mostly reflective of the horrors of war. There is a very refreshing “non-commercial” tone to the narrative.

Sledge originally wrote this as a private memoir for his immediate family, a way to finally tell them what he could never verbalize in person. Sledge’s passion comes through on every page, a reminder that the best books come from the heart.